dedalus burch (37 résultats)

Paperback. Etat : New. Paperback in like new condition. Unused shop stock with minor shelfwear, no other faults. AD. Used.

Soft cover. Etat : Very Good. 1st Edition. very minor shelf wear only.

Soft cover. Etat : Very Good. 1st Edition. very minor shelf wear only.

Soft cover. Etat : Very Good. 1st Edition. very minor shelf wear only.

Soft cover. Etat : Very Good. 1st Edition. very minor shelf wear only.

Soft cover. Etat : Very Good. Slight staining to text block and corners and edges are bumped, otherwise in very good condition.

Etat : Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Etat : Very Good. No Jacket. 1st Edition. Internally clean bright and tight. No pen marks or inscriptions. Not ex-lib. Externally the glossy pictorial wraps have a couple of light bumps and abrasions and shelf wear but no heavy creases or damage. Contains seven plays written by Michael Harding, Mary Elizabeth Burke-Kennedy and others. Please examine all seller photos.

Paperback. Etat : New. New paperback. An unread/unopened copy. May have VERY minor rubbing and scuffing from shelf wear.; 100% Satisfaction Guaranteed! Ships same or next business day!

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. In.

Paperback. Etat : Brand New. 368 pages. 9.00x6.00x1.00 inches. In Stock.

Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Stanislavski in Ireland: Focus at Fifty is an insight into Ireland's only arthouse theatre from the people who were there. Through interviews, articles, short memoirs and photographs, the book tracks the theatre from its inception, detailing the period under its founder Deirdre O'Connell and then the period following Joe Devlin's arrival as its new artistic director. Many of Ireland's leading theatre and film artists trained and worked at Focus, including Gabriel Byrne, Joan Bergin, Olwen Fouéré, Brendan Coyle, Rebecca Schull, Johnny Murphy, Sean Campion, Tom Hickey, and Mary Elizabeth and Declan Burke-Kennedy. The book comes complete with a chronological list of Productions. It is aimed at students of theatre, actors, directors, academics, as well as the casual reader.

PF. Etat : New.

Paperback. Etat : New. Almost from the beginning, since 1970, new plays became part of the Focus's repertory. Starting with Peter Terson's Mooney and His Caravan, and Declan Burke-Kennedy's The Trespasser in 1973, new plays continued to be produced and some, such as actor-playwright Ena May (Out of the Beehive 1987; She's Your Mother, Too, You Know 1988; A Close Shave With the Devil 2001), finding an artistic home for their works, though not in the numbers that established plays and classics had been produced under Deirdre's leadership. Since 2002 under Joe Devlin's artistic direction, Focus has reversed the emphasis with new plays taking the lion's share of the theatre's performances and, in the process, reinvigorated itself during the past decade. Of the seven plays in this anthology, (five are from Joe's leadership) all exhibit a range in styles from Lewis Carroll's fantastical world (Alice in Wonderland by Mary Elizabeth Burke-Kennedy), to a couple on the brink of a philandering weekend disaster (The Day of the Mayfly by Declan Burke-Kennedy), to a one-man show about Jonathan Swift with several characters all played by the same actor (Talking Through His Hat by Michael Harding); an examination of two shoplifting thieves and the would-be writer who gets in their way (Pinching for My Soul by Elizabeth Moynihan), a battle royal between two sides of a world-famous painter (Francis and Frances by Brian McAvera), the reactions of multiple New Yorkers to that moment on September 11, 2001 when their world was changed forever (New York Monologues by Mike Poblete), to the final days of an iconic movie star (Hollywood Valhalla by Aidan Harney).Each of these scripts is followed by short notes from the playwright, a memory of the production and in some cases its aims by its author. As will become quite clear, there is no single Focus play, no play which perfectly captures the spirit, the aesthetic aims, the physical abilities of this continually surprising fifty-year-old company.

Etat : New.

Taschenbuch. Etat : Neu. Neuware -Stanislavski in Ireland: Focus at Fifty is an insight into Ireland¿s only arthouse theatre from the people who were there. Through interviews, articles, short memoirs and photographs, the book tracks the theatre from its inception, detailing the period under its founder Deirdre O¿Connell and then the period following Joe Devlin¿s arrival as its new artistic director. Many of Ireland¿s leading theatre and film artists trained and worked at Focus, including Gabriel Byrne, Joan Bergin, Olwen Fouéré, Brendan Coyle, Rebecca Schull, Johnny Murphy, Sean Campion, Tom Hickey, and Mary Elizabeth and Declan Burke-Kennedy. The book comes complete with a chronological list of Productions. It is aimed at students of theatre, actors, directors, academics, as well as the casual reader.Lang, Peter GmbH, Gontardstraße 11, 10178 Berlin 278 pp. Englisch.

Etat : New.

