english singers (12 résultats)

Audio CD. Etat : Gut. Hülle mit Gebrauchsspuren OM211F3 Sprache: Englisch Gewicht in Gramm: 505.

LP -- 3 Lps in ill Box --. LPs in sehr guten bis top-Zustand. Box mit Lagerungspuren. Erstaufnahme? ACHTUNG! Bei Vinyl fällt wg. Übergrösse Paketporto an - nicht die voreingestellte 3-Pauschale, auf die wir keinen Einfluss haben. Bei einer Bestellung erklären Sie sich mit einem erhöhten PORTO (ab 7,50, je nach Gewicht!) EINVERSTANDEN! la Gewicht in Gramm: 2100.

Audio-CD. Etat : Sehr gut. 78:11 Min., Namenseintrag auf Booklet, ansonsten sehr gut erhalten. ISBN: 724356577121 Sprache: Deutsch Gewicht in Gramm: 550.

Audio CD. Etat : Very Good. Slight scuffing to case and to disk. A Good Read ships from Toronto and Niagara Falls, NY - customers outside of North America please allow two to three weeks for delivery. ; 5.55 X 4.97 X 0.54 inches.

Vinyl-LP. Etat : Sehr gut. 11 tracks. Cover leicht berieben, Vinyl auf Seite 2 mit gan leichten oberflächhichen Schlieren, Seite 1 sehr gut erhalten. Sprache: Deutsch Gewicht in Gramm: 1550.

The two signatures are written one on top of the other, close together, on a leaf extracted from a printed diary, with the bottom of the 'C' of 'Coates' touching the top of the 'e' of 'Tetrazzini'. In good condition, on lightly aged and foxed paper. No other manuscript text. The page (163) has printed on it the dates 'June 29' and (halfway down) 'June 30', and the signatures are beneath the former. On the reverse is a printed poem by 'Louise Chandler Moulton' ('A maiden sits in her bower and sings'). Image on application.

According to Karl Dallas (Morning Star, 16 November 2007) it was he who 'first mooted the idea' of an anti-Vietnam War 'campaign in the folk scene', with the 'singers' group' being formed by Dallas in conjunction with Ewan MacColl and Gordon McCulloch. The four items are excessively scarce survivals, with no copies of any of them appearing on COPAC. All are printed on one side of a leaf roughly 25 x 20 cm. Each leaf is differently coloured. The items are in fair condition, dogeared and with light creasing and chipping to extremities. One has a small grease stain at foot, not affecting the text. Item One (on grey paper, with illustration by Audrey Seyfang): 'Oh, Brother, did you weep? | words and music by Ewan MacColl'. Four verses, the first reading: 'Disc of sun in the belching smoke, | Blazing huts where children choke, | Burning flesh and blackened blood, | Charred and blistered like smould'ring wood.' Item Two (on green paper, with illustration by Audrey Seyfang): 'Lament of the Soldier's Wife | words: Claudi Paley | tune: trad. American'. Eight verses, the first reading: 'My love, I know that you must go, | Across the distant sea, | To fight a war that we never can win, | In a land I never shall see, | In a land I never shall see.' Item Three (on pink paper, with illustration by 'Catchpole'): 'Nam Bo | by an American'. Six verses, the first reading: ' 'Twas in the district of Nam Bo, there stood a country town | One day the farmers came home from plowing of the ground, | Their houses lay in ruins, no people did they spy, | But by the body of a child, they heard a woman cry.' Item Four (on grey paper, with illustration by 'Catchpole'): 'YANKEE DOODLE | words: Ewan MacColl'. Nine verses, the first reading '1. Yankee Doodle came to town, | H-bombs in his pocket, | Says, "Chum, if you don't toe the line: | I'll blast you with a rocket!" | Chorus: YANKEE DOODLE, UNCLE SAM, | BATMAN, ALSO SUPERMAN, | KNOWN FROM HERE TO VIET-NAM | AS YANKEE DOODLE DANDY.' Concludes, with reference to the British prime minister of the time, 'And as he kills, dear Mr. Wilson | Murmurs little speeches.' Not recorded on COPAC or WorldCat.

Unbound. Etat : Very Good. Original shellac 10" 78 rpm record. Arrangement by R. Vaughan Williams on "A Farmer's Son." The composition of "Sumer Is Icumen In" is credited to John of Fornsete. Some rubbing and light scratches to both sides, still very good, lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet, *Word Book of the English Singers' Music*, which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music, which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music (but if you hit Bach you've gone too far). The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed, their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued, No. 155, No. 156, No. 158, and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in *OCLC* and *Discogs*, with only the website *78 Discography* having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa, New York and was part of the Arts and Crafts movement. Not just a business, Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops, the Roycroft Campus also housed a press where many books were published including Hubbard's own book, *Little Journeys* and partner publications such as *The Buffalo Magazine for Arts*. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history.

Unbound. Etat : Very Good. Original shellac 10" 78 rpm record. "Sing We and Chant It" composed by Thomas Morley. "The Turtle Dove" arranged by R. Vaughan Williams. Some rubbing and light scratches to both sides, still very good, lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet, *Word Book of the English Singers' Music*, which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music, which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music (but if you hit Bach you've gone too far). The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed, their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued, No. 155, No. 156, No. 158, and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in *OCLC* and *Discogs*, with only the website *78 Discography* having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa, New York and was part of the Arts and Crafts movement. Not just a business, Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops, the Roycroft Campus also housed a press where many books were published including Hubbard's own book, *Little Journeys* and partner publications such as *The Buffalo Magazine for Arts*. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history.

Unbound. Etat : Very Good. Original shellac 10" 78 rpm record. Words by Robert Burns and music by R. Vaughan Williams on "Ca' The Yowes." Music and words by William Byrd on "Through Amaryllis Dance: Ballet." Some rubbing and light scratches to both sides, still very good, lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet, *Word Book of the English Singers' Music*, which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music, which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music (but if you hit Bach you've gone too far). The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed, their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued, No. 155, No. 156, No. 158, and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in *OCLC* and *Discogs*, with only the website *78 Discography* having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa, New York and was part of the Arts and Crafts movement. Not just a business, Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops, the Roycroft Campus also housed a press where many books were published including Hubbard's own book, *Little Journeys* and partner publications such as *The Buffalo Magazine for Arts*. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history.

Unbound. Etat : Very Good. Original shellac 10" 78 rpm record. "All Creatures Now Are Merry-Minded" composed by John Bennet. "Down in Yon Forest" arranged by R. Vaughan Williams. Some rubbing and light scratches to both sides, still very good, lacking the case and sleeve. Originally issued as part of a 12 record set numbered 151 to 162 released by Roycroft along with the booklet, *Word Book of the English Singers' Music*, which provided information about each song. These are some of the first American recordings of what is now referred to as Early Music, which is largely meant to represent European music of the 15th and 16th centuries though it can be expanded to include some Baroque era music (but if you hit Bach you've gone too far). The English Singers first arrived in America in 1925 and caused a bit of a sensation as this old music was brand new to American audiences. Though their approach to Early Music would be criticized later due to advancements in our understanding of how the pieces are to be performed, their efforts and the fruit they've produced are one of the reasons we have Early Music as a concept today. Complete sets are hard to come by and no one set is fully complete as issued because there were at least four alternate "B-Sides" issued, No. 155, No. 156, No. 158, and No. 161. Combine this with the fact that Roycroft was a very small label that was only in operation for a few years and it's easy to understand why these records are so difficult to collect. This is evident in the handful of descriptions/holdings found in *OCLC* and *Discogs*, with only the website *78 Discography* having documented what appears to be a complete list of titles. Roycroft was founded by Elbert Hubbard in 1895 in East Auroa, New York and was part of the Arts and Crafts movement. Not just a business, Roycroft was a reformist community of artists and craftsmen whose work had a meaningful influence on American architecture and design. In addition to the workshops, the Roycroft Campus also housed a press where many books were published including Hubbard's own book, *Little Journeys* and partner publications such as *The Buffalo Magazine for Arts*. The record label was a very small part of the business and was only in operation from 1927 to 1930. The English Singers recordings may be the most well known of the Roycroft records. An uncommon and interesting piece of both American recording and Early Music history.

Eigenhändiger Brief (1 S. 4° mit gedrucktem persönlichen Briefkopf) in Tinte mit Ort, Datum, Unterschrift signiert 22.III.1937, empfiehlt eine Sängerin BEILAGE : Repro-Porträtfoto der Sängerin.