gainsborough thomas 1727 1788 (33 résultats)

First Edition. Fine copy in the original color-printed, stiff-card wrappers. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 158 pages. Subject; Thomas Gainsborough (1727-1788). 1 Kg.

Etat : New. In.

First edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: 32 p.: ill. (some col.); 21 cm. Notes: Catalogue of an exhibition held at Gainsborough's House, Sudbury, 11 June-17 Sept. 2011. Exhibition curated by Christopher Lloyd and Diane Perkins. Bibliography: p. 32. Subjects: Gainsborough, Thomas 1727-1788. Diana and Actaeon; Exhibitions. Painting, English 18th century. Mythology, Roman, in art-Exhibitions. Genre: Bibliography. Catalogue. Illustrated. 1 Kg.

PF. Etat : New.

Etat : New. pp. 84.

Soft cover. Etat : Fine. Published to accompany the exhibition at Tate Britain, London 24 October 2002-19 January 2003 and touring to the National Gallery of Art, Washington, 9 February - 11 May 2003 and the Museum of Fine Arts, Boston, 9 June - 14 September 2003. Contents: Gainsborough's Studio, Martin Postle and Rica Jones. Catalogue: exhibition pictures; landscape and the poor; portraiture; sensibility and fashion; late works.300 x 230 mm. 298 pp., illustrated throughout, mostly in colour, many full-page. [ISBN: 978-1854373977] Softbound. A fine bright copy free from ownership inscriptions in like pictorial heavy cardboard slipcase.

First Edition. Near fine paperback copy; edges very slightly dust-dulled. Remains particularly well-preserved overall; tight, bright, clean and especially sharp-cornered. Physical description; 30 p., [12] p. of plates : ill., ports. ; 22 cm. Subjects; Gainsborough, Thomas (English painter and draftsman, 1727-1788) ; Exhibitions. Sandby, Paul 1731-1809 ; Exhibitions. George III, King of Great Britain 1738-1820 ; Portraits. Sandby, Paul 1731-1809. Hanover, House of. Queen's Gallery (London, England) ; Exhibitions. Miniature painting, British-Exhibitions. 1 Kg.

First Edition. Very good paperback copy; wrappers slightly dust-toned and edge-nicked. Bright and clean internally. Remains particularly well-preserved overall.; 8vo 8" - 9" tall; 8 pages; Physical description: 8p, xvi p of colour plates; 35cm. Subjects: Gainsborough, Thomas (1727-1788) -- Painting -- Periodicals. Knowlege Publications. Series: The world's most complete gallery of painting 32. 1 Kg.

Paperback or Softback. Etat : New. The Masterpieces of Gainsborough (1727-1788): Sixty Reproductions of Photographs From the Original Paintings, Affording Examples of the Different Char 0.29. Book.

Etat : New. SUPER FAST SHIPPING.

First Edition. Fine copy in the original colour-printed boards. Remains particularly well-preserved overall; tight, bright, clean and strong. Suggested date of publication. Physical description: 190 pages : illustrations (black and white, and colour) ; 29 cm. Published on the occasion of the exhibition of the same name held at National Portrait Gallery, London, 22 November 2018-3 February 2019, and Princeton University Art Museum, 23 February-9 June 2019. Includes bibliographical references and index. Subjects: Gainsborough, Thomas - 1727-1788 - Family ; Exhibitions. National Portrait Gallery - (Great Britain) ; Exhibitions. 2 Kg.

First Limited Edition. Good cloth copy in a good if somewhat edge-torn (with some loss) and dust-toned dust-wrapper, now mylar-sleeved. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; 296 pages (pages [129-288] illustrations) 8 color plates ; 29 cm. Notes; Includes bibliographical references (pages 47-49). Subjects; Gainsborough, Thomas (1727-1788). Painting, English 18th century. Drawing, English 18th century. Genres; Bibliography. Biography. Illustrated. 1 Kg.

