eiling alexander mongi vollmer eva schick (29 résultats)

Hardcover. Etat : Very Good. No Jacket. Former library book; Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.25.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New.

gebundene Ausgabe. Etat : Sehr gut. 264 Seiten Leichte äußere Mängel - Buch ist als Mängelexemplar gekennzeichnet - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1670.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

Gebunden. Etat : New. REDAKTION: Alexander EilingAlexander Eiling is Curator and Head of Modern Art at the Staedel Museum in Frankfurt, Germany.Eva Mongi-Vollmer is Curator at the Staedel Museum in Frankfurt, Germany.Karin Schick is Curator and Head of the Depar.

Etat : New.

Etat : New. 2023. 1st Edition. Hardcover. . . . . .

Buch. Etat : Neu. Neuware - Is it painting or sculpture This literally outstanding exhibition catalog deepens our understanding of a genre-bending medium over the course of nearly two centuries.No other artistic medium transcends the boundaries of our vision quite like the relief; this very ambiguity has tempted some of the world's greatest artists to explore its possibilities. Delving into the subject of reliefs in modern art, this book presents to readers the unique opportunity to do some exploring themselves. From 1800 on, it traces the relief's fluid aesthetic, and illuminates the significance of innovation and adaptation until the 1960s.Opening with neoclassical works that echoed the reliefs of ancient Egypt, Greece and Rome, the authors examine sculptors who deliberately defied the boundaries of their medium, such as Jules Dalou, Auguste Rodin, and Medardo Rosso, juxtaposing these works with those of painter-sculptors such as Edgar Degas, Paul Gauguin, and Pablo Picasso. Readers will learn how Dadaists such as Kurt Schwitters, Hans Arp, and Sophie Taeuber- Arp transformed the techniques of collage and assemblage using found materials, and how Henry Moore, Louise Nevelson or Lee Bontecou ushered in a return to monumental, large-scale works. Filled with highest quality reproductions and photographs, this book celebrates the evolution of a means of creative expression that started as a dialectic between genres and which, over decades, has achieved the status of an artistic medium in its own right.

Hardback. Etat : New. The relief and its significance for modernism. The relief is a form of the visual arts situated between painting and sculpture a hybrid between two- and threedimensional expression that emancipates itself from the surface even as it remains confined to the same. The publication will explore the various manifestations of the relief over a span of more than a century and a half, from 1800 until into the 1960s, during which the medium took on ever greater importance for artists and theorists alike. Whereas in the nineteenth century classical methods of three-dimensional composition and sculptural invention still dominated the production of reliefs, the spectrum broadened in the twentieth to encompass widely differing materials, techniques, and their combinations. The 'construction' of reliefs in the form of collages and assemblages became an outlet for a new conception of space that was not averse to penetrating-or even dissolving-the support surfaces. Artists such as Berthel Thorvaldsen, Paul Gauguin, August Rodin, Henri Matisse, Alexander Archipenko, Pablo Picasso, Sophie Taeuber-Arp, or Gerhard Richter and their works are presented. AUTHOR: Alexander Eiling was Curator at the Staatliche Kunsthalle Karlsruhe, Germany, until 2017. He is Curator and Head of Modern Art at the Stadel Museum in Frankfurt am Main, Germany, since 2018. 280 colour illustrations.

Hardback. Etat : New. The relief and its significance for modernism. The relief is a form of the visual arts situated between painting and sculpture a hybrid between two- and threedimensional expression that emancipates itself from the surface even as it remains confined to the same. The publication will explore the various manifestations of the relief over a span of more than a century and a half, from 1800 until into the 1960s, during which the medium took on ever greater importance for artists and theorists alike. Whereas in the nineteenth century classical methods of three-dimensional composition and sculptural invention still dominated the production of reliefs, the spectrum broadened in the twentieth to encompass widely differing materials, techniques, and their combinations. The 'construction' of reliefs in the form of collages and assemblages became an outlet for a new conception of space that was not averse to penetrating-or even dissolving-the support surfaces. Artists such as Berthel Thorvaldsen, Paul Gauguin, August Rodin, Henri Matisse, Alexander Archipenko, Pablo Picasso, Sophie Taeuber-Arp, or Gerhard Richter and their works are presented. AUTHOR: Alexander Eiling was Curator at the Staatliche Kunsthalle Karlsruhe, Germany, until 2017. He is Curator and Head of Modern Art at the Stadel Museum in Frankfurt am Main, Germany, since 2018. 280 colour illustrations.

