frank hope jones (14 résultats)

hardcover. Etat : Good.

Hardcover. Etat : Good. Etat de la jaquette : Very Good. 279 pages, 9 plates, 125 figs., facsimile reprint of 2nd edition, 1976. One of the classic works on the subject by an acknowledged expert. Good copy (edge of page block a little marked) with very good dj.

Hard Cover. Etat : Fine. Etat de la jaquette : Fine. Fine hardcover with fine dust jacket. Frontis photograph of the author with Albert Einstein. Like new, clean and bright with crisp text.

Hardcover. Etat : Good. Etat de la jaquette : Poor. Second Edition. 279 pages + adverts, 9 plates, 125 figs., 2nd edition, 1949. One of the classic works on the subject by an acknowledged expert and essential reading. A good copy with poor dust jacket.

Hardback. Etat : Very Good. No Jacket. 1st Edition. 275 pages, 6 plates, 124 figs., 1st edition, signed by author, 1940. One of the classic works on the subject by an acknowledged expert and essential reading. A very good copy, presentation inscription signed by author on front end-paper, letter signed by author tipped on at rear, covers a little marked and faded. Signed by Author(s).

8vo (22.5x14cm), hardback, xxiv + 179pp. Good condition in good dustwrapper (price clipped, bumped, scuff marks, a few surface scratches, light creasing). Bumped, a tad age-toned, some foxing. Pictures available on request.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Reprint. Bound in clean black cloth with bright gilt titles to spine, this dated 1976 Facsimile Reprint is VG in VG dustjacket(unclipped). V11/279pp with Foreword, Introduction, 27 Chapters, 125 illustrations, Glossaey and Index. Small orange stain on blank FFEP, otherwise all VG Size: 8vo - over 7¾" - 9¾" tall.

Leinen. 1976. XXI, 279 S. Oln. OU. oberes Kapital mit kleinem Einriss und bestossen, Umschlag mit Randläsur, ExLibris, (Uhren). Buch.

Hardcover. Etat : Good. Etat de la jaquette : Good. 1st Edition. black cloth, jacket worn at edges.

Hardcover. Etat : Good+. Etat de la jaquette : No Dust Jacket. First Edition. Light bumping and rubbing to publisher's cloth, mild soiling, spine darkened. Lightly shaken and cracked binding and clean text. Browned pages. No ownership marks, ex-lib marks, stamps or stickers. ; Drawings; 8vo 8" - 9" tall; 261 pages.

Archive of 17 letters between illustrator Al Hirschfeld and noted actors, including Orson Welles, Elizabeth Taylor, James Earl Jones, Sammy Davis Jr., Bob Hope, Angela Lansbury, Peter Ustinov, Yul Brynner, Jerry Orbach, Carol Channing, Raul Julia, Richard Kiley, Chita Rivera, Juim Dale, and Gwen Verdon, requesting permission from Hirshfeld for the publication of his caricatures of them for use in a calendar and various stationery and customized household items. Many of the letters with brief affectionate handwritten notes by Hirshfeld in the margins, and all dated between 1981-1985. All letters on Hirschfeld's personal letterhead, and all excepting the return letters from Marlene Dietrich, Raul Julia, and Carol Channing are signed by both Hirschfeld and the receipient. Marlene Dietrich's return letter is a personal TLS to Hirschfeld rather than a confirmation of permission, graciously declining the request "for obvious reasons." A charming confluence of Broadway's greatest caricaturist and some of the finest actors of the twentieth century. The letters to Carol Channing and Raul Julia are signed by Hirschfeld and the two actors' assistants (in their absence). The remaining 14 letters, all signed by both Hirschfeld and the recipient, are from: Orson Welles, Elizabeth Taylor, Frank Langella, James Earl Jones, Sammy Davis Jr., Bob Hope, Angela Landsbury, Peter Ustinov, Yul Brynner, Jerry Orbach, Richard Kiley, Chita Rivera, Jim Dale, and Gwen Verdon. Letters 8.5 x 11 inches, each with two horizontal creases from mailing. Near Fine.

Unbound. Etat : Near Fine. A collection of 25 decorative title cards for a range of motion pictures released between 1952 -1960. Each measures approximately 14" x 11". There is some wear to the extremities, a few scattered creases, and a bit of rubbing, but overall near fine with surprisingly bright colors. Each card has been screenprinted on the verso of a large movie poster that was cut into sections to match the dimensions of a typical lobby card. Movie theaters would occasionally commission local sign makers to produce lobby cards for display. The production symbols on many of the cards indicate they were created in the same years as the films they represent. Among the most notable titles in the collection are: *From Here to Eternity*, *Shane*, *Duel in the Sun*, *Stalag 17*, and *Gidget*. An attractive set of mid-century film memorabilia. A complete list is available upon request.