edward leffingwell brian wallis thomas (4 résultats)

191 pp.; 19.5 x 19.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with "The Pop Project," a series of shows presented by the Institute for Contemporary Art at The Clocktower Gallery, New York, from October 22, 1987 - June 12, 1988. The four part series of shows included: "This is Tomorrow Today: curated by Brian Wallis; "Public Image: Homeless Projects by Krzysztof Wodiczko," and "Dennis Adams," curated by Tom Finkelpearl; "Present Tensions: 25 Years of Irreverence in Architecture," curated by Patricia Phillips and Glenn Weis and "Nostalgia as Resistance," curated by Thomas Lawson. Texts by Edward Leffingwell, Brian Wallis, Thomas Lawson, Lawrence Alloway, Graham Whitham, Judith Barry, Kenneth Frampton, Alison and Peter Smithson, Richard Hamilton, Reyner Banham, Eugenie Tsai, Dick Hebdige, Leo Castelli, John Coplans, Betsey Johnson, Roy Lichtenstein, Claes Oldenburg, Tom Finkelpearl, Patricia Phillips, Glenn Weiss, Howard Halle, and Alanna Heiss. Includes a bibliography and index. Very Good. Light yellowing of covers and rubbing of cover edges. 7.2 cm. pricing sticker on verso. Contents clean and unmarked.

Paper Back. Etat : VG -. 1st Edition. The Clocktower Gallery, New York. Illustrated throughout text by designers of the pop culture. With 22 Contributors- Please see our images of the actual book offered for sale for further details and condition. VG- Laminated Book- 200x200mm -191pp -no inscs., sound copy, light crease to spine, cover & end paper staring to fox.

Softcover. Etat : Neu. 1. Auflage. Modern Dreams. The Rise and Fall and Rise of Pop. ICA, The Clocktower Gallery, New York 22.10.87 - 12.6.88/ Cambridge (MA), MIT 1988. 197:198mm. 191S. Ca 182 Abb.(14 farb.). Brosch. Hrsg. von Brian Wallis. Texts Engl. by Dennis Adams, Lawrence Alloway, Reyner Banham, Judith Barry, Tom Finkelpearl, Kenneth Frampton, Howard Hall, Richard Hamilton, Dick Hebdige, Thomas Lawson, Edward Leffingwell, Patricia Phillips, Alison and Peter Smithson, Eugenie Tsai, Brian Wallis, Glenn Weiss, Graham Whitham. Krzysztof Wodiczko. An "Observed" conversation with Alanna Heiss, Leo Castelli, Claes Oldenburg, Roy Lichtenstein, John Coplans, Betsey Johnson. "A collection of illustrated texts by artists, theorists and others involved in the Pop Art Movement examining its effect upon arts and the public. Modern Dreams pursues the transformation of images of popular culture into meaningful icons of contemporary society on four fronts. It begins by investigating the Independent Group's landmark exhibition "This is Tomorrow Today" held at the Whitechapel Gallery in London in 1956 as proto-Pop; examines the utilization of art related technology and imagery as a kind of agit-Pop of the streets; explores the theoretical ramifications, qualified accomplishments, and possibilities of archi-Pop; and discusses the self referential, picture oriented production of post-Pop." Bibliographie, Index.

Hardcover. Etat : Neu. 1. Auflage. Modern Dreams. The Rise and Fall and Rise of Pop. ICA, The Clocktower Gallery, New York 22.10.87 - 12.6.88. Cambridge (MA), MIT, 1988. 204:200mm. 191S. Ca 182 Abb.(14 farb.). Or.-Ppbd. Hrsg. von Brian Wallis. Texts Engl. by Dennis Adams, Lawrence Alloway, Reyner Banham, Judith Barry, Tom Finkelpearl, Kenneth Frampton, Howard Hall, Richard Hamilton, Dick Hebdige, Thomas Lawson, Edward Leffingwell, Patricia Phillips, Alison and Peter Smithson, Eugenie Tsai, Brian Wallis, Glenn Weiss, Graham Whitham. Krzysztof Wodiczko. An "Observed" conversation with Alanna Heiss, Leo Castelli, Claes Oldenburg, Roy Lichtenstein, John Coplans, Betsey Johnson. "A collection of illustrated texts by artists, theorists and others involved in the Pop Art Movement examining its effect upon arts and the public. Modern Dreams pursues the transformation of images of popular culture into meaningful icons of contemporary society on four fronts. It begins by investigating the Independent Group's landmark exhibition "This is Tomorrow Today" held at the Whitechapel Gallery in London in 1956 as proto-Pop; examines the utilization of art related technology and imagery as a kind of agit-Pop of the streets; explores the theoretical ramifications, qualified accomplishments, and possibilities of archi-Pop; and discusses the self referential, picture oriented production of post-Pop." Bibliographie, Index.