frackman kyle (74 résultats)

Etat : New.

Paperback. Etat : New. Examines the creation, context, and significance of the first and only East German feature film about homosexuality.It took forty years for East Germany's state-run studios, DEFA, to produce a feature film about homosexuality: Coming Out. The film's story seems radically ordinary today: a young teacher, Philipp, is gay but cannot accept the truth about his sexuality. He starts a relationship with a fellow teacher, Tanja, but falls in love with a man he meets, Matthias, whose confidence in his own self-understanding is alluring for him as well as a challenge. Acclaimed director Heiner Carow created a film that shows the difficulties, both internalized and external, that queer people faced in East Germany. In a quirk of history, Coming Out premiered in German theaters on November 9, 1989, the very night on which the Berlin Wall was opened, which meant the film was initially overshadowed, to say the least, by the earthshaking political events. Yet it remains a popular film and is regularly screened around the world, including prominently at queer film festivals. Kyle Frackman's book examines the film in both the late East German context of its creation and the international context of its reception. This book is openly available in digital formats under Creative Commons license CC BY-NC.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. Examines the creation, context, and significance of the first and only East German feature film about homosexuality.It took forty years for East Germany's state-run studios, DEFA, to produce a feature film about homosexuality: Coming Out. The film's story seems radically ordinary today: a young teacher, Philipp, is gay but cannot accept the truth about his sexuality. He starts a relationship with a fellow teacher, Tanja, but falls in love with a man he meets, Matthias, whose confidence in his own self-understanding is alluring for him as well as a challenge. Acclaimed director Heiner Carow created a film that shows the difficulties, both internalized and external, that queer people faced in East Germany. In a quirk of history, Coming Out premiered in German theaters on November 9, 1989, the very night on which the Berlin Wall was opened, which meant the film was initially overshadowed, to say the least, by the earthshaking political events. Yet it remains a popular film and is regularly screened around the world, including prominently at queer film festivals. Kyle Frackman's book examines the film in both the late East German context of its creation and the international context of its reception. This book is openly available in digital formats under Creative Commons license CC BY-NC.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : new.

Paperback. Etat : new. Paperback. Examines the creation, context, and significance of the first and only East German feature film about homosexuality.It took forty years for East Germany's state-run studios, DEFA, to produce a feature film about homosexuality: Coming Out. The film's story seems radically ordinary today: a young teacher, Philipp, is gay but cannot accept the truth about his sexuality. He starts a relationship with a fellow teacher, Tanja, but falls in love with a man he meets, Matthias, whose confidence in his own self-understanding is alluring for him as well as a challenge. Acclaimed director Heiner Carow created a film that shows the difficulties, both internalized and external, that queer people faced in East Germany. In a quirk of history, Coming Out premiered in German theaters on November 9, 1989, the very night on which the Berlin Wall was opened, which meant the film was initially overshadowed, to say the least, by the earthshaking political events. Yet it remains a popular film and is regularly screened around the world, including prominently at queer film festivals. Kyle Frackman's book examines the film in both the late East German context of its creation and the international context of its reception. The book will be published in both paperback and Open Access form. Examines the creation, context, and significance of the first and only East German feature film about homosexuality. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Etat : New. 2022. Paperback. . . . . .

Paperback. Etat : Brand New. 100 pages. 7.25x5.25x0.50 inches. In Stock.

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Etat : New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

Originalhardcover. Etat : Wie neu. 181 S. Ein gutes und sauberes Exemplar. - Othering, Abjection, and Belonging -- Young Corporeality and Unstable Morality in Frank Wedekind's Frühlings Erwachen -- Discipline, Sexual Complicity, and Queer Space in Robert Musil's Törleß -- Transnationalism, Identity, and Fantasy in Kutlug Ataman's Lola und Bilidikid -- Nation, HIV/AIDS, and Sexuality in Pierre Sanoussi-Bliss's Zurück auf los. ISBN 9783631628379 Sprache: Englisch Gewicht in Gramm: 338.

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Etat : New.

Etat : New.

Etat : New. Examines works of German-language literature and film from the nineteenth and twentieth century in order to chart a certain kind of otherness. This book demonstrates that acceptance and belonging are difficult to attain, particularly in the fraught power dynamics. It includes discussions of works by Frank Wedekind, Robert Musil, and more. Series: Kulturtransfer und Geschlechterforschung. Num Pages: 181 pages. BIC Classification: AN; APFN; DSBH; JFSJ1. Category: (P) Professional & Vocational. Dimension: 154 x 216 x 15. Weight in Grams: 334. . 2014. New edition. Hardcover. . . . .

Hardcover. Etat : Very Good. Ex-library.

Etat : As New. Unread book in perfect condition.

