eastman max editor (29 résultats)

Paperback. 303p., front., illus., wraps slightly shelf worn else very good condition. An elephant paperback EL5.

Soft cover. Etat : Very Good. First Edition. Very good in original wrappers with foxing on the edges.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. dj w/closed tear, unclipped price, in mylar; owner's plate greem Blumenthal binding w/gilt titles on black; Rockwell Kent end papers; 429 clean, unmarked pages + catalog; (#202 in series, lists to 344 on dj reverse).

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Etat : Near Fine. First Edition. Lightly spotted along top front edge, a few light soil marks, essentially as issued. xix,82 pp. Size: 8vo - over 7¾" - 9¾" tall. Book.

Hardcover. Etat : Fine. Etat de la jaquette : Very Good. Fine condition hardcover with very good condition dust jacket. Previous owner's name and date is written on front endpaper. 224 pages including index.

Hardcover. Etat : Good. Etat de la jaquette : Good. Dust jacket has scuffing along with minor chipping and tearing. Page edges have notable creasing. Text is clean and unmarked. This could have light cosmetic flaws, but remains in good condition. Dust jacket condition is Good. Secure packaging for safe delivery.

Magazine. 100p., 10x14 inches, reviews, events, theatre and film listings, photo-portraits of stars of stage & screen, ads, worn theatre and film arts magazine in worn stapled pictorial wraps with ex-library stamp on cover. "Chaplin, Young Man of Promise" by Eastman. "A Stage for Poetry" by MacLeish. A condensed version of "Winterset" by Maxwell Anderson.

1925. (Periodical) Very good. 257-383pp. Spine lightly faded, spine wear at top and bottom, 1 inch piece missing from top of spine. March 1925. Contributors include Herbert Asbury (The Passing of the Gangster), Max Eastman (On Learning Foreign Languages), Patrick Kearney (The Fountain of Spiritualism), Fred Lewis Pattee (James Fenimore Cooper). Edited by George Jean Nathan. Article about James Fenimore Cooper. (Essays, Spiritualism).

hardcover. Etat : Very Good.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good-. 1st US Edition. 224 pages in very good condition. Pages are clean and unmarked. Previous owner's markings on the ffep. Bound in red cloth with gilt titles on the spine. Red and white dustjacket in very good condition with yellow and black titles. Worn around the edges. A marked scratch on the front of the jacket from head to tail. Price-clipped. 1ST US EDITION. NF/VG-. Book.

Etat de la jaquette : dj. First Edition. Quarto (31cm); white cloth spine over black cloth-covered boards, with titling stamped in black and white on spine, and illustration blind embossed to front cover; red topstain; dustjacket; [4],5-303,[1]pp; black-and-white and colorful illustrations. Modest shelf-wear and -soil, with foxing to cloth spine; Very Good. Dustwrapper, price-clipped, spine-faded, with modest shelf-wear, 2" tear to lower front wrapper, and tiny tears to extremities; Very Good. Collection of The Masses, published from 1911 until 1917, when ended by the Post Office. [88496].

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. VERY RARE 1932 FIRST MODERN LIBRARY EDITION WITH DUST JACKET Capital: The Communist Manifesto and Other Writings by Karl Marx, Modern Library # 202.1. First Modern Library Edition 1932 stated. Edited, with an introduction by Max Eastman. With an unpublished essay on Marxism by Lenin. The book is bound in green balloon cloth type 7 binding. Book is NEAR FINE - spine cracking at title page otherwise binding solid and tight, gilt bright and perfect, no writing or marks except for cool "Retailed by Macy's" stamp on bottom of title page, contents are clean and bright. BEAUTIFUL! The dust jacket is NEAR FINE- with chipping at extremities otherwise it is bright and clean with an amazing graphic on the cover, spine is not darkened which is typical with this title. 210 titles listed on the back panel indicating a 1932 FIRST MODERN LIBRARY EDITION. Now protected in an archival-quality dust jacket protector. VERY HARD TO FIND THIS FIRST EDITION WITH A DUST JACKET IN THIS CONDITION! **I WILL BE LISTIING OVER 400 COLLECTIBLE, RARE, OR SIGNED MODERN LIBRARY EDITIONS OVER THE NEXT SEVERAL MONTHS FROM 30 YEARS OF ACTIVE COLLECTING AROUND THE WORLD - PLEASE VISIT MY SELLERS PAGE TO VIEW THEM ALL**.

