Dodds lara (76 résultats)

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Paperback. Etat : New. As a reader of her literary predecessors, and as a writer who herself contributed to the emerging literary tradition, Margaret Cavendish is an extraordinary figure whose role in early modern literary history has yet to be fully acknowledged. In this study, Lara Dodds reassesses the literary invention of Cavendish-the use she makes of other writers, her own various forms of writing, and the ways in which she creates her own literary persona-to transform our understanding of Cavendish's considerable accomplishments and influence. In spite of Cavendish's claims that she did little reading whatsoever, Dodds demonstrates that the duchess was an agile, avid reader (and misreader) of other writers, all of them male, all of them now considered canonical-Shakespeare, Jonson, Donne, Milton, Bacon. In each chapter, Dodds discusses Cavendish's moments of reading of these authors, revealing their influence on Cavendish while also providing a lens to investigate more broadly the many literary forms-poetry, letters, fiction, drama-that Cavendish employed. Seeking a fruitful exchange between literary history and the history of reading, Dodds examines both the material and social circumstances of reading and the characteristic formal features and thematic preoccupations of Cavendish's writing in each of the major genres. Thus, not only is our view of Cavendish and her specific literary achievements enhanced, but we see too the contributions of this female reader to the emerging idea of literature in late seventeenth century England. Most previous studies of Cavendish have been preoccupied with literary biography, looking into her royalist politics, materialist natural philosophy, and ambivalent protofeminism. The Literary Invention of Margaret Cavendish is significant, then, in its focus outward from Cavendish to her most enduring and positive contributions to literary history-her revival of an expansive model of literary invention that rests uneasily, but productively, alongside a Jonsonian aesthetics of the verisimilar and a Hobbesian politics of social strife.…

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Paperback. Etat : new. Paperback. As a reader of her literary predecessors, and as a writer who herself contributed to the emerging literary tradition, Margaret Cavendish is an extraordinary figure whose role in early modern literary history has yet to be fully acknowledged. In this study, Lara Dodds reassesses the literary invention of Cavendishthe use she makes of other writers, her own various forms of writing, and the ways in which she creates her own literary personato transform our understanding of Cavendishs considerable accomplishments and influence. In spite of Cavendishs claims that she did little reading whatsoever, Dodds demonstrates that the duchess was an agile, avid reader (and misreader) of other writers, all of them male, all of them now considered canonicalShakespeare, Jonson, Donne, Milton, Bacon. In each chapter, Dodds discusses Cavendishs moments of reading of these authors, revealing their influence on Cavendish while also providing a lens to investigate more broadly the many literary formspoetry, letters, fiction, dramathat Cavendish employed. Seeking a fruitful exchange between literary history and the history of reading, Dodds examines both the material and social circumstances of reading and the characteristic formal features and thematic preoccupations of Cavendishs writing in each of the major genres. Thus, not only is our view of Cavendish and her specific literary achievements enhanced, but we see too the contributions of this female reader to the emerging idea of literature in late seventeenth century England. Most previous studies of Cavendish have been preoccupied with literary biography, looking into her royalist politics, materialist natural philosophy, and ambivalent protofeminism. The Literary Invention of Margaret Cavendish is significant, then, in its focus outward from Cavendish to her most enduring and positive contributions to literary historyher revival of an expansive model of literary invention that rests uneasily, but productively, alongside a Jonsonian aesthetics of the verisimilar and a Hobbesian politics of social strife. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Paperback. Etat : new. Paperback. This anthology of four plays written or performed between 1662 and 1677 offers a unique snapshot of the diverse nature of Restoration drama by women. Restoration Women's Drama collects four Restoration plays by women: the highly acclaimed Katherine Philips, the successful professional Aphra Behn, the confidently original Margaret Cavendish, and the obscure pioneer Frances Boothby. This anthology includes Behn's only tragedy as well as the first printed edition of Boothby's Marcelia, the first play by a woman to be professionally staged in London, demonstrating the range of early modern drama produced by women in this period. An excellent introduction, it is poised to stimulate new discussions of women's authorship, theatrical knowledge, and literary affinities. Each play has been edited afresh, and each has been modernized and annotated to facilitate reading, teaching, and performance possibilities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New. 2022. Paperback. . . . . .

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Paperback. Etat : Brand New. 325 pages. 9.00x6.00x0.90 inches. In Stock.

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Etat : New. 2026. paperback. . . . . .

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Etat : New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Paperback. Etat : New. This anthology of four plays written or performed between 1662 and 1677 offers a unique snapshot of the diverse nature of Restoration drama by women. Restoration Women's Drama collects four Restoration plays by women: the highly acclaimed Katherine Philips, the successful professional Aphra Behn, the confidently original Margaret Cavendish, and the obscure pioneer Frances Boothby. This anthology includes Behn's only tragedy as well as the first printed edition of Boothby's Marcelia, the first play by a woman to be professionally staged in London, demonstrating the range of early modern drama produced by women in this period. An excellent introduction, it is poised to stimulate new discussions of women's authorship, theatrical knowledge, and literary affinities. Each play has been edited afresh, and each has been modernized and annotated to facilitate reading, teaching, and performance possibilities.…

Etat : New. 2022. Hardcover. . . . . .

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