haydn joseph gottfried swieten (47 résultats)

Etat : New.

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Etat : New. pp. 58.

Heft; Etat : Gut. 30 Seiten; Das hier angebotene Heft stammt aus einer Klosterbibliothek und trägt die entsprechenden Kennzeichnungen (Rückenschild, Stempel.). Einband etwas staubschmutzig; Seiten alters-/papierbedingt angebräunt; ansonsten ordentlicher Erhaltungszustand. Sprache: Deutsch Gewicht in Gramm: 40.

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Etat : Gut. Jahr: o. J. Einband: Heft. Beschreibung: Nach Thomson bearbeitet von G. van Swieten. In Musik gesetzt von Joseph Haydn. Umschlag und das äußere Blatt gelöst. Fraktur. Seiten z. T. knickspurig, sonst gut erhalten. Sprache: de. 31 S.

Broschur. Etat : Befriedigend. 24 S. ; 8 Kanten etwas berieben / bestossen, vergilbt, Besitzeintrag, starke papierbedingte Seitenbräunung /// Standort Wimregal HOM-00812 Sprache: Deutsch Gewicht in Gramm: 15.

Etat : Gut. Jahr: o. J. Einband: Heft. Beschreibung: Nach Thomson bearbeitet von G. van Swieten. In Musik gesetzt von Joseph Haydn. Gut und sauber erhalten. Sprache: de. 24 S.

Etat : Gut. Jahr: o. J. Einband: Heft. Beschreibung: Nach Thomson bearbeitet von G. van Swieten. In Musik gesetzt von Joseph Haydn. Umschlag mit Randläsuren und teils stark gebräunt. Fraktur. Seiten z. T. knickspurig, sonst gut erhalten. Sprache: de. 24 S.

Kart. Etat : Zustand in der Beschreibung. 289 S. Musiknoten mit Liedtexten. (Edition Breitkopf Nr. 116). Einband stellenw. minimal berieben, an den Ecken minimale Knickspuren. Schnitt nur im Bereich der unteren Buchecke stellenw. leicht fleckig. Ansonsten gutes und sauberes Exemplar.

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Etat : Gut. Jahr: 1984. Einband: Broschur. Beschreibung: Worte von Gottfried van Swieten. Klavierauszug von Paul Klengel. Textunterlegung Dt./Engl./Frz. Englische Übersetzung von Mevanwy Roberts. Französische Übersetzung von Amedee und Frieda Boutarel. E. B. 118. VN/Pl. no. 29169. Etwas schiefgelegen. Umschlag berieben. Vorderschnitt minimal fleckig. Innen gut und sauber erhalten. 215 S.

Paperback. Etat : New.

Leinen, Goldprägungen, Etat : Sehr gut. [Studien-]Partitur. 245 S. ; 19 cm, Notensätze, in gutem Zustand, 28613 Sprache: Deutsch Gewicht in Gramm: 358.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Etat : New.

PAP. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Etat : New. Print on Demand pp. 58.

Etat : New. PRINT ON DEMAND pp. 58.

HRD. Etat : New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

HRD. Etat : New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Für den fächerübergreifenden Unterricht / Musik- und Religionsunterricht Klavierauszug mit Singstimme (gekürzt) - Singstimme für ein Melodie-Instrument. - Rezitative für ein Melodie-Instrument und Stabspiele. - Chöre, Duette, Terzette für Blockflöten-Ensemble (gekürzt). nach der Originalpartitur bearbeitet von Margit Lentsch.4 Teile in Flügelmappe, geringe Gebrauchsspuren, sehr schön erhalten. 30 x 21 cm, ca. 1 kg schwer.

Kl-8°, 55 S., alt-br. mit Buntpapier. Erste Ausgabe des Textbuches, erschienen zur Uraufführung am 24. April 1801. - Hoboken II, S. 65.

Manuscript on paper. 4to (binding size 264 x 197 mm). [26] pp. Contents: Fol. 1r title, verso blank, f. 2r-5v text, La Creazione, incipit: "Raffaele / Cre? dapprima Iddio il ciel, la terra; / Ma giaceva la terra informe e vuota," f. 6r half-title for Le quattro Stagioni, 6v-13v text, Le quattro Stagioni, incipit: "Coro di Contadini, e Contadine. / Vieni deh Flora, vieni / Prezioso don del Ciel." Written in brown ink in an elegant Italian cursive on fine wove paper, no visible watermarks. Three blank leaves at front and back, the outermost being a wrapper of thicker paper (second flyleaf at back adhered to the third), the text block stitched into a Piedmontese case binding of gold-embroidered ivory silk over thin pasteboards, both covers with outer border of a leafy scrolling vine with floral sprigs composed of gilt or silver-gilt appliqu?s of leaves, blossoms and roundels on stems of couched silver-gilt thread, a larger flowering branch at each corner, at center of upper cover a large gilt monogram CF within a cartouche of repeated leaf appliqu?s with at top a closed crown, at center of lower cover a large flowering plant of gilt appliqu?s, couched thread, sequins, etc. (turn-ins of upper cover unsewn, dampstain within upper left quadrant of upper cover).? A manuscript of excerpts from the librettos for Haydn's late oratorios, the Creation (Die Sch?pfung, first performed 1798) and the Seasons (Die Jahreszeiten, 1801), translated into Italian from the German of his librettist and patron Gottfried van Swieten (1733-1803). Bound in brightly gilt embroidered silk binding, the manuscript was probably produced for a court or private musical event. Both librettos had an English origin. The Creation text, based on Genesis and Milton's Paradise Lost, was taken from a manuscript libretto by an unknown author, originally intended for Handel, given to Haydn by the English impresario Johann Peter Salomon, and brought back by him from England in 1795.? The Seasons was loosely based on extracts from James Thomson's poem of the same title (1730), but van Swieten had greater leeway in rearranging the text. It was still considered a given in the early nineteenth century that vocal compositions in languages other than Latin and Italian would be translated into the language of the audience. The Creation was first performed in Italian in Milan in 1810, using Giuseppe Carpani's verse translation of van Swieten's libretto (first published in Vienna in 1801). The manuscript contains an abridged version of Carpani's text (with some variants). The Quattro stagione is also abridged, and seems to be based on portions of an anonymous translation first published in Dresden in 1802, and used for the oratorio's first performances in Italian, in 1811 in Milan and Bologna (cf. editions of Milan: Mussi, [1811], and Bologna: Ramponi, [1811]). The manuscript was exhibited in Turin in 1998: cf. Francesco Malaguzzi, Legature romantiche piemontese: legature del periodo romantico in raccolte private, no. 67 and p. 30. Malaguzzi stated that the manuscript contains "watermarks of the Biella papermakers the brothers Avondo, datable to the third decade of the 19th century," but this cataloguer failed to see any watermarks.

Siena, dai Torchj di Onorato Porri, 1821, in-8, br. editoriale con cornice tipografica, pp. 32. Grazioso fregio (puttini con grappoli d'uva) in xilografia al frontespizio. Per il testo dell'oratorio profano "Die Jahreszeiten", ispirato al poema "The Seasons" di James Thomson, Haydn si avvalse, come già per la "Creazione", dell'aristocratico Swieten, che tuttavia non volle apparire nelle edizioni a stampa; figlio del medico personale dell'imperatrice Maria Teresa, diplomatico, massone, ma sopratutto patrono di musicisti (Mozart, Haydn, Beethoven), dilettante di musica e fautore della riscoperta bachiana e haendeliana, prefetto della Biblioteca Imperiale di Vienna; grazie a lui il testo apparve sia in inglese che tedesco: a stampