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Paperback. Etat : Very Good. One of the twentieth century's greatest composers, Duke Ellington (1899-1974) led a fascinating life. Beyond Category, the first biography to draw on the vast Duke Ellington archives at the Smithsonian Institution, recounts his remarkable career: his childhood in Washington, D.C., and his musical apprenticeship in Harlem his long engagement at the Cotton Club the challenging years of the depression his tours to Europe and into America's deep South, where he helped lower racial barriers the postwar years when television and bebop threatened to eclipse the big bands Ellington's own triumphant comeback at the 1956 Newport Jazz Festival his collaborations with Billy Strayhorn, Johnny Hodges, and Ella Fitzgerald as well as five decades of hits and masterpieces that constantly broke new ground.The art of Duke Ellington was a musical expression of the African-American experience, in all its pain, pride, and glory. He composed his music as he composed his life,with flair, passion, and individuality,and no book reveals the man and his artistic evolution more brilliantly than Beyond Category.…

Paperback. Etat : Good. One of the twentieth century's greatest composers, Duke Ellington (1899-1974) led a fascinating life. Beyond Category, the first biography to draw on the vast Duke Ellington archives at the Smithsonian Institution, recounts his remarkable career: his childhood in Washington, D.C., and his musical apprenticeship in Harlem his long engagement at the Cotton Club the challenging years of the depression his tours to Europe and into America's deep South, where he helped lower racial barriers the postwar years when television and bebop threatened to eclipse the big bands Ellington's own triumphant comeback at the 1956 Newport Jazz Festival his collaborations with Billy Strayhorn, Johnny Hodges, and Ella Fitzgerald as well as five decades of hits and masterpieces that constantly broke new ground.The art of Duke Ellington was a musical expression of the African-American experience, in all its pain, pride, and glory. He composed his music as he composed his life,with flair, passion, and individuality,and no book reveals the man and his artistic evolution more brilliantly than Beyond Category. …

Paperback. Etat : Fair. One of the twentieth century's greatest composers, Duke Ellington (1899-1974) led a fascinating life. Beyond Category, the first biography to draw on the vast Duke Ellington archives at the Smithsonian Institution, recounts his remarkable career: his childhood in Washington, D.C., and his musical apprenticeship in Harlem his long engagement at the Cotton Club the challenging years of the depression his tours to Europe and into America's deep South, where he helped lower racial barriers the postwar years when television and bebop threatened to eclipse the big bands Ellington's own triumphant comeback at the 1956 Newport Jazz Festival his collaborations with Billy Strayhorn, Johnny Hodges, and Ella Fitzgerald as well as five decades of hits and masterpieces that constantly broke new ground.The art of Duke Ellington was a musical expression of the African-American experience, in all its pain, pride, and glory. He composed his music as he composed his life,with flair, passion, and individuality,and no book reveals the man and his artistic evolution more brilliantly than Beyond Category. …

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. One of the twentieth century's greatest composers, Duke Ellington (1899-1974) led a fascinating life. Beyond Category, the first biography to draw on the vast Duke Ellington archives at the Smithsonian Institution, recounts his remarkable career: his childhood in Washington, D.C., and his musical apprenticeship in Harlem his long engagement at the Cotton Club the challenging years of the depression his tours to Europe and into America's deep South, where he helped lower racial barriers the postwar years when television and bebop threatened to eclipse the big bands Ellington's own triumphant comeback at the 1956 Newport Jazz Festival his collaborations with Billy Strayhorn, Johnny Hodges, and Ella Fitzgerald as well as five decades of hits and masterpieces that constantly broke new ground.The art of Duke Ellington was a musical expression of the African-American experience, in all its pain, pride, and glory. He composed his music as he composed his life,with flair, passion, and individuality,and no book reveals the man and his artistic evolution more brilliantly than Beyond Category.…

Paperback. Etat : Good. One of the twentieth century's greatest composers, Duke Ellington (1899-1974) led a fascinating life. Beyond Category, the first biography to draw on the vast Duke Ellington archives at the Smithsonian Institution, recounts his remarkable career: his childhood in Washington, D.C., and his musical apprenticeship in Harlem his long engagement at the Cotton Club the challenging years of the depression his tours to Europe and into America's deep South, where he helped lower racial barriers the postwar years when television and bebop threatened to eclipse the big bands Ellington's own triumphant comeback at the 1956 Newport Jazz Festival his collaborations with Billy Strayhorn, Johnny Hodges, and Ella Fitzgerald as well as five decades of hits and masterpieces that constantly broke new ground.The art of Duke Ellington was a musical expression of the African-American experience, in all its pain, pride, and glory. He composed his music as he composed his life,with flair, passion, and individuality,and no book reveals the man and his artistic evolution more brilliantly than Beyond Category. …

Paperback. Etat : Fair. One of the twentieth century's greatest composers, Duke Ellington (1899-1974) led a fascinating life. Beyond Category, the first biography to draw on the vast Duke Ellington archives at the Smithsonian Institution, recounts his remarkable career: his childhood in Washington, D.C., and his musical apprenticeship in Harlem his long engagement at the Cotton Club the challenging years of the depression his tours to Europe and into America's deep South, where he helped lower racial barriers the postwar years when television and bebop threatened to eclipse the big bands Ellington's own triumphant comeback at the 1956 Newport Jazz Festival his collaborations with Billy Strayhorn, Johnny Hodges, and Ella Fitzgerald as well as five decades of hits and masterpieces that constantly broke new ground.The art of Duke Ellington was a musical expression of the African-American experience, in all its pain, pride, and glory. He composed his music as he composed his life,with flair, passion, and individuality,and no book reveals the man and his artistic evolution more brilliantly than Beyond Category. …

Paperback. Etat : New.

Etat : New.

Wraps. Etat : Reading Copy. Vol. 34, No. 4. Edited by Cele Goldsmith. Cover art by Albert Nuetzell. Includes "We're Friends Now" (novelet) by Henry Hasse; "You Don't Make Wine Like the Greeks Did" (novelet) by David E. Fisher; "The Red Telephone" by John Jakes; "The Issahar Artifacts" by J. F. Bone; "It Hardly Seems Fair" by Gordon R. Dickson; "Remembering" by David R. Bunch. Features: "Editorial"; "The Spectroscope"; ". . .Or So You Say"; "Coming Next Month". Illustrated by Varga, Grayam, and Summers. Tears and stains; creasing; edge and corner nicks and wear. Reading copy. Magazine. …

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : New.

Wraps. Etat : Good-. Vol. 34, No. 4. Edited by Cele Goldsmith. Cover art by Albert Nuetzell. Includes "We're Friends Now" (novelet) by Henry Hasse; "You Don't Make Wine Like the Greeks Did" (novelet) by David E. Fisher; "The Red Telephone" by John Jakes; "The Issahar Artifacts" by J. F. Bone; "It Hardly Seems Fair" by Gordon R. Dickson; "Remembering" by David R. Bunch. Features: "Editorial"; "The Spectroscope"; ". . .Or So You Say"; "Coming Next Month". Illustrated by Varga, Grayam, and Summers. Rubbed; corner losses; tanned; creasing; loss at spine head. Magazine.…

Etat : New.

SingleIssueMagazine. Etat : Good to Very Good-. Vol. 35, No. 5. Edited by Cele Goldsmith. Cover art by Schomburg for "Assembling a Station in Space" (article) by Frank Tinsley. Includes "The Beginning" by Henry Hasse; "Dead World" by Jack Douglas; "The Happiest Missle" by Raymond E. Banks; "The Undersea Tube" (reprint) by L. Taylor Hansen; "The Planet of Shame" (pt. 1 of 2) by Bruce Elliott. Features: "Editorial"; "SF Crossword"; "the Spectrodcope"; ". . .Or So You Say"; "Coming Next Month". Illustrated by Finlay, G. Barr, and Summers. Tanned; foxing and soiling; tears at spine ends with small losses. Book.…

SingleIssueMagazine. Etat : Good. Vol. 24, No. 2. Pulp magazine. Edited by Howard Browne. Cover art by Robert Gibson Jones for "The Galaxy Raiders" (novelet) by William P. McGivern. Includes "Typewriter from the Future" (novelet) by Peter Worth; "The Last Orbit" by Charles Dye; "No Teeth for the Tiger" (1st SF story) by Paul W. Fairman; "Spiders of Saturn" by V. E. Theissen; "Tomb of the Seven Taajos" by Henry Hasse; "The Pranksters" by Rog Phillips (Roger P. Graham); "And No Tomorrow" by Russell Storm. Features: "The Observatory"; "Tomorrow's Workshop" by Clifford Gates; "Is This Our Future?" by Ralph Kelly; "Monorail Monster" by Guy Greene; "We Grow Our Air!" by Howard Gorman; "Smoke Screen" by Lee Owen; "Coming Events. . ." by John Cord; "Mutant Menace" by Robert Samson; 'Marbles in the Mud" by Edward Hanley; "The Link" by Salem Lane; "The Terrible Decade" by Stanley Abbott; "Children Should Be Seen. . ." by Don Elwood; ". . .And Not Heard" by Frank pillar; "Five Fast Hours" by Steve Lyons; "Superman - Supermarket!" by Henry Gade; "The Clubhouse" by Rog Phillips; "Fables from the Future" by Joseph Hill. Illustrated by Swiatek, Summers, Krupa, Hinton & Terry. Spine was weat with stains and wraps were deatched but have been glued back on; losses to spien ends; rear hineg stain; old tape near spine head; math in pencil on rear; standard wear and tear to edges; tanning; minor soiling. Book.…