Hardback. Etat : New. The relief and its significance for modernism. The relief is a form of the visual arts situated between painting and sculpture a hybrid between two- and threedimensional expression that emancipates itself from the surface even as it remains confined to the same. The publication will explore the various manifestations of the relief over a span of more than a century and a half, from 1800 until into the 1960s, during which the medium took on ever greater importance for artists and theorists alike. Whereas in the nineteenth century classical methods of three-dimensional composition and sculptural invention still dominated the production of reliefs, the spectrum broadened in the twentieth to encompass widely differing materials, techniques, and their combinations. The 'construction' of reliefs in the form of collages and assemblages became an outlet for a new conception of space that was not averse to penetrating-or even dissolving-the support surfaces. Artists such as Berthel Thorvaldsen, Paul Gauguin, August Rodin, Henri Matisse, Alexander Archipenko, Pablo Picasso, Sophie Taeuber-Arp, or Gerhard Richter and their works are presented. AUTHOR: Alexander Eiling was Curator at the Staatliche Kunsthalle Karlsruhe, Germany, until 2017. He is Curator and Head of Modern Art at the Stadel Museum in Frankfurt am Main, Germany, since 2018. 280 colour illustrations.

Hardback. Etat : New. The relief and its significance for modernism. The relief is a form of the visual arts situated between painting and sculpture a hybrid between two- and threedimensional expression that emancipates itself from the surface even as it remains confined to the same. The publication will explore the various manifestations of the relief over a span of more than a century and a half, from 1800 until into the 1960s, during which the medium took on ever greater importance for artists and theorists alike. Whereas in the nineteenth century classical methods of three-dimensional composition and sculptural invention still dominated the production of reliefs, the spectrum broadened in the twentieth to encompass widely differing materials, techniques, and their combinations. The 'construction' of reliefs in the form of collages and assemblages became an outlet for a new conception of space that was not averse to penetrating-or even dissolving-the support surfaces. Artists such as Berthel Thorvaldsen, Paul Gauguin, August Rodin, Henri Matisse, Alexander Archipenko, Pablo Picasso, Sophie Taeuber-Arp, or Gerhard Richter and their works are presented. AUTHOR: Alexander Eiling was Curator at the Staatliche Kunsthalle Karlsruhe, Germany, until 2017. He is Curator and Head of Modern Art at the Stadel Museum in Frankfurt am Main, Germany, since 2018. 280 colour illustrations.

Hardcover. Etat : Brand New. 264 pages. 11.00x9.00x1.14 inches. In Stock.

Etat : New. 2023. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Etat : New. 8/1/2023.

Etat : New.

Etat : New. In.

Etat : New.

Buch. Etat : Neu. Outstanding! The Relief from Rodin to Picasso | Alexander Eiling (u. a.) | Buch | 264 S. | Englisch | 2023 | Prestel | EAN 9783791379869 | Verantwortliche Person für die EU: Penguin Random House Verlagsgruppe GmbH, Neumarkter Str. 28, 81673 München, produktsicherheit[at]penguinrandomhouse[dot]de | Anbieter: preigu.

