Greenstein jack (27 résultats)

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Good. Good trade paperback. Solid binding. Moderate wear to cover. Pencil markings noted in margins on a handful of pages.

Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Etat : Like New. First Edition. First Edition, First Printing. Published by University of Chicago Press, 1983. Octavo. Hardcover. Book is like new. Dust jacket is like new, with some shelf/edgewear.

Hard Cover. Etat : Very Good. Etat de la jaquette : Very Good. 301pp. Hardback, DJ has small tear on top front edge, index, b&w illustrations, "reassesses the nature and goals of high humanist narrative painting".

Hardcover. Etat : Fine. Etat de la jaquette : Near Fine. 1st Edition. ".modern narratology, translation studies, critical theory, philosophy of history, biblical hermeneutics." Book is tight and bright, appears unread. Jacket is faded at the spine, otherwise fine. 301 pages, 6" x 8 1/2".

Etat : New.

Hardcover. Etat de la jaquette : Good. xii, 772 pp. LCC: 2001034219 Very good condition; name of previous owner on inside of front cover.

Hardcover. 1st Edition. 301p. A hardcover book in fine condition with a dustjacket in very good condition. The book is like-new apart from a former owner's neat bookplate inside the front cover. The jacket has several tiny closed tears on the edges, but is otherwise intact. Contains black and white illustrations.…

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition; First Printing. Chicago & London: University of Chicago Press, (1992). First Edition, First Printing. Large 8vo. xiv,301pp, Index, Notes. Grey cloth. 58 Illustrations. Fine condition in fine dj. Explication of Mantegna's Circumcision of Christ leading to a "new, historically grounded theory of iconography that calls into question many widely held assumptions about the social and intellectual value of Early Renaissance Art" (dj). ISBN 0226307077; Illustrated; Large 8vo 9" - 10" tall; 316 pages.…

Etat : good. This item has a different cover than shown in the listing, but shares the same ISBN. A former university library book with all the expected stamps, stickers and markings. Some shelf, storage or usage wear present. The binding is tight and all pages are present. Missing dustjacket. The pages appear aged but unmarked. Light staining on the cover. Pictures available upon request. Individually inspected by Shay. Thanks for supporting an independent bookseller.…

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 1st Edition. Octavo, xiv, 301 pages, illustrated. A clean, Near Fine copy in a Near Fine dust jacket.

hardcover. Etat : fine. very good(+). First. Black & white illustrations, 301pp., 8vo, cloth, d.w. (slightly faded). Chicago: The University of Chicago Press, (1992). A fine copy in a very good (+) dust jacket. Mategna (illustrateur).

Publisher's Cloth. Etat : Very Good. Etat de la jaquette : Good+. First Edition. - 235 mm. Grey cloth hardcover, gilt titling to spine. Illustrated. B&W photographs. Pp. xiv, 301. Edge wear to DJ with small tear repaired on underside with magic tape. Light sunning to DJ spine. Pages clean and bright throughout. Overall, VG / G+.…

Etat : Good. Hardcover, fade on spine, light rubs on cover, stains on edge of book.

Etat : New. Brand New.

Hardcover. Etat : Very Good. Etat de la jaquette : Good. Grey boards and spine, the former just slightly bowed and the latter lettered in gilt. Jacket faded down spine and front margins with two 3 mm tears to lower edge. Top edge of text block foxed. Internally no faults.

Pp. 301 S. ; Ill. ; Sprache: Englisch neuwertiger Zustand, wirkt ungelesen, minimale Lagerspuren am Schutzumschlag, kleine Bleistiftnotiz im Vorsatz Sprache: Englisch Gewicht in Gramm: 720.

Hardcover. Etat : Very Good. In stock ready to dispatch from the UK.

Hardcover. Etat : New. In stock ready to dispatch from the UK.

Hardcover. Etat : Like New. Like New .Ships From Multiple Locations. book.

Hardcover. Etat : new. Hardcover. Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam's side at God's command. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

Gebunden. Etat : New. This book traces how four early Renaissance masters represented the Creation of Eve, which showed woman rising weightlessly from Adam s side at God s command.&Uumlber den AutorrnrnJack M. Greenstein is Professor and Chair of the Visual Arts.

Hardcover. Etat : Brand New. 253 pages. 10.00x7.25x1.00 inches. In Stock.

Buch. Etat : Neu. Neuware - Depicting the Creation of Woman presented a special problem for Renaissance artists. The medieval iconography of Eve rising half-formed from Adam's side was hardly compatible with their commitment to the naturalistic representation of the human figure. At the same time, the story of God constructing the first woman from a rib did not offer the kind of dignified, affective pictorial narrative that artists, patrons, and the public prized. Jack M. Greenstein takes this artistic problem as the point of departure for an iconographic study of this central theme of Christian culture. His book shows how the meaning changed along with the form when Lorenzo Ghiberti, Andrea Pisano, and other Italian sculptors of the fourteenth and fifteenth centuries revised the traditional composition to accommodate a naturalistically depicted Eve. At stake, Greenstein argues, is the role of the artist and the power of image-making in reshaping Renaissance culture and religious thought. …

Hardcover. Etat : New.