Sewn as issued, pictorial wrappers. Date of acquisition neatly written in ink. Fine. [Sudbury], Gainsborough's House 1991. 8vo. 96 pp. Illustrated, partly in colour. Essays and 74 catalogue entries. Published in connection with an exhibition in 1991. - - - With index of Artists: Thomas Barker (1767-1847), Sir George Beaumont (1753-1827), John Constable (1776-1837), John Sell Cotman (1782-1842), John Robert Cozens (1752-97), John Cranch (1751-1821), John Crome (1768-1821), John Dunthorne Snr (1770-1844), Gainsborough Dupont (1754-97), Joseph Farington (1747-1821), George Frost (1745-1821), Thomas Gainsborough (1727-88), William Gilpin (1724-1804), Thomas Girtin (1775-1802), Thomas Hearne (1744-1817), Henry Howard (1769-1847), Julius Caesar Ibbetson (1759-1817), Thomas Jones (1742-1803), Joshua Kirby (1716-74), John Laporte (1761-1839), Philip Jacque de Loutherbourg (1740-1812), George Morland (1763-1804), Ramsay Richard Reinagle (1775-1862), Michael Angelo Rooker (1746-1801), Jacob van Ruisdael (1628/9-82), Paul Sandby (1725-1809), George Smith (c. 1714-76), John Thomas Smith (1766-1833), John Mallord William Turner (1775-1851), William Frederick Wells (1762-1836), Richard Wilson (1714-82).

Etat : New.

Etat : New. PRINT ON DEMAND Book; New; Fast Shipping from the UK. No. book.

Publisher's cloth, pictorial dustjacket. Insignificant wear, ownership inscription of Hans Sundblom (1967). London, Spring books, 1966. 4to. 296 pp. Richly illustrated (292 black-and-white reproductions + 8 colour plates). Second edition. With a catalogue (1032 entries) of portraits of named, unnamed and unidentified sitters, fancy pictures, pictures of animals, landscapes and copies after the old masters. With index of present owners and previous owners.

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Limited Edition. Fine copy in the original gilt-blocked, leather-backed, decorated boards. Red-tooled deal to front board. Slightest suggestion only of dust-dulling to the panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. No. 195 in a limited edition of 400 copies. ; 8vo 8" - 9" tall; 175 pages; Physical desc. : 175 p. , plates, facsims. , ports. ; 29 cm. Subjects: Gainsborough, Thomas, 1727-1788 - Correspondence. Painters - Great Britain - Correspondence. 1 Kg.

First Edition. Fine cloth copy in an equally fine dust-wrapper. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Provenance; from the library of Laurence with the owner's armorial bookplate. Physical description; 266 pages : illustrations (some color), maps ; 29 cm. Notes; Published for the Paul Mellon Centre for Studies in British Art. Includes bibliographical references (pages 252-254) and index. Contents; 1. Bath: 'the busiest idle place in the world' -- 2. Mrs Margaret Gainsborough: 'a prince's daughter' -- 3. 'Mr. Gainsborough' Arrives: Bath (1758-1759) -- 4. 'Your Likeness Man, Tho Gainsborough' -- 5. 'Daubing away for the Exhibition': Show Pictures and Exhibitions -- 6. Portraits 'for Bread' and Portraits for Friends -- 7. 'Nature sat to Mr. Gainsborough' -- 8. 'Something more elevated': The Intellectual Elite of Bath -- 9. 'The coquetry of nature' -- 10. Gainsborough of Bath -- App. I. Artists in Bath in the Eighteenth Century -- App. II. Thomas Gainsborough's Account at Hoare's Bank, Fleet Street -- App. III. Gainsborough's Portrait Prices -- App. IV. Gainsborough's Exhibited Portraits. Subjects; Gainsborough, Thomas (1727-1788). Gainsborough, Thomas (1727-1788) Homes and haunts England Bath. Gainsborough, Thomas (English painter and draftsman, 1727-1788). Civilization. Painters. Painting, British. Painters England ; Biography. Painters, British 18th century ; Biography. Artists England ; Biography. Bath (England) Civilization 18th century. Bath (England) Intellectual life 18th century. Bath (Somerset). Somerset - Bath. Bath (England) Civilization 18th century. Bath (Avon). Genres; Bibliography. Biographies. Biography. Biography. Illustrated. 2 Kg.

hardcover. Etat : Good. **HARDBACK** 1st edition Lion and Unicorn Press. 1961Library stamps. Some light tanning to page edges.

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days 156.

