Dussinger john a (50 résultats)
Edité par 1990 Ohio State University Press First Edition, 1990
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Ajouter au panierHardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. Fine light green cloth in a Very Good + to Near Fine dust jacket with a quite small chip at bottom rear spine corner else lightly rubbed & edgeworn. Bright, snug & unmarked first printing.
Langue : anglais
Edité par Columbus Ohio State University Press c1990., 1990
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F/F. The dust jacket is protected by a Brodart mylar cover. No remainder marks. Not an ex-library copy. As New. Most books shipped within 24 hours. ; 8vo.; 213 pages. First Edition. Binding is Hardcover; First Printing.
Langue : anglais
Edité par Ohio State University Press, Columbus, Ohio, 1990
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Hardcover. Etat : Almost Like New. Etat de la jaquette : Almost Like New. First Printing. Book is a clean tight and unmarked copy. Dust jacket shows slight bumping on corner edges.
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Hardcover. Etat : Like New. Publisher: Ohio State University Press, Columbus, 1990. First Edition, First Printing. FINE hardcover book in FINE dust-jacket. PRISTINE. As New. Unread. Not remainder marked. Not price-clipped. Not a book club edition. Not an ex-library copy. All of our books with dust-jackets are shipped in fresh, a…rchival-safe mylar protective sleeves.
Langue : anglais
Edité par Ohio State University Press, Columbus, Ohio, 1990
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Hardcover. Etat : As New. Etat de la jaquette : As New. First Printing. Book is a clean tight unmarked copy.
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Ajouter au panier1990 Dussinger, John A IN THE PRIDE OF THE MOMENT; ENCOUNTERS IN JANE AUSTEN'S WORLD Columbus: The Ohio State University Press, c1990 first printing 213pp index 8vo Fine copy in d/w.
Edité par Ohio State University, Columbus, OH, 1990
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Ajouter au panierFirst printing. ivo, pp. 213. Notes, index. Fine in slightly scuffed dj.
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Edité par Mouton & Co., The Hague, 1974
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Ajouter au panierPaper Cardboard-Backed. Etat : Very Good. Original binding.
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hardcover. Etat : Very Good.
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Hardback. Etat : New. During the first two decades of his career, Richardson's role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723-24) and The Weekly Miscellany (17…32-41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither the Duke of Wharton, the owner of The True Briton, nor William Webster, the desperately impecunious producer of The Weekly Miscellany, launched their journals with the objective of advancing radical views about political equality for women. But almost inadvertently this middle-aged, rotund printer at Salisbury Court was quietly feminizing journalism. After his first experiments in Wharton's anti-Walpole journal he developed his satiric powers in the Miscellany by creating not only his own feisty counterpart to Pope's coquette Belinda but even partnering with Sarah Chapone's subversive Delia. As an outlier in what was perceived to be a corrupt, predatory political world, Richardson readily assumed a female voice to express his resistance.
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Hardback. Etat : New. New copy - Usually dispatched within 4 working days.
The Cambridge Edition of the Correspondence of Samuel Richardson: Correspondence with George Cheyne and Thomas Edwards
Richardson, Samuel; Shuttleton, David E. [Editor]; Dussinger, John A. [Editor];
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Hardcover. Etat : New. Etat de la jaquette : New. First Edition. Dark red hardback with gilt lettered spine, complete with original dustjacket. In new condition: firm and square with strong joints, no bumps, no rubs. Contents are crisp, tight and clean; no pen-marks. Thus a very nice copy that looks and feels unread, now offered… for sale at a very reasonable price.
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Hardback. Etat : New. During the first two decades of his career, Richardson's role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723-24) and The Weekly Miscellany (17…32-41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither the Duke of Wharton, the owner of The True Briton, nor William Webster, the desperately impecunious producer of The Weekly Miscellany, launched their journals with the objective of advancing radical views about political equality for women. But almost inadvertently this middle-aged, rotund printer at Salisbury Court was quietly feminizing journalism. After his first experiments in Wharton's anti-Walpole journal he developed his satiric powers in the Miscellany by creating not only his own feisty counterpart to Pope's coquette Belinda but even partnering with Sarah Chapone's subversive Delia. As an outlier in what was perceived to be a corrupt, predatory political world, Richardson readily assumed a female voice to express his resistance.
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Hardback. Etat : New. During the first two decades of his career, Richardson's role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723-24) and The Weekly Miscellany (17…32-41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither the Duke of Wharton, the owner of The True Briton, nor William Webster, the desperately impecunious producer of The Weekly Miscellany, launched their journals with the objective of advancing radical views about political equality for women. But almost inadvertently this middle-aged, rotund printer at Salisbury Court was quietly feminizing journalism. After his first experiments in Wharton's anti-Walpole journal he developed his satiric powers in the Miscellany by creating not only his own feisty counterpart to Pope's coquette Belinda but even partnering with Sarah Chapone's subversive Delia. As an outlier in what was perceived to be a corrupt, predatory political world, Richardson readily assumed a female voice to express his resistance.
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Hardcover. Etat : Brand New. 250 pages. 9.01x6.02x1.02 inches. In Stock.
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Hardcover. Etat : new. Hardcover. Samuel Richardson (16891761), renowned master printer and celebrated English novelist, wrote hundreds of letters during his lifetime. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of these letters. This volume contains his correspondences, many pu…blished for the first time, with three very different young women, all seeking to find their voice within family and society while corresponding with a celebrated author and moralist. Sarah Wescomb and Frances Grainger, two young, unmarried correspondents, sought paternal advice from the middle-aged author and in the process contested stances taken in his novels. Laetitia Pilkington, an accused adulteress, offers poignant glimpses into an impoverished woman's struggles to survive in Grub Street. The scholarly apparatus in this volume provides ample information about these three women's lives and their milieu, giving fascinating insights into eighteenth-century English social and literary history. The first scholarly edition of Samuel Richardson's correspondence with three young women: Sarah Wescomb, Frances Grainger and Laetitia Pilkington. This volume, including a comprehensive introduction and full annotation, offers new insights into eighteenth-century social and literary history, especially the degree of autonomy allowed to women within family and society. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardcover. Etat : new. Hardcover. Samuel Richardson (16891761), among the most important and influential English novelists, was also a prolific letter writer. Beyond its extraordinary range, his correspondence holds special interest as that of a practising epistolary novelist, who thought long and hard about the letter as a form…. The Cambridge Edition of the Correspondence of Samuel Richardson is the first complete edition of his letters. The present volume contains his correspondences with Dr George Cheyne and Thomas Edwards, linked not only by their pronounced medical content but also by their generally unguarded character. An early admirer of Richardson's Pamela (174041), Cheyne elicits some of the novelist's most significant statements concerning his own literary practice and tastes. Edwards, an astute literary critic as well as notable sonneteer, draws Richardson into expressing some remarkable insights as a close reader of poetry and prose. The first scholarly edition, with full introduction and annotations, of the influential author Samuel Richardson's correspondence with the poet and literary critic Thomas Edwards, and the celebrated physician and author George Cheyne. It offers fascinating insight into how these relationships influenced Richardson's writing in the context of eighteenth-century literary history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Hardback. Etat : New. During the first two decades of his career, Richardson's role as printer was hardly limited to setting the type for the periodicals that issued from his shop. Perhaps the most glaring evidence of his intervention in producing text is the fact that both The True Briton (1723-24) and The Weekly Miscellany (17…32-41) just happen to have letters supposedly from women who protest the legal restraints against their participation in the public sphere. Neither the Duke of Wharton, the owner of The True Briton, nor William Webster, the desperately impecunious producer of The Weekly Miscellany, launched their journals with the objective of advancing radical views about political equality for women. But almost inadvertently this middle-aged, rotund printer at Salisbury Court was quietly feminizing journalism. After his first experiments in Wharton's anti-Walpole journal he developed his satiric powers in the Miscellany by creating not only his own feisty counterpart to Pope's coquette Belinda but even partnering with Sarah Chapone's subversive Delia. As an outlier in what was perceived to be a corrupt, predatory political world, Richardson readily assumed a female voice to express his resistance.
