F wald (183 résultats)

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : As New. Unread book in perfect condition.

Etat : Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : New.

Etat : New.

Etat : As New. Unread book in perfect condition.

paperback. Etat : Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned.…

Etat : New.

Etat : New.

Etat : New.

Etat : New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Etat : As New. Unread book in perfect condition.

Hardback or Cased Book. Etat : New. This Is Rhythm: Ella Jenkins, Children's Music, and the Long Civil Rights Movement. Book.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. The remarkable life story of Ella Jenkins, "The First Lady of Children's Music."   Ella Jenkins was one of the most influential musicians of the twentieth century. Her songs "You'll Sing a Song and I'll Sing a Song" and "Who Fed the Chickens?" are classics in the world of children's music. In a career spanning more than sixty years, she recorded forty albums, won a lifetime-achievement Grammy, and became the best-selling individual artist in the history of Smithsonian Folkways Records, the independent label that played a significant role in the 1960s folk revival movement and introduced listeners to Woody Guthrie and Pete Seeger. During her remarkable career, Jenkins joined forces with twentieth-century luminaries such as Odetta, Big Bill Broonzy, Armando Peraza, Bayard Rustin, and Fred Rogers. Despite her wide-reaching influence on children's music, Ella Jenkins's sonic civil rights activism isn't widely known today.   Based on dozens of interviews and access to Ella Jenkins's personal archives, Gayle F. Wald's This Is Rhythm shares how Jenkins, a "rhythm specialist" with no formal musical training, became the most prolific and significant American children's musician of the twentieth century, creating a beloved catalog of songs grounded in values of community-building, antiracism, and cultural pluralism. Wald traces how the daughter of southern migrants translated the music of her own Black girlhood on the South Side of Chicago into a form of civil rights activism-a musical education that empowered children by introducing them to Black history, African diasporic rhythms, and a participatory, community-centered approach to music. Wald also discusses how, beginning in 1961, Jenkins built a life with a female partner who supported her materially and emotionally. Although Jenkins did not talk publicly about her sixty-three-year relationship, she opened up to Wald, offering insight into how a "private" Black woman in the public eye negotiated sexuality in an era before gay and lesbian liberation movements. Throughout her career, her innovative music found its way into thousands of community centers, classrooms, and concert venues, and her "call-and-response" method has influenced and empowered generations of children and adults.  A beautifully written tribute to Ella Jenkins's legacy, this biography illustrates her impact on children's music and expands our understanding of folk music's relationship with social justice. Jenkins used music to build a new world in which children-and adults-are encouraged to listen to each other's distinct rhythms.…

Hardcover. Etat : new. Hardcover. The remarkable life story of Ella Jenkins, "The First Lady of Children's Music." Ella Jenkins was one of the most influential musicians of the twentieth century. Her songs "You'll Sing a Song and I'll Sing a Song" and "Who Fed the Chickens?" are classics in the world of children's music. In a career spanning more than sixty years, she recorded forty albums, won a lifetime-achievement Grammy, and became the best-selling individual artist in the history of Smithsonian Folkways Records, the independent label that played a significant role in the 1960s folk revival movement and introduced listeners to Woody Guthrie and Pete Seeger. During her remarkable career, Jenkins joined forces with twentieth-century luminaries such as Odetta, Big Bill Broonzy, Armando Peraza, Bayard Rustin, and Fred Rogers. Despite her wide-reaching influence on children's music, Ella Jenkins's sonic civil rights activism isn't widely known today. Based on dozens of interviews and access to Ella Jenkins's personal archives, Gayle F. Wald's This Is Rhythm shares how Jenkins, a "rhythm specialist" with no formal musical training, became the most prolific and significant American children's musician of the twentieth century, creating a beloved catalog of songs grounded in values of community-building, antiracism, and cultural pluralism. Wald traces how the daughter of southern migrants translated the music of her own Black girlhood on the South Side of Chicago into a form of civil rights activisma musical education that empowered children by introducing them to Black history, African diasporic rhythms, and a participatory, community-centered approach to music. Wald also discusses how, beginning in 1961, Jenkins built a life with a female partner who supported her materially and emotionally. Although Jenkins did not talk publicly about her sixty-three-year relationship, she opened up to Wald, offering insight into how a "private" Black woman in the public eye negotiated sexuality in an era before gay and lesbian liberation movements. Throughout her career, her innovative music found its way into thousands of community centers, classrooms, and concert venues, and her "call-and-response" method has influenced and empowered generations of children and adults. A beautifully written tribute to Ella Jenkins's legacy, this biography illustrates her impact on children's music and expands our understanding of folk music's relationship with social justice. Jenkins used music to build a new world in which childrenand adultsare encouraged to listen to each other's distinct rhythms. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : New.

Etat : New.

Etat : New. 2023. Paperback. . . . . .

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Etat : Brand New. 272 pages. 9.00x6.00x0.75 inches. In Stock.

Mass Market Paperback. Etat : Very Good. First Edition. UK edition. Includes the stories in the July 1954 US edition, with the exception of the Winterbotham story and not all the essays and artwork, but has the same cover art by Fagg. Contains The Thing in the Attic by Blish (illustrated by Orban), A Monster Named Smith by Gunn (illustrated by Orban), Beauty and the Beast by Young (illustrated by Emsh), The Small World of M-75 by Clinton, Fair and Warmer by von Wald (illustrated by Orban), Has Anybody Here Seen Kelly by O'Hara (illustrated by Orban) and The Big Stink by Cogswell (missing the illustratons by Emsh). The back cover has a two inch crease to the top corner and a light stain but otherwise only slight wear to the covers. One or two spots to the page edges and there is some page browning but they are otherwise unmarked. Postage charge will be reduced by £1.50 when the order is processed. Valigursky, Ed; Orban, Paul; Emsh, Ed; Fagg, Ken;Young, Jerry; (illustrateur). …

Hardback. Etat : New. The remarkable life story of Ella Jenkins, "The First Lady of Children's Music."   Ella Jenkins was one of the most influential musicians of the twentieth century. Her songs "You'll Sing a Song and I'll Sing a Song" and "Who Fed the Chickens?" are classics in the world of children's music. In a career spanning more than sixty years, she recorded forty albums, won a lifetime-achievement Grammy, and became the best-selling individual artist in the history of Smithsonian Folkways Records, the independent label that played a significant role in the 1960s folk revival movement and introduced listeners to Woody Guthrie and Pete Seeger. During her remarkable career, Jenkins joined forces with twentieth-century luminaries such as Odetta, Big Bill Broonzy, Armando Peraza, Bayard Rustin, and Fred Rogers. Despite her wide-reaching influence on children's music, Ella Jenkins's sonic civil rights activism isn't widely known today.   Based on dozens of interviews and access to Ella Jenkins's personal archives, Gayle F. Wald's This Is Rhythm shares how Jenkins, a "rhythm specialist" with no formal musical training, became the most prolific and significant American children's musician of the twentieth century, creating a beloved catalog of songs grounded in values of community-building, antiracism, and cultural pluralism. Wald traces how the daughter of southern migrants translated the music of her own Black girlhood on the South Side of Chicago into a form of civil rights activism-a musical education that empowered children by introducing them to Black history, African diasporic rhythms, and a participatory, community-centered approach to music. Wald also discusses how, beginning in 1961, Jenkins built a life with a female partner who supported her materially and emotionally. Although Jenkins did not talk publicly about her sixty-three-year relationship, she opened up to Wald, offering insight into how a "private" Black woman in the public eye negotiated sexuality in an era before gay and lesbian liberation movements. Throughout her career, her innovative music found its way into thousands of community centers, classrooms, and concert venues, and her "call-and-response" method has influenced and empowered generations of children and adults.  A beautifully written tribute to Ella Jenkins's legacy, this biography illustrates her impact on children's music and expands our understanding of folk music's relationship with social justice. Jenkins used music to build a new world in which children-and adults-are encouraged to listen to each other's distinct rhythms.…