Hardcover. Etat : Near Fine. GAINSBOROUGH Thomas (W.F. Wells, and J. Laporte - engravers) (illustrateur). 1st Edition. The uncommon First Edition Collection of 72 Gainsborough Etchings of English Scenery [1805], oblong folio, period style three quarter brown calf, burgundy morocco spine label, marbled boards. First edition of this beautiful collection of 72 etchings, 30 hand tinted, after Gainsborough sketches, 30 hand-tinted, handsomely bound. Plates clean and fine, dated 1802-1805, some watermarked 1801, binding fresh and lovely, printed by Watts and Bridgewater, Queen-st. A superb example of this rare edition. (270*401 mm). (Ray 74. Tooley 231). Acclaimed as the father of modern landscape, and of modern pastoral (DNB), Gainsborough was also the favorite of British high society (Janson, History of Art, 452). Wells and Laporte etched these plates from 1802-05. While the first edition of this volume calls for 71 plates, this volume has one additional illustration: there are two different essays of the second plate. The less scarce later editions of this title contain only 60 plates.

Etat : New. Print on Demand pp. 84.

Etat : New. PRINT ON DEMAND pp. 84.

"The printing of this volume was commenced on March 1st, and completed on September 30th, 1898, at the Ballantyne Press, London. The paper of the text is of English make; that of the plates, French. The copper plates in and out of the text were made by Mr. Walter Colls from photographs, with a few exceptions, specially taken for the volume. The photogravures were printed by Mr. Charles Preston. The photogravures were printed by Mr. Charles Preston. The lithographs of the sketches and drawings were prepared and printed by Mr. W. Griggs." A very good half leather binding. Folio. 15.50" x 12.00" x 2.75". pp.xi./[1p.]/pp. 214 pages, plus XXXVI. large plates; 25 small plates; and 11 Lithographic Facsimiles In Colour. Brown morocco spine and corners over beige cloth covered boards. Spine with 5 raised bands and gilt titles: "Gainsborough & His Place In English Art - Armstrong" . Front board with stylised gilt initials "T G" . Edges lightly rubbed and bumped. Top page edges gilt. Small binder's label to verso of the front board: "J. Sampson, 13 Coney St. York.": Marbled endpapers. Clear text and engravings throughout. Plates accompanied by guard sheets with descriptive letterpress. Just light foxing mainly restricted to the margins of some of the plates. A very good book in a very good binding. ** "Sir Walter Armstrong (7 February 1850 Hawick, Roxburghshire 8 August 1918 London) was a British art historian and author. Armstrong was born in 1850, was educated at Harrow and Exeter College, Oxford, and for some 10 years after 1880 was art critic to several newspapers, such as the Pall Mall Gazette, the Manchester Guardian, and the old Manchester Examiner. He made his mark in the art world, and was consulted by students and collectors, becoming an authority especially on Dutch 17th-century and English 18th-century painting. Several fine collections, of which that of Mr. S. Joseph, was one, were mainly formed under his advice. In 1892, he succeeded the late Henry Doyle as Director of the National Gallery of Ireland in Dublin, which his predecessor had reorganized and developed; and in this post Armstrong remained for over 20 years, his services recognized by a knighthood in 1899. During his time in Dublin he wrote many books, among which his stately volumes on Sir Joshua Reynolds, Gainsborough, and Raeburn were the chief, that held a position of authority for many years afterwards. Earlier and later he wrote columns on men so various as Peter De Wint, Velasquez, and Sir Thomas Lawrence, and a book of "Notes" on the National Gallery, containing many suggestive criticisms. Armstrong was said to be quick at absorbing the essential points of contemporary researchers and in judging them by the aid of a keen eye and a clear brain." - See Wikipedia.

"The printing of this volume was commenced on March 1st, and completed on September 30th, 1898, at the Ballantyne Press, London. The paper of the text is of English make; that of the plates, French. The copper plates in and out of the text were made by Mr. Walter Colls from photographs, with a few exceptions, specially taken for the volume. The photogravures were printed by Mr. Charles Preston. The photogravures were printed by Mr. Charles Preston. The lithographs of the sketches and drawings were prepared and printed by Mr. W. Griggs." A very good two volume set in matching red cloth. Folio. 15.50" x 12.00" x 2.75". Vol. I. : pp.xi./[1p.]/pp. 214 pages, plus XXXVI. large plates; 25 small plates; and 11 Lithographic Facsimiles In Colour. Vol. II. ".Plates On India Paper" ; 62 full-page plates on India Paper. Both volmes in red cloth with gilt titles to the front board and spine. titles: "Gainsborough & His Place In English Art - Armstrong" . Edges lightly rubbed and bumped. Top page edges gilt. Clear text and engravings throughout. Plates accompanied by guard sheets with descriptive letterpress. Just light foxing mainly restricted to the margins of some of the plates and endpapers. A scarce and very good set. ** "Sir Walter Armstrong (7 February 1850 Hawick, Roxburghshire 8 August 1918 London) was a British art historian and author. Armstrong was born in 1850, was educated at Harrow and Exeter College, Oxford, and for some 10 years after 1880 was art critic to several newspapers, such as the Pall Mall Gazette, the Manchester Guardian, and the old Manchester Examiner. He made his mark in the art world, and was consulted by students and collectors, becoming an authority especially on Dutch 17th-century and English 18th-century painting. Several fine collections, of which that of Mr. S. Joseph, was one, were mainly formed under his advice. In 1892, he succeeded the late Henry Doyle as Director of the National Gallery of Ireland in Dublin, which his predecessor had reorganized and developed; and in this post Armstrong remained for over 20 years, his services recognized by a knighthood in 1899. During his time in Dublin he wrote many books, among which his stately volumes on Sir Joshua Reynolds, Gainsborough, and Raeburn were the chief, that held a position of authority for many years afterwards. Earlier and later he wrote columns on men so various as Peter De Wint, Velasquez, and Sir Thomas Lawrence, and a book of "Notes" on the National Gallery, containing many suggestive criticisms. Armstrong was said to be quick at absorbing the essential points of contemporary researchers and in judging them by the aid of a keen eye and a clear brain." - See Wikipedia.

Etat : Good. Folio. 28 x 42.5 cm. Contemporary black morocco with gilt dentelles on the edges of the covers and hte spine. Spine repaired and repair on lower front cover. 60 soft ground etchings, full page plates, many handcoloured. References: Abbey, Life,in England, no. 203.; OCLC Number :9369595.

Etat : Good. [23] leaves of text and 20 colour engravings each with tissue guard. (4to) 32.5x24 cm (12¾ x 9½") period three-quarter blue morocco and marbled boards, spine gilt, raised bands, all edges gilt. Edges worn, front hinge open; paper a bit toned but overall internally near fine.Henry Vizetelly, Printer and engraver, Gough Square, Fleet Street"Plates engraved by Louis Marvy; after Sir Augustus Wall Callcott, J.M.W. Turner, J. Holland, Francis Danby, Thomas Creswick, William Collins, Richard Redgrave, Frederick Richard Lee, George Cattermole, William James Mu?ller, James Duffield Harding, Peter Nasmyth, Richard Wilson, Edward William Cooke, John Constable, Peter De Wint, David Cox, Thomas Gainsborough, David Roberts, and Clarkson Stanfield. Each plate is followed by a short critique by Thackeray. Thackeray was an old friend of Marvy, a French artist, who took refuge in London after the chaos of 1848. Theodore Taylor's 1864 biography of Thackeray mentions the history of the book: ?A fine and skillful landscape painter himself, M. Marvy, while here, as a means of earning a living, made a series of engravings after the works of our English landscape painters. The publishers, however, would not undertake the work without a series of letter-press notices of each picture from Thackeray; and the latter accordingly added some criticisms which are interesting as developing his theory of this kind of art? (p.32). An interesting and quite scarce Thackeray item, very rarely found colored.Abbey, Life in England, no 207 : "The majority of the copies issued were uncoloured.".

Soft ground etching and aquatint on paper. In Very Good Minus condition housed in a Poor wood frame. Plate measures w. 12.25 in. by h. 8.5 in. Frame measure w. 19.75 in. by h. 17.75 in. Glass on frame cracked, foam backing secured with tape. Wood frame unstable, separating at corners. Moderate foxing to etching. Minimal fading. Unsigned. Item number L049. EH consignment. Shelved in Rockville. Catalogue Raisonné: Hayes 511 (after); Grego I.151, no. 3, vol. II.390, no.3. 1388986. Arts & Antiques.