gabrielle riches (4 résultats)

Taschenbuch. Etat : Neu. Neuware -This study explores the ways in which moshing and extreme metal music reflects and informs the social worlds of metal fans. It investigates how underground subcultural practices contribute to our understandings of how violence, pain, and pleasure can be thought with compassion and possibility in leisure. Key concepts such as liminality (Turner, 1979), Dionysian aesthetics (Maffesoli, 1993; Bataille, 1986/1989), and Cagean philosophy (Cage, 1957; Kostelanetz, 1996) are used to examine the nuances and subtleties of moshing culture, practices and behaviours in Edmonton,Canada. Themes of physicality and reality of participating in a moshpit, pit etiquette, negotiation of space within the moshpit, and the significance of moshing for local metal fans are explored. The study accentuated how tensions, pleasures, and resistant practices are necessary in creating meaningful leisure experiences and calls on us to re-think the ways in which marginal leisure practices can be included within dominant leisure discourses.Books on Demand GmbH, Überseering 33, 22297 Hamburg 92 pp. Englisch.

Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -This study explores the ways in which moshing and extreme metal music reflects and informs the social worlds of metal fans. It investigates how underground subcultural practices contribute to our understandings of how violence, pain, and pleasure can be thought with compassion and possibility in leisure. Key concepts such as liminality (Turner, 1979), Dionysian aesthetics (Maffesoli, 1993; Bataille, 1986/1989), and Cagean philosophy (Cage, 1957; Kostelanetz, 1996) are used to examine the nuances and subtleties of moshing culture, practices and behaviours in Edmonton,Canada. Themes of physicality and reality of participating in a moshpit, pit etiquette, negotiation of space within the moshpit, and the significance of moshing for local metal fans are explored. The study accentuated how tensions, pleasures, and resistant practices are necessary in creating meaningful leisure experiences and calls on us to re-think the ways in which marginal leisure practices can be included within dominant leisure discourses. 92 pp. Englisch.

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Riches GabrielleGabrielle Riches is currently a Ph.D Fellow at Leeds Metropolitan University, UK. Her doctoral research is focused on women s involvement in the moshpit within the Leeds metal music scene. She obtained her Master of A.

Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This study explores the ways in which moshing and extreme metal music reflects and informs the social worlds of metal fans. It investigates how underground subcultural practices contribute to our understandings of how violence, pain, and pleasure can be thought with compassion and possibility in leisure. Key concepts such as liminality (Turner, 1979), Dionysian aesthetics (Maffesoli, 1993; Bataille, 1986/1989), and Cagean philosophy (Cage, 1957; Kostelanetz, 1996) are used to examine the nuances and subtleties of moshing culture, practices and behaviours in Edmonton,Canada. Themes of physicality and reality of participating in a moshpit, pit etiquette, negotiation of space within the moshpit, and the significance of moshing for local metal fans are explored. The study accentuated how tensions, pleasures, and resistant practices are necessary in creating meaningful leisure experiences and calls on us to re-think the ways in which marginal leisure practices can be included within dominant leisure discourses.