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  • Edited by J. Roderick Heller III [Signed], Carolynn Ayres Heller

    Edité par University of Georgia Press, 1992

    Vendeur : Riverby Books, Fredericksburg, VA, Etats-Unis

    Évaluation du vendeur 5 sur 5 étoiles Evaluation 5 étoiles, En savoir plus sur les évaluations des vendeurs

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    Signé

    EUR 15,29

    Autre devise
    EUR 5,90 expédition vers Etats-Unis

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    Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Hardcover with DJ. Tan cloth over boards with red lettering on spine. No date on title page. Copyright page dated 1992. Number Line: 5 4 3 2 1. 157 pages. Black and white photograph of Lawrence Barrett on front cover of DJ. Light shelf wear at top and bottom edges of spine of DJ. Boards have been well protected by DJ. Red lettering on spine is neat and legible. Red front and rear endpapers. Bookplate on front attached endpaper, "Presented in Appreciation for your Heritage Leader Membership in the Civil War Trust". Pages are in excellent condition with black and white photographs of Confederate soldiers throughout. Binding strong and secure. Very Good condition. Signed by J. Roderick Heller III on the front free endpaper with a 1 line inscription not addressed to anyone. Please contact us with questions or if you would like to see photographs. Signed by Author(s).

  • HELLER, J. Roderick, III and Carolynn Ayres Heller, edited by

    Edité par University of Georgia Press, Athens, 1992

    ISBN 10 : 082031434X ISBN 13 : 9780820314341

    Vendeur : Between the Covers-Rare Books, Inc. ABAA, Gloucester City, NJ, Etats-Unis

    Membre d'association : ABAA ESA ILAB IOBA

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    Edition originale

    EUR 17,47

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    EUR 4,67 expédition vers Etats-Unis

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    Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. First edition, review copy with slip laid in. Octavo. 157 pp. Tan cloth boards. Illustrated from black and white photographs. Near fine with a slightly cocked spine, two discreet stains on the front board in a near fine dust jacket with edge wear. Letters written home by seven South Carolina soldiers.

  • Image du vendeur pour THE CONFEDERACY IS ON HER WAY UP THE SPOUT: Letters To South Carolina, 1861~1864. mis en vente par Chris Fessler, Bookseller

    Heller, J. Roderick III and Carolynn Ayres Heller (Edited By)

    Edité par Athens Ga & London UK. Univ. Of Georgia Press, 1992

    ISBN 10 : 082031434X ISBN 13 : 9780820314341

    Langue: anglais

    Vendeur : Chris Fessler, Bookseller, Howell, MI, Etats-Unis

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    Edition originale

    EUR 39,32

    Autre devise
    EUR 4,20 expédition vers Etats-Unis

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    tan full cloth hardcover 8vo. (octavo). dustwrapper in protective plastic book jacket cover. very fine cond. mint cond. looks new. like new. as new. binding square & tight. covers clean. edges clean. contents free of markings. dustwrapper in fine cond. couple of tiny nicks on the rear, not torn or price clipped (no price listed). nice clean copy. no library markings, store stamps, stickers, bookplates, no names, inking, underlining, remainder markings etc~. first edition. first printing (#1 in # line). xiv+157p. b&w photo illustrations. notes. bibliography. index. american history. american civil war. memoirs. autobiography. biography. ~ On July 18, 1863, from his camp near Richmond, Virginia, Confederate private Lawrence Barrett wrote home to his brother~in~law in Pickens County, South Carolina. "The soldiers has a by word," he wrote, "when any body or anything lost saying its gone up the spout. I say the Confederacy is on her way up the spout." His prophetic lines are from one of the thirty~three Civil War letters, all previously unpublished, included in this volume. Written in a plainly eloquent southern vernacular, the letters focus on a single upcountry South Carolina farm family over the course of the war and enhance a perspective of the Confederacy for which documentary evidence is scarce. The letters, published here with their original spelling and punctuation intact, were written by seven soldiers between 1861 and 1864, and sent to Lucretia Barrett McMahan and her husband. Three of the soldiers, Milton, Benjamin, and Lawrence Barrett, were her brothers, and one, William Collett, her brother~in~law. The other three were friends or acquaintances of the family. The editors' introduction and their commentary interspersed throughout the letters provide a general historical context as well as extensive information about the Barrett family and the region and social sphere in which they lived. Twenty of the letters are from Milton Barrett, who as a member of the famous Eighteenth Georgia Regiment saw action in most of the war's major battles. Like a series of Mathew Brady images, the letters are filled with details that summon a startling and immediate sense of recognition and identification: they tell of camp life outside Goldsboro, North Carolina; of a food riot in Richmond, Virginia; of a despondent, tearful Yankee prisoner on Little Edisto Island, South Carolina. They also reveal a consonance of descriptions, opinions, and emotional expressions that substantiate the harsh realities of the Confederate foot soldier's daily life, from diet ("we have bicets [biscuits] that is so hard i could nock a bull down with one") to discipline ("there Was a man shot out her the other day for deserten"). As the conflict dragged on and the soldiers' commitment dwindled to hopes for "a speady end of this wicket war," a chilling matter~of~factness surfaces in the letters, as when Milton Barrett, from near Lookout Mountain, Tennessee, writes "the Yankees is advancen i must lay down my pen and go to shooting." None of the three Barrett brothers, nor their brother~in~law, survived the conflict. Like their letters, their deaths illustrate the final reality of this war: two died in hospitals, one of blood poisoning following an amputation, the other presumably of mortal wounds; one died of smallpox in a prison camp; and one disappeared in the confusion of battle. Sincere, spontaneous, and decidedly unphilosophical about their authors' motivations for taking up arms, these letters will now speak to a wider readership through their tragic subtext of lost innocence.