Etat : New. Examines works of German-language literature and film from the nineteenth and twentieth century in order to chart a certain kind of otherness. This book demonstrates that acceptance and belonging are difficult to attain, particularly in the fraught power dynamics. It includes discussions of works by Frank Wedekind, Robert Musil, and more. Series: Kulturtransfer und Geschlechterforschung. Num Pages: 181 pages. BIC Classification: AN; APFN; DSBH; JFSJ1. Category: (P) Professional & Vocational. Dimension: 154 x 216 x 15. Weight in Grams: 334. . 2014. New edition. Hardcover. . . . . Books ship from the US and Ireland.

Paperback. Etat : New. Examines the creation, context, and significance of the first and only East German feature film about homosexuality.It took forty years for East Germany's state-run studios, DEFA, to produce a feature film about homosexuality: Coming Out. The film's story seems radically ordinary today: a young teacher, Philipp, is gay but cannot accept the truth about his sexuality. He starts a relationship with a fellow teacher, Tanja, but falls in love with a man he meets, Matthias, whose confidence in his own self-understanding is alluring for him as well as a challenge. Acclaimed director Heiner Carow created a film that shows the difficulties, both internalized and external, that queer people faced in East Germany. In a quirk of history, Coming Out premiered in German theaters on November 9, 1989, the very night on which the Berlin Wall was opened, which meant the film was initially overshadowed, to say the least, by the earthshaking political events. Yet it remains a popular film and is regularly screened around the world, including prominently at queer film festivals. Kyle Frackman's book examines the film in both the late East German context of its creation and the international context of its reception. This book is openly available in digital formats under Creative Commons license CC BY-NC.

Paperback. Etat : new. Paperback. Examines the creation, context, and significance of the first and only East German feature film about homosexuality.It took forty years for East Germany's state-run studios, DEFA, to produce a feature film about homosexuality: Coming Out. The film's story seems radically ordinary today: a young teacher, Philipp, is gay but cannot accept the truth about his sexuality. He starts a relationship with a fellow teacher, Tanja, but falls in love with a man he meets, Matthias, whose confidence in his own self-understanding is alluring for him as well as a challenge. Acclaimed director Heiner Carow created a film that shows the difficulties, both internalized and external, that queer people faced in East Germany. In a quirk of history, Coming Out premiered in German theaters on November 9, 1989, the very night on which the Berlin Wall was opened, which meant the film was initially overshadowed, to say the least, by the earthshaking political events. Yet it remains a popular film and is regularly screened around the world, including prominently at queer film festivals. Kyle Frackman's book examines the film in both the late East German context of its creation and the international context of its reception. The book will be published in both paperback and Open Access form. Examines the creation, context, and significance of the first and only East German feature film about homosexuality. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

hardcover. Etat : Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Hardcover. Etat : Very Good. Etat de la jaquette : No Dust Jacket. Studies In German Literature, Linguistics And Culture, 163; 6.25 X 1 X 9.25 inches; 264 pages; very minor surface rubbing on the back cover. Very minor, faint, barely visible smudge on the top exterior edge of textblock. Very Good condition otherwise. No other noteworthy defects. No markings. ; - Your satisfaction is our priority. We offer free returns and respond promptly to all inquiries. Your item will be carefully cushioned in bubble wrap and securely boxed. All orders ship on the same or next business day. Buy with confidence. Stated First Edition; No Printing Stated.

Gebunden. Etat : New. This book examines 19th- and 20th-century German literature and film, works by Wedekind, Musil, Ataman, and Sanoussi-Bliss, following themes of gender, sexuality, belonging, abjection, race, and disease. Encountering mutual dependence and abhorrence, the ch.

Paperback. Etat : New. Examines the creation, context, and significance of the first and only East German feature film about homosexuality.It took forty years for East Germany's state-run studios, DEFA, to produce a feature film about homosexuality: Coming Out. The film's story seems radically ordinary today: a young teacher, Philipp, is gay but cannot accept the truth about his sexuality. He starts a relationship with a fellow teacher, Tanja, but falls in love with a man he meets, Matthias, whose confidence in his own self-understanding is alluring for him as well as a challenge. Acclaimed director Heiner Carow created a film that shows the difficulties, both internalized and external, that queer people faced in East Germany. In a quirk of history, Coming Out premiered in German theaters on November 9, 1989, the very night on which the Berlin Wall was opened, which meant the film was initially overshadowed, to say the least, by the earthshaking political events. Yet it remains a popular film and is regularly screened around the world, including prominently at queer film festivals. Kyle Frackman's book examines the film in both the late East German context of its creation and the international context of its reception. This book is openly available in digital formats under Creative Commons license CC BY-NC.

Buch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - In this study, the author examines works of German-language literature and film from the nineteenth and twentieth century in order to chart a certain kind of otherness. Common to all of the examined cultural products are aspects of gender, sexuality, a notion of home or belonging, and pressures of abjection. Other elements of identity include race and disease. The characters in the analyzed works encounter both mutual dependence and abhorrence, which complicate their experiences in space and time. This analysis demonstrates that acceptance and belonging are difficult to attain, particularly in the fraught power dynamics in these works. This book includes discussions of works by Frank Wedekind, Robert Musil, Kutlug Ataman, and Pierre Sanoussi-Bliss.