Edité par New York, NY: Museum of Modern Art, 1948, 1948
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
EUR 18,83
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierPaperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 0.99.
Edité par Museum of Modern Art, New York, 1948
Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Edition originale
EUR 12,72
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierPaperback. Etat : Fair. 1st. 83 pages, illustrations; 25 cm. Edition of 9500 copies. A fragile copy with worn outer wraps. Clean inside copy, age toning. Size: 8vo.
Edité par The Museum of Modern Art, New York, 1948
Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
Edition originale
EUR 21,93
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierFirst edition. Softcover. Joint exhibition catalog for these two brothers who were both Russian artists. Features Herbert Read's essay "Constructivism: The Art of Naum Gabo and Antoine Pevsner" along with biographies of the two men by Ruth Olson and Abraham Chanin. Includes numerous black and white illustrations. A very good copy in wrappers with some slight wear along the spine and some other minor wear. Internally a clean copy.
Edité par New York, NY: Museum of Modern Art., 1948
Vendeur : Wittenborn Art Books, San Francisco, CA, Etats-Unis
EUR 74,55
Autre deviseQuantité disponible : 1 disponible(s)
Ajouter au panierEtat : Good. [Exhibition catalogue]. 4to. 83 pp. Soft gray illustrated wraps with red lettering. Fair with chipped spine reinforced with tape, soiling, split binding and loose pages. Black and white plates. Illustrated vellum endpapers. Includes an introduction by Herbert Read and text by Ruth Olson and Abraham Chanin. Catalogue created on occasion of exhibition of works by Naum Gabo and Antoine Pevsner at the Museum of Modern Art in New York, NY from February 10, 1948 through April 25, 1948. Scarce. From the Collection of the Art Historian Peter Selz.