Ebbe borregaard (16 résultats)

First edition. [16 pp]. Spine sunned, else near fine in stapled wrappers. Three-color title page. 1600 copies designed and printed by Graham Mackintosh. "Gerard Boar" is the pesudonym of Ebbe Borregaard.

First edition. [16 pp]. Very good plus in stapled wrappers with a bump to crown of spine and some sunning along top edge. "Advance Copy Oyez" stamped to front free endpaper.

Etat : Very good. - Folio newspaper [approximately 16-3/4 inches high by 11-3/8 inches wide], softcover, unbound. 16 pages printed on newspaper stock with profuse black-and-white illustrations. The pages are darkened, as usual, & the edges are soiled. Very good. "Georgia Straight: Writing Supplement, May 1971". Georgia Straight is the writing supplement of the Vancouver Free Press, first published in October, 1969. In a note in the January 28 - February 4, 1970 issue, "What We're Up To", Stan Persky and Dennis Wheeler write that they wanted to give poems and accompanying illustrations more space than was possible in the newspaper, to bring poets to a wider audience than that offered by the "little magazines", and to give the supplement a "political" character in the sense of developing a relationship with the community.Among the contents of this issue are prose and poetry by Robert Creeley, Gladys Hindmarch, Dennis Wheeler, Robin Blaser, Ebbe Borregaard, George Bowering, Harold Dull, Fred Wah, and others.…

Original Wraps. Etat : Near Fine. First Edition. Slightly faded at edges else a fine copy -- stapled wraps (mylar-protected). [16 pp.] 'Gerard Boar' is pseudonym of Ebbe Borregaard. '1600 copies designed and printed by Graham Macintosh'.

Side-Stapled A4 Wrappers. Etat : Very Good. First Edition. (24pp.) American issue with material collected by Andrew Crozier. A little foxing at fore edge & head fore corner of text-block creased.

No Binding. Etat : Near Fine. First Edition. Issue #7 of this tabloid-style Vancouver literary magazine. Sheets folded at spine to 17" x 11" in protective mylar envelope. Quite nice condition though browned due to high pulp content of the cheap newsprint paper. 'Writing' was edited by Stan Persky and Dennis Wheeler and published as a supplement to Vancouver's Georgia Straight underground newspaper. Under Persky's influence the magazine published many Bay Area poets associated with the Spicer Circle, in addition to Vancouver TISH writers and confederates.…

Original Wraps. Etat : Near Fine. First Edition. Fine but for a touch of toning -- illus. wraps (one staple top left corner). Issue 4 of this important 'Spicer Circle'/'San Francisco Renaissance' mimeo mag edited by Stan Persky. 15 issues were published -- all in 1964. Two different number 4's were issued. this one called 'White Hope'. Very scarce - each issue was limited to 50 copies. A fresh, clean copy.…

Soft cover. Etat : Near Fine. 1st Edition. Edition of 125. [120]pp; illus; spirit duplicated on French-fold leaves. Offsetting opposite the 11 brown interleaves (acidic stock), else very near fine. Poet Ebbe Borregaard's colorful prose account of an extended camping trip (in the Sierra Nevadas, we gather), as beginning: "Arrived Sat Eve 25, rain & fog; spent our first night (seven of us) soaking wet, misery except for pot." Spirit duplicated holograph text, with illustrations throughout by J. Alexander. OCLC locates 21 institutional holdings.…

Soft cover. Etat : Near Fine. 1st Edition. [29] leaves, printed rectos only, including brown endleaves with reproduced holograph text and illustrations. 4to. Side-stapled in stiff card wraps. Near fine, with light wear at corners. A collection of thirteen "Dear Sprach" letters by poet Ebbe Borregaard, reportedly self-published in an edition of "no more than 20 copies"; reflections on poets and the poetic act; originally a paean to but here reframed as a somewhat bitter rebuttal of Jack Spicer and his circle, of which Borregaard had been a close associate. In 1959, Borregaard and Spicer published under the joint pseudonym Sagen a letter, "Dear Sprach," in the first issue of Spicer's little mag, J. The following year, Borregaard and his wife Joy founded Borregaard's Museum and Art Gallery, a venue showcasing the work of the Spicer circle. However, Borregaard had a public falling out with Robert Duncan in 1961 over the "future and function" of the gallery, during the course of which Spicer took Duncan's side and harshly derided Borregaard in a letter (Ellingham & Killian, Poet Be Like God, pp. 193-194). Borregaard was apparently deeply stung by the incident, and his sense of betrayal shines clear in the preface here, where he refers to the "final bittersweet rewrite" of these letters and remarks of his associates: "It was a final insult, one directly aimed at this ms., that placed me square within their circle, and defeated my tenderest self regard. I withdrew frm them as completely as my nature allowed, and unwillingly from the art." A scarce work from a rather overlooked figure in the San Francisco Renaissance. OCLC locates six institutional holdings.…

Stapled wraps. Etat : Good+. No Dust Jacket. Edgeworn with creasing and small tears to the yapp edges, otherwise light wear. Solid oversize stapled wraps. ; Third of six Angel Hair poetry magazines produced by Anne Waldman and Lewis Warsh in their New York apartment during their marriage. Additional contributors to this issue not in the Author section due to space limitations were: Dick Gallup, Robert Duncan, Vito Hannibal Acconci, Charles Stein, Tom Clark, Ron Padgett, and Rene Ricard. Angel Hair was a vital part of the "mimeo revolution" and published work by a generation of innovative, experimental poets, especially those associated with the second-generation New York School, Beat, and Black Mountain movements. This issue number 3 notably including Robert Duncan recalling the serendipitous day when Waldman and Warsh met leading to the birth of Angel Hair in his poem "At the Poetry Conference: Berkeley After the New York Style." ; [48] pages.…

Original Wraps. Etat : Near Fine. First Edition. Near fine -- handsewn salmon wraps (mylar-protected). [9] p. Cover title in runic characters, illustrated by Robert Duncan. A very fresh copy of poet's first book. an early White Rabbit publication. Duncan, Robert (illustrateur).

Soft. Etat : Very good. No jacket. Broadside illustrated and signed by Jess. One of 300 such copies produced. 12.75 x 20 inches. Very light yellowing along edges, otherwise excellent condition.

Softcover. Etat : Near Fine. Original softcover. Slight soil/foxing to covers/edge. Contents about fine. Illustrated. ; 8vo 8" - 9" tall.

First edition. [120 pp]. Very near fine in printed wrappers. One of 125 copies. Entire text reproduced from holograph. Illustrated with full page drawings by J. Alexander. Prose by the "San Francisco Renaissance" poet. Uncommon.

Etat : Good. Exhibition announcement. Black on white paper. Illustrated by black and white reproduction of drawing by Field. 8-1/2 x 14 inches. Addressed on verso by hand to poet Philip Whalen. Ralph T. Field, also known as Tom Field, was a painter associated with Black Mountain College and the San Francisco Renaissance. Borregaard's Museum was a gallery run by poet Ebbe Borregaard in the early 1960s. Field's show would have taken place in 1961. Folded twice for mailing; there is an additional horizontal fold in one panel. Staple marks top and bottom center, a tape shadow at top, and some creasing at edges and corners, but overall Very Good.…

Broadside, 12 1/2 x 20 in. Poem byBorregaard and drawing by Jess. No statement of edition size. Signed by Jess in 1964. Somewhat toned to extremities and with a bit of wear along bottom edge, shallow bend to lower right corner. Very good.