Paperback. Etat : New. Almost from the beginning, since 1970, new plays became part of the Focus's repertory. Starting with Peter Terson's Mooney and His Caravan, and Declan Burke-Kennedy's The Trespasser in 1973, new plays continued to be produced and some, such as actor-playwright Ena May (Out of the Beehive 1987; She's Your Mother, Too, You Know 1988; A Close Shave With the Devil 2001), finding an artistic home for their works, though not in the numbers that established plays and classics had been produced under Deirdre's leadership. Since 2002 under Joe Devlin's artistic direction, Focus has reversed the emphasis with new plays taking the lion's share of the theatre's performances and, in the process, reinvigorated itself during the past decade. Of the seven plays in this anthology, (five are from Joe's leadership) all exhibit a range in styles from Lewis Carroll's fantastical world (Alice in Wonderland by Mary Elizabeth Burke-Kennedy), to a couple on the brink of a philandering weekend disaster (The Day of the Mayfly by Declan Burke-Kennedy), to a one-man show about Jonathan Swift with several characters all played by the same actor (Talking Through His Hat by Michael Harding); an examination of two shoplifting thieves and the would-be writer who gets in their way (Pinching for My Soul by Elizabeth Moynihan), a battle royal between two sides of a world-famous painter (Francis and Frances by Brian McAvera), the reactions of multiple New Yorkers to that moment on September 11, 2001 when their world was changed forever (New York Monologues by Mike Poblete), to the final days of an iconic movie star (Hollywood Valhalla by Aidan Harney).Each of these scripts is followed by short notes from the playwright, a memory of the production and in some cases its aims by its author. As will become quite clear, there is no single Focus play, no play which perfectly captures the spirit, the aesthetic aims, the physical abilities of this continually surprising fifty-year-old company.

Etat : As New. Unread book in perfect condition.

Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Almost from the beginning, since 1970, new plays became part of the Focus's repertory. Starting with Peter Terson's Mooney and His Caravan, and Declan Burke-Kennedy's The Trespasser in 1973, new plays continued to be produced and some, such as actor-playwright Ena May (Out of the Beehive 1987; She's Your Mother, Too, You Know 1988; A Close Shave With the Devil 2001), finding an artistic home for their works, though not in the numbers that established plays and classics had been produced under Deirdre's leadership. Since 2002 under Joe Devlin's artistic direction, Focus has reversed the emphasis with new plays taking the lion's share of the theatre's performances and, in the process, reinvigorated itself during the past decade. Of the seven plays in this anthology, (five are from Joe's leadership) all exhibit a range in styles from Lewis Carroll's fantastical world (Alice in Wonderland by Mary Elizabeth Burke-Kennedy), to a couple on the brink of a philandering weekend disaster (The Day of the Mayfly by Declan Burke-Kennedy), to a one-man show about Jonathan Swift with several characters all played by the same actor (Talking Through His Hat by Michael Harding); an examination of two shoplifting thieves and the would-be writer who gets in their way (Pinching for My Soul by Elizabeth Moynihan), a battle royal between two sides of a world-famous painter (Francis & Frances by Brian McAvera), the reactions of multiple New Yorkers to that moment on September 11, 2001 when their world was changed forever (New York Monologues by Mike Poblete), to the final days of an iconic movie star (Hollywood Valhalla by Aidan Harney).Each of these scripts is followed by short notes from the playwright, a memory of the production and in some cases its aims by its author. As will become quite clear, there is no single Focus play, no play which perfectly captures the spirit, the aesthetic aims, the physical abilities of this continually surprising fifty-year-old company.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New.

Taschenbuch. Etat : Neu. Neuware -Almost from the beginning, since 1970, new plays became part of the Focus¿s repertory. Starting with Peter Terson¿s Mooney and His Caravan, and Declan Burke-Kennedy¿s The Trespasser in 1973, new plays continued to be produced and some, such as actor-playwright Ena May (Out of the Beehive 1987; She¿s Your Mother, Too, You Know 1988; A Close Shave With the Devil 2001), finding an artistic home for their works, though not in the numbers that established plays and classics had been produced under Deirdre¿s leadership. Since 2002 under Joe Devlin¿s artistic direction, Focus has reversed the emphasis with new plays taking the lion¿s share of the theatre¿s performances and, in the process, reinvigorated itself during the past decade.Of the seven plays in this anthology, (five are from Joe¿s leadership) all exhibit a range in styles from Lewis Carroll¿s fantastical world (Alice in Wonderland by Mary Elizabeth Burke-Kennedy), to a couple on the brink of a philandering weekend disaster (The Day of the Mayfly by Declan Burke-Kennedy), to a one-man show about Jonathan Swift with several characters all played by the same actor (Talking Through His Hat by Michael Harding); an examination of two shoplifting thieves and the would-be writer who gets in their way (Pinching for My Soul by Elizabeth Moynihan), a battle royal between two sides of a world-famous painter (Francis & Frances by Brian McAvera), the reactions of multiple New Yorkers to that moment on September 11, 2001 when their world was changed forever (New York Monologues by Mike Poblete), to the final days of an iconic movie star (Hollywood Valhalla by Aidan Harney).Each of these scripts is followed by short notes from the playwright, a memory of the production and in some cases its aims by its author. As will become quite clear, there is no single Focus play, no play which perfectly captures the spirit, the aesthetic aims, the physical abilities of this continually surprising fifty-year-old company.Books on Demand GmbH, Überseering 33, 22297 Hamburg 266 pp. Englisch.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Trade Paperback. Etat : New. NEW BOOK, POSSIBLY WITH SLIGHT SHELF-WEAR.

Taschenbuch. Etat : Neu. Stanislavski in Ireland | Focus at Fifty | Steven Dedalus Burch (u. a.) | Taschenbuch | 278 S. | Englisch | 2019 | Peter Lang | EAN 9781788748193 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu.