genuth schechner (23 résultats)

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Etat : Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Standard-sized.

In the dust jacket protected in a mylar sleeve.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 365 page hardcover with illustrations. Comets and Culture - Science and Popular belief. Food for thought. Dust jacket and book are very good condition. Brief inscription by the author to prior owner on title page. Inscribed by Author(s).

Etat : As New. Unread book in perfect condition.

Hardcover. Etat : Good. Ex-library copy. Dust jacket in Mylar. Clean pages, sound binding.

Staplebound wraps. Etat : Fine. First Edition. First Edition. Pgs 97-126. 8vo. Wraps. Illustrated. A bright clean copy. Staplebound wraps. ISSUE CONTENTS: Tools of Teaching and Research: John Prince, the Deerfield Academy, and Educational Reform in the Early Republic by SARA SCHECHNER GENUTH. William Wales; An Anglo-American Microscope, Optician by DEBORAH JEAN WARNER. The Rittenhouse Journal of the Scientific Enterprise was a scholarly journal focused on increasing and distributing knowledge about scientific instruments made and/or sold in the US and the Americas. Throughout its 23 years of publication (and a total of 70 issues), the journal covered areas including mathematical, optical and philosophical instruments, chemical, physical and electrical apparatus, sundials and globes; and time periods from the 17th to the mid-20th century. Authors of the various articles in the journal are well known scholars from major institutions, collectors, and dealers in the field of scientific instruments.

Etat : Very Good. 1997. hardcover. Good clean copy with minor shelfwear. DJ has some minor nicks and tears, remains very good. . . . . Books ship from the US and Ireland.

Hardback. Etat : As New. xvi 365p hardback, fresh dustjacket, many illustrations, excellent copy, as new, no names or stamps Language: English.

Etat : Very Good. 1997. hardcover. Good clean copy with minor shelfwear. DJ has some minor nicks and tears, remains very good. . . . .

Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. Quarto. Monochrome illustrations. As new in as new DJ. Pages: xiv, 179.

Etat : Gut. Ill. 365 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Very good and clean. - Sehr gut und sauber. - In a lively investigation into the boundaries between popular culture and early- modern science, Sara Schechner Genuth presents a case study that challenges the view that rationalism was at odds with popular belief in the development of scientific theories. Schechner Genuth de- lineates the evolution of peoples understanding of comets, showing that until the seventeenth century, all members of society dreaded comets as heaven-sent portents of plague, flood, civil disorder, and other calamities. Although these beliefs became spurned as vulgar superstitions by the elite before the end of the century, she shows that they were nonetheless absorbed into the science of Newton and Halley, contributing to their theories in subtle yet profound ways. 0Schechner Genuth weaves together many strands of thought: views of comets as signs and causes of social and physical changes; vigilance toward monsters and prodigies as indicators of Gods will; Christian eschatology; scientific interpretations of Scripture; astrological prognostication and political propaganda; and celestial mechanics and astrophysics. This exploration of the interplay between high and low beliefs about nature leads to the conclusion that popular and long-held views of comets as divine signs were not overturned by astronomical discoveries. Indeed, they became part of the foundation on which modern cosmology was built. Sara Schechner Genuth is Resident Scholar at the Dibner Library of the History of Science and Technology at the Smithsonian Institution. For many years the Curator of the History of Astronomy Collection at the Adler Planetarium in Chicago, she is Editor of the Adler Planetariums catalog of its scientific instrument collection. ISBN 9780691011509 Sprache: Englisch Gewicht in Gramm: 720 Original cloth with dustjacket. Originalleinen mit Schutzumschlag.

Etat : New.

Paperback. Etat : New. In a lively investigation into the boundaries between popular culture and early-modern science, Sara Schechner presents a case study that challenges the view that rationalism was at odds with popular belief in the development of scientific theories. Schechner Genuth delineates the evolution of people's understanding of comets, showing that until the seventeenth century, all members of society dreaded comets as heaven-sent portents of plague, flood, civil disorder, and other calamities. Although these beliefs became spurned as "vulgar superstitions" by the elite before the end of the century, she shows that they were nonetheless absorbed into the science of Newton and Halley, contributing to their theories in subtle yet profound ways. Schechner weaves together many strands of thought: views of comets as signs and causes of social and physical changes; vigilance toward monsters and prodigies as indicators of God's will; Christian eschatology; scientific interpretations of Scripture; astrological prognostication and political propaganda; and celestial mechanics and astrophysics.This exploration of the interplay between high and low beliefs about nature leads to the conclusion that popular and long-held views of comets as divine signs were not overturned by astronomical discoveries. Indeed, they became part of the foundation on which modern cosmology was built.

Etat : New. Satisfaction Guaranteed or your money back.

Etat : Wie neu. 365 Seiten. Mit zahlreichen dokumentarischen Abbildungen. In EXCELLENT shape. (Wir haben zahlreiche Titel in diesem Sachgebiet auf unserer HP.) Sprache: Englisch Gewicht in Gramm: 700 Originalleinen mit Original-Schutzumschlag.

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New. In a lively investigation into the boundaries between popular culture and early-modern science, Sara Schechner presents a case study that challenges the view that rationalism was at odds with popular belief in the development of scientific theories. Schechner Genuth delineates the evolution of people's understanding of comets, showing that until the seventeenth century, all members of society dreaded comets as heaven-sent portents of plague, flood, civil disorder, and other calamities. Although these beliefs became spurned as "vulgar superstitions" by the elite before the end of the century, she shows that they were nonetheless absorbed into the science of Newton and Halley, contributing to their theories in subtle yet profound ways. Schechner weaves together many strands of thought: views of comets as signs and causes of social and physical changes; vigilance toward monsters and prodigies as indicators of God's will; Christian eschatology; scientific interpretations of Scripture; astrological prognostication and political propaganda; and celestial mechanics and astrophysics.This exploration of the interplay between high and low beliefs about nature leads to the conclusion that popular and long-held views of comets as divine signs were not overturned by astronomical discoveries. Indeed, they became part of the foundation on which modern cosmology was built.

32. Etat : Wie neu. 1997. 365 S., 53 Abb., gebunden mit Schutzumschlag, 24 x16 cm A lively investigation into the boundaries between popular culture and early-modern science. Itchallenges the view that rationalism was at odds with popular belief in the development of scientific theories. Sprache: Deutsch.

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Presents a case study that challenges the view that rationalism was at odds with popular belief in the development of scientific theories. This book shows that until the seventeenth century, all members of society dreaded comets as heaven-sent portents of p.

Taschenbuch. Etat : Neu. Comets, Popular Culture, and the Birth of Modern Cosmology | Sara Schechner Genuth | Taschenbuch | Einband - flex.(Paperback) | Englisch | 1999 | Princeton University Press | EAN 9780691009254 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - In a lively investigation into the boundaries between popular culture and early-modern science, Sara Schechner presents a case study that challenges the view that rationalism was at odds with popular belief in the development of scientific theories. Schechner Genuth delineates the evolution of people's understanding of comets, showing that until the seventeenth century, all members of society dreaded comets as heaven-sent portents of plague, flood, civil disorder, and other calamities. Although these beliefs became spurned as 'vulgar superstitions' by the elite before the end of the century, she shows that they were nonetheless absorbed into the science of Newton and Halley, contributing to their theories in subtle yet profound ways.Schechner weaves together many strands of thought: views of comets as signs and causes of social and physical changes; vigilance toward monsters and prodigies as indicators of God's will; Christian eschatology; scientific interpretations of Scripture; astrological prognostication and political propaganda; and celestial mechanics and astrophysics. This exploration of the interplay between high and low beliefs about nature leads to the conclusion that popular and long-held views of comets as divine signs were not overturned by astronomical discoveries. Indeed, they became part of the foundation on which modern cosmology was built.