Soft cover. Etat : Fair. Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; Cornelia Barns (illustrateur). 1st Edition. New York: The Masses Publishing Company, 1917. The April, 1917 issue (Volume IX, Number 6, whole number 70). Quarto, illustrated stapled wraps, 42 pp.; this is a scarce survivor of the smaller-format issues (i.e., no longer folio size) which were issued late in the life The Masses. 1917 was the last year of publication, and by the time of this issue, there were only months left. Just Fair, due to the absence of the front cover and the separation of the first page from the remaining textblock with rear cover - all of which is itself in Very Good condition, by any periodical standard. As the very inexpensively-produced budget-of-the-heart icon The Masses was, it no doubt deserves its own grading standard, but there is none such. Some small scale chipping on page 3 and rear cover, modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was officially shut down by the U.S. Government in 1918, ostensibly on the basis of postal regulations (though it had already suspended publication in late 1917), following two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of April, 1917 included Eastman, John Reed; Louise Bryant; Floyd Dell; Howard Brubaker; Robert Hillyer; Louis Untermeyer; Hutchins Hapgood; Ruza Wenclaw; Leslie Nelson Jennings; Robert H. Lowie; Charles W. Wood; Jane Whitaker; Anne Arnold; Henry Reich, Jr.; Dorothea Gay; Franklin Van Wert; David Rosenthal; Elizabeth Fox; and Nina Bull. Art was contributed by Arthur B. Davies; K.R. Chamberlain; Boardman Robinson; Arthur Young; Maurice Sterne; and Cornelia Barns. Check out all of these names. An extraordinarily rare piece of American publishing and political history. Please see scans. l-lng2.

Soft cover. Etat : Very Good. Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, Eugene Higgins (illustrateur). 1st Edition. New York: The Masses Publishing Company, 1915. The June, 1915 issue (Volume VI, Number 9, whole number 49). Large Folio, illustrated stapled wraps, 27 pp. Very Good by any periodical standard; as the very inexpensively-produced budget-of-the-heart icon The Masses was, this example is certainly better than very good, by its own standard. Light crease the vertical length of cover; small nicks at front cover perimeter; larger chip at rear cover, lower left; modest toning to the remarkably healthy contents. See scans. Certainly one of the most seminal socio-political American publications of the last 200 years, The Masses was a collection of ideological art, opinion and reporting - usually contributed with little or no compensation - which strongly represented socialist / marxist values, but in a larger sense was representative of labor, women's rights, and radical left issues in general as those were at that time. Famous names of the era often contributed work, but the names of the regulars are themselves all now in history books. The now-timeless publication was shut down by the U.S. Government in 1918 on the basis of postal regulations, after two intense and ideologically-charged trials. Eastman and his sister, Crystal, then started The Liberator to carry on; after The Liberator closed its doors in 1926, The New Masses, under the primary leadership of Mike Gold, carried the radical flag. The Masses, as the first, is also the rarest. Text contributors to this issue of June, 1915 included Eastman, Carl Sandburg, Howard Brubaker, Harris Merton Lyon, Louis Untermeyer, Edmond McKenna, Elsie Clews Parsons, Frank Tanenbaum, Robert Carlton Brown, W.J. Robinson, Charles Grey, and Florence Kiper Frank. Art was contributed by Frank Walts, John Sloan, Art Young, Glenn O. Coleman, Stuart Davis, Cornelia Barns, Randall Davey, George Bellows, Maurice Becker, A. Londoner, Elias Goldberg, and Eugene Higgins, with Walts executing the front cover, and Davis the rear cover. Check out all of those names. An extraordinarily rare piece of American publishing and political history. l-lng2.

Hardcover. Etat : Fine. First Edition. First book publication of works by London, Reed, etc., as well as artwork by others. 1/* horizontal chip at tip of jacket spine, not affecting text; 1" gently closed tear to DJ corner; otherwise a fine, unclipped and unmarked copy in a Brodart cover.

Softcover. Etat : Good. Vol. 4, No. 3. Cover art by Cornelia Barns. Small quarto. 32pp. Stapled illustrated wrappers. Lacking the rear cover, edges and spine of front cover and pages with chips and small tears, paper fairly fragile, good only. Includes contributions by Max Eastman, Michael Gold, Norman Matson, and others, with a centerfold illustration by Boardman Robinson.

