Duerloo eds (5 résultats)

Tapa blanda. Etat : New. THIRY, S. / DUERLOO, L., EDS.: HERALDIC HIERARCHIES. IDENTITY, STATUS AND STATE INTERVENTION IN EARLY MODERN HERALDRY. LEUVEN, 2021, 280 p., 440 gr. Encuadernacion original. Nuevo. (HK-2-6) 978-94-6270-243-1 440 gr. Libro.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1700grams, ISBN:2503507263.

Etat : gut. Age of Rubens Diplomacy, Dynastic Politics and the Visual Arts in Early Seventeenth-Century Europe In deutscher Sprache. pages.

Softcover ,IV+302 pages ., 81 b/w ill. + 21 colour ill., 210 x 297 mm Languages: English, French. ISBN 9782503549484. This thoroughly interdisciplinary collection of essays explores the multi-faceted relationship between international politics, diplomacy and the visual arts that developed during the early seventeenth century. Several chapters provide major re-evaluations of the career of Peter Paul Rubens as an artistdiplomat, based on previously neglected manuscript sources and a deepened analysis of the social and political environments in which he operated. Other contributors focus on Rubens?s contemporary court artists, such as Anthony van Dyck, Guido Reni and Diego Velazquez. In addition to providing original interpretations of several important paintings and painting cycles, the volume examines such topics as the evolution of personified images of nationality, representations of dynastic marriages, the material culture of royal bridal trousseaus, the importance of details of costume and colour to the visual codes of baroque courts, and the roles played by artists within court societies. Ranging across Western Europe, from England to the Low Countries, France, Germany, Spain and Italy, these essays demonstrate conclusively the subtlety and complexity of visual communication within early baroque court societies, which enabled artists to convey complex political messages through paintings. The contributors to this volume display a variety of methodological approaches, demonstrating many different ways in which historical research can be fruitfully integrated with art historical analysis to generate new insights into both the visual culture and the politics of baroque Europe. Luc Duerloo is professor of early modern political history at the University of Antwerp. His current research focuses on the Court of the Archdukes Albert and Isabella, their international policies and artistic patronage. His monograph Dynasty and Piety: Archduke Albert (1598?1621) and Habsburg Political Culture in an Age of Religious Wars (2012) won the Filips van Marnix van Sint Aldegonde Prize for History, and was translated into Spanish as El archiduque Alberto: Piedad y politica dinastica durante las guerras de religion (2015). R. Malcolm Smuts is Professor Emeritus of History at the University of Massachusetts Boston. His publications include Court Culture and the Origins of a Royalist Tradition in Early Stuart England (1987), Culture and Power in England 1585?1685, and numerous articles and edited collections dealing with the political and cultural history of early modern England and Europe. 0 g.…

Turnhout Brepols 1998 Softcover, 368pp., 21.5x30cm., ills. in b/w., some plates in col., in good condition (light traces of use). Contains 35 ssays in different languages (mostly in english, some In french, dutch, spanish or german). ISBN 2503507263. This book is a selected collection of essays on the court of Archdukes Albert and Isabella in the Low Countries as a flourishing centre of arts, and on their great contribution towards the radiation of the style later known as Flemish Baroque. The Rule of the Archdukes Albert & Isabella over the Low Countries began in 1598, exactly 400 years ago. Their highly cosmopolitan court became a flourishing centre of the arts, a showcase for other courts throughout Europe. The archdukes made a great contribution towards the radiation of the style later known as 'Flemish Baroque'. The century of Peter Paul Rubens would never have been the same without the support of Albert and Isabella. In the Habsburg Netherlands, a region split by civil war, the protestant Northern Provinces had broken away from Catholic Spain, while Spanish rule was established in the Southern Netherlands. The confidence between sovereign and subject would be restored by the Archdukes. The Twelve Year Truce (1609-1621) brought the necessary peace for a political, economic and in particular cultural revival. Albert and Isabella surrounded themselves with a score of artists, including the architects Wenzel Coebergher and Jacques Franckaert, the composer Peter Philips and the court painters, Peter Paul Rubens in the first place, but also Jan I Brueghel, Otto Van Veen and Theodoor van Loon. The South-Netherlandish humanists, Justus Lipsius in particular, brought about an intellectual apogee. With contributions by: W. Thomas, J. Martinez-Millan, R. Valladares, T. DaCosta Kaufmann, A. Jordan, E. Stols, B.J. Garcia Garcia, P. Croft, M.A. Echevarria Bacigalupe, M. Thofner, K. Van Honacker, H. De Schepper, D. Lanoye, G. Martijn, L. Duerloo, E. Put, J. Roegiers & P. Vandermeersch, B. Welzel, C. Banz, C. Schumann, K. De Jonge, E. Janssen, P. Arblaster, J. Verberckmoes, K. Proesmans, M. Ebben, F. Van Noten.…