Hardcover. Etat : new. Hardcover. Is it painting or sculpture? This literally outstanding exhibition catalog deepens our understanding of a genre-bending medium over the course of nearly two centuries. No other artistic medium transcends the boundaries of our vision quite like the relief; this very ambiguity has tempted some of the world's greatest artists to explore its possibilities. Delving into the subject of reliefs in modern art, this book presents to readers the unique opportunity to do some exploring themselves. From 1800 on, it traces the relief's fluid aesthetic, and illuminates the significance of innovation and adaptation until the 1960s. Opening with neoclassical works that echoed the reliefs of ancient Egypt, Greece and Rome, the authors examine sculptors who deliberately defied the boundaries of their medium, such as Jules Dalou, Auguste Rodin, and Medardo Rosso, juxtaposing these works with those of painter-sculptors such as Edgar Degas, Paul Gauguin, and Pablo Picasso. Readers will learn how Dadaists such as Kurt Schwitters, Hans Arp, and Sophie Taeuber-Arp transformed the techniques of collage and assemblage using found materials, and how Henry Moore, Louise Nevelson or Lee Bontecou ushered in a return to monumental, large-scale works. Filled with highest quality reproductions and photographs, this book celebrates the evolution of a means of creative expression that started as a dialectic between genres and which, over decades, has achieved the status of an artistic medium in its own right. AUTHORS: Alexander Eiling is Curator and Head of Modern Art at the Stadel Museum in Frankfurt, Germany. Eva Mongi-Vollmer is Curator at the Stadel Museum in Frankfurt, Germany. Karin Schick is Curator and Head of Modern Art at the Hamburger Kunsthalle, Germany. SELLING POINTS: . PERFECT FOR readers with an interest in Modernism and the are of the 19th and 20th centuries. . A FASCINATING FORM OF ART: A comprehensive survey of the art of relief from classicism to 1960s and its importance for the emergence of Modernism. . WELL-WRITTEN AND RIGOROUSLY RESEARCHED: An array of experts contribute texts on questions about art that have never been addressed before. . BEAUTIFULLY DESIGNED: This hardback showcases over 200 great work of arts in a wonderful setting. 280 colour illustrations Is it painting or sculpture? This literallyoutstanding exhibition catalog deepens ourunderstanding of a genre-bending mediumover the course of nearly two centuries. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Etat : new. Hardcover. Is it painting or sculpture? This literally outstanding exhibition catalog deepens our understanding of a genre-bending medium over the course of nearly two centuries. No other artistic medium transcends the boundaries of our vision quite like the relief; this very ambiguity has tempted some of the world's greatest artists to explore its possibilities. Delving into the subject of reliefs in modern art, this book presents to readers the unique opportunity to do some exploring themselves. From 1800 on, it traces the relief's fluid aesthetic, and illuminates the significance of innovation and adaptation until the 1960s. Opening with neoclassical works that echoed the reliefs of ancient Egypt, Greece and Rome, the authors examine sculptors who deliberately defied the boundaries of their medium, such as Jules Dalou, Auguste Rodin, and Medardo Rosso, juxtaposing these works with those of painter-sculptors such as Edgar Degas, Paul Gauguin, and Pablo Picasso. Readers will learn how Dadaists such as Kurt Schwitters, Hans Arp, and Sophie Taeuber-Arp transformed the techniques of collage and assemblage using found materials, and how Henry Moore, Louise Nevelson or Lee Bontecou ushered in a return to monumental, large-scale works. Filled with highest quality reproductions and photographs, this book celebrates the evolution of a means of creative expression that started as a dialectic between genres and which, over decades, has achieved the status of an artistic medium in its own right. AUTHORS: Alexander Eiling is Curator and Head of Modern Art at the Stadel Museum in Frankfurt, Germany. Eva Mongi-Vollmer is Curator at the Stadel Museum in Frankfurt, Germany. Karin Schick is Curator and Head of Modern Art at the Hamburger Kunsthalle, Germany. SELLING POINTS: . PERFECT FOR readers with an interest in Modernism and the are of the 19th and 20th centuries. . A FASCINATING FORM OF ART: A comprehensive survey of the art of relief from classicism to 1960s and its importance for the emergence of Modernism. . WELL-WRITTEN AND RIGOROUSLY RESEARCHED: An array of experts contribute texts on questions about art that have never been addressed before. . BEAUTIFULLY DESIGNED: This hardback showcases over 200 great work of arts in a wonderful setting. 280 colour illustrations Is it painting or sculpture? This literallyoutstanding exhibition catalog deepens ourunderstanding of a genre-bending mediumover the course of nearly two centuries. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Etat : new.

Originalpappband. Etat : Wie neu. ERSTAUSGABE. 264 Seiten. Mit zahlreichen farbigen Abbildungen. ; 29 cm FRISCHES, SEHR schönes Exemplar der ERSTAUSGABE. Sprache: Deutsch Gewicht in Gramm: 1600.

28x24 cm, 264 S., OPbd., sehr gut erhalten Aufgrund der EPR-Regelung kann in folgende Länder KEIN Versand mehr erfolgen: Bulgarien, Finnland, Frankreich, Griechenland, Luxemburg, Österreich, Polen, Rumänien, Schweden, Slowakei, Spanien.