Paperback. Color illustrated wraps with blue and brown lettering; 50 pp.; richly illustrated. "'The Masses' was a graphically innovative magazine of socialist politics published monthly in the United States from 1911 until 1917, when federal prosecutors brought charges against its editors for conspiring to obstruct conscription. It was succeeded by The Liberator and then later The New Masses. It published reportage, fiction, poetry and art by the leading radicals of the time such as Max Eastman, John Reed, Dorothy Day, and Floyd Dell." -- Tim Davenport and Wikipedia. AS IS (Pages 35-38 have been removed; covers are moderately edgeworn/scuffed/smudged/creased/chipped around the edges; covers are almost detached at both ends; textblock and pages are heavily toned with occasional scuffing/smudging; some pages edges have been chipped at the corners; textblock is cracked; some pages have closed tears at the edges).

Paperback. Red and black illustrated wraps; 43 pp.; richly illustrated. The illustration entitled, "May Night" by Cornelia Barnes has been cut out of page 11. "The Masses was a graphically innovative magazine of socialist politics published monthly in the United States from 1911 until 1917, when federal prosecutors brought charges against its editors for conspiring to obstruct conscription. It was succeeded by The Liberator and then later The New Masses. It published reportage, fiction, poetry and art by the leading radicals of the time such as Max Eastman, John Reed, Dorothy Day, and Floyd Dell." -- Tim Davenport and Wikipedia. Fair (Illustration by Cornelia Barnes from page 11 has been removed; covers are moderately edgeworn/scuffed/smudged/creased/chipped around the edges; covers are starting at both ends; textblock and pages are heavily toned with occasional scuffing/smudging; some pages edges have been chipped at the corners; textblock is cracked; some pages have closed tears at the edges).

Hardcover. Etat : Very Good. ORIGINAL 1913 - 1914 PUBLICATION; Seven (7) Memoirs bound together in HARDCOVER; corners bumped; light tanning of leaves; o/w in very good condition. This is a heavy volume; extra shipping might be required for priority mail or international orders. Book.

Softcover. Etat : Very Good. First edition. Quarto. Moderate wear, small crease at top corner, very good or better. Laid in is a broadside supplement by Max Eastman, "President Wilson's Letter to the Pope." Contributions by Eastman, Mabel Dodge, Louise Bryant, George Bernard Shaw, Art Young, Floyd Dell, and others. Scarce with the supplement broadside.

StapleBound. Etat : Good/NO DUSTJACKET. Black & White Photos & Illus. (illustrateur). Vol. III No. 9. New York, NY: The Woman Suffrage Party. Good/NO DUSTJACKET. 1912. Vol. III No. 9. StapleBound. Sm 4to., 40pp., cover good, cover light shelf wear to edges and corners, light creasing and soiling, light stain on front cover through to first few pages, light foxing to edges of text block, light foxing scattered throughout, otherwise pages unmarked. .

Quarto (27.5cm). Original pictorial wrappers, stapled; 34pp. Text edges browned, but not brittle; toning along spine fold and cover edges, with a faint vertical crease along center of front cover and foxing along the upper margin of same, wrappers starting to separate; Good or better. The issue includes contributions by Max & Crystal Eastman, Robert Minor, and John Reed, with cartoons by Boardman Robinson and Art Young.

First Edition. Slim quarto (34.5cm); original pictorial wrappers, stapled; 36pp; illus. Wrappers separated and detached along the spine-fold, showing moderate wear, some tears and chips to extremities (though not affecting design); contents clean, complete; Very Good only. An early issue of this innovative bohemian-socialist magazine, conceived by Dutch socialist immigrant Piet Vlag in 1911. "Nothing like it had ever been seen in America before. It was an arts and letters magazine that thoroughly embraced a political agenda of radical reform and pacifism. And it managed to do this, unlike all of its predecessors in the field of political thought and opinion, with wit and style. The result was then and remains today a joy to behold, an ever-evolving experiment in publishing and a supremely entertaining intellectual high-wire act" (West, Richard. The Masses Index, 1911-1917, p.5). The contents of the magazine were a mixture of literature and poetry, political reportage, coverage of world events, artwork, political cartoons, and articles on social reform and suffrage. This issue includes contributions by Elizabeth Hines Hanley, Adriana Spadow, Harry Kemp, John Reed, Jean Starr Untermeyer, Charles W. Wood, Amy Lowell, and Max Eastman, et al., with illustrations by Cornelia Barns, Art Young, K.R. Chamberlain, Boardman Robinson, Hugo Gellert, John Barber, O.E. Cesare, and others. Cover art by Will Hope.

First Edition. Slim quarto (34.5cm); original pictorial wrappers, stapled; 22pp; illus. Wrappers separated and neatly detached along the spine-fold, some wear, tiny nicks, and tears to extremities; contents clean, complete; Very Good. An early issue of this innovative bohemian-socialist magazine, conceived by Dutch socialist immigrant Piet Vlag in 1911. "Nothing like it had ever been seen in America before. It was an arts and letters magazine that thoroughly embraced a political agenda of radical reform and pacifism. And it managed to do this, unlike all of its predecessors in the field of political thought and opinion, with wit and style. The result was then and remains today a joy to behold, an ever-evolving experiment in publishing and a supremely entertaining intellectual high-wire act" (West, Richard. The Masses Index, 1911-1917, p.5). The contents of the magazine were a mixture of literature and poetry, political reportage, coverage of world events, artwork, political cartoons, and articles on social reform and suffrage. This issue includes contributions by Max Eastman, Floyd Dell, Jean Starr Untermeyer, Dorothy Weil, Frank Bohn, Harry Kemp, and Susan Glaspell, with illustrations by John Sloan, Art Young, George Bellows, H.J. Glintenkamp, Stuart Davis, and a pictorial centerfold by Maurice Becker.

First Edition. Slim quarto (34.5cm); original pictorial wrappers, stapled; 24pp; illus. Wrappers separated and neatly detached along the spine-fold, some toning and a few faint spots of soil to extremities; contents clean, complete; Very Good. An early issue of this innovative bohemian-socialist magazine, conceived by Dutch socialist immigrant Piet Vlag in 1911. "Nothing like it had ever been seen in America before. It was an arts and letters magazine that thoroughly embraced a political agenda of radical reform and pacifism. And it managed to do this, unlike all of its predecessors in the field of political thought and opinion, with wit and style. The result was then and remains today a joy to behold, an ever-evolving experiment in publishing and a supremely entertaining intellectual high-wire act" (West, Richard. The Masses Index, 1911-1917, p.5). The contents of the magazine were a mixture of literature and poetry, political reportage, coverage of world events, artwork, political cartoons, and articles on social reform and suffrage. This issue includes contributions by John Reed, Sherwood Anderson, Howard Brubaker, Inez Haynes Gillmore, Harry Kemp, Helen Hull, and Vida Scudder, et al. Illustrations throughout by George Bellows, Art Young, Henry Glintenkamp, Maurice Becker, Eugene Higgins, K.R. Chamberlain, Stuart Davis, and Cornelia Barns. Cover art by Frank Walts.

First Edition. Slim quarto (34.5cm); original pictorial wrappers, stapled; 32pp; illus. Wrappers separated and neatly detached along the spine-fold, some toning, a few shallow losses, and a few faint spots of soil to extremities; contents clean, complete; Very Good. An early issue of this innovative bohemian-socialist magazine, conceived by Dutch socialist immigrant Piet Vlag in 1911. "Nothing like it had ever been seen in America before. It was an arts and letters magazine that thoroughly embraced a political agenda of radical reform and pacifism. And it managed to do this, unlike all of its predecessors in the field of political thought and opinion, with wit and style. The result was then and remains today a joy to behold, an ever-evolving experiment in publishing and a supremely entertaining intellectual high-wire act" (West, Richard. The Masses Index, 1911-1917, p.5). The contents of the magazine were a mixture of literature and poetry, political reportage, coverage of world events, artwork, political cartoons, and articles on social reform and suffrage. This issue includes contributions by John Reed, Louis Untermeyer, Charles Erskine Scott Wood, Seymour Bernard, Mary Aldis, Frank Tanenbaum, and others. Illustrations throughout by Boardman Robinson, Art Young, John Barber, K.R. Chamberlain, Maurice Becker, H. Smtih, Ilonka Karasz, Stuart Davis, and Mell Daniel, et al. Cover art by Frank Walts.