Hardcover. Etat : Very Good. No Jacket. 2nd Edition. 12mo bound in the original cloth binding, Spine darkened with minor marks to boards, endpapers browned with inscription to front endpaper, Overall a very good copy. All books are posted in a sturdy book box. Overseas orders may require extra postal costs.…

Single Issue Magazine. Etat : Good. First Edition. Fantasy Publishing Co. 1947 First edition. First Issue. 42 pages. Contents page is listed in photos. Good condition with wear and rubbing to covers and spine. Toning to pages, small tear top edge front cover and first page. See photos cllphE. Milo (cover art), Neil Austin, Charles McNutt, Robert K. Murphy (illustrateur).…

Etat : As New. Unread book in perfect condition.

SingleIssueMagazine. Etat : Very Good. Vol. 24, No. 2. Pulp magazine. Edited by Howard Browne. Cover art by Robert Gibson Jones for "The Galaxy Raiders" (novelet) by William P. McGivern. Includes "Typewriter from the Future" (novelet) by Peter Worth; "The Last Orbit" by Charles Dye; "No Teeth for the Tiger" (1st SF story) by Paul W. Fairman; "Spiders of Saturn" by V. E. Theissen; "Tomb of the Seven Taajos" by Henry Hasse; "The Pranksters" by Rog Phillips (Roger P. Graham); "And No Tomorrow" by Russell Storm. Features: "The Observatory"; "Tomorrow's Workshop" by Clifford Gates; "Is This Our Future?" by Ralph Kelly; "Monorail Monster" by Guy Greene; "We Grow Our Air!" by Howard Gorman; "Smoke Screen" by Lee Owen; "Coming Events. . ." by John Cord; "Mutant Menace" by Robert Samson; 'Marbles in the Mud" by Edward Hanley; "The Link" by Salem Lane; "The Terrible Decade" by Stanley Abbott; "Children Should Be Seen. . ." by Don Elwood; ". . .And Not Heard" by Frank pillar; "Five Fast Hours" by Steve Lyons; "Superman - Supermarket!" by Henry Gade; "The Clubhouse" by Rog Phillips; "Fables from the Future" by Joseph Hill. Illustrated by Swiatek, Summers, Krupa, Hinton & Terry. Standard wear and tear and small losses at overlaps; glue mend at lower rear cover hinge end; store stamps and price in pen on first page. Book.…

Paperback. Etat : New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Etat : New.

Soft cover. Etat : Good. 1st Edition. Fantasy Publishing Co. 1947 First edition. First Issue. 42 pages. Contents page is listed in photos. Good condition with wear and rubbing to covers and spine. Toning to pages. See photos mag17. Milo (cover art), Neil Austin, Charles McNutt, Robert K. Murphy (illustrateur).…

Etat : New.

Etat : New.

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Soft cover. Etat : Good. No Jacket. 1st Edition. Octavo. 146 pages, indexed. Paperback in gray wrappers. The binding is worn and bumped and toned about the edges. The front hinge is tender and there is splitting at the front hinge near the foot of the spine. Lacks the front flyleaf. Text is toned. Several sections at the rear are written by noted North Carolina figures in the Moravian Church, including Rev. Edward Rondthaler ("The Doctrine and Government of the Moravian Church"), Rev. J. Kenneth Pfohl ("The Southern Province, 1857-1909") and Adelaide L. Fries ("Moravian Festival Days"). …

Hardcover. Etat : Fine. Leichte Kratzer / Abnutzungen / Druckstellen; Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung.

Etat : Poor. This is an ex-library book and may have the usual library/used-book markings inside. This book has hardback covers. With usual stamps and markings. In poor condition, suitable as a reading copy. No dust jacket. Blind stamping on covers. Gilt lettering on backstrip. Backstrip slightly torn at the top. Pages uncut. Binding slightly loose. Text clean and free of markings. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,800grams, ISBN.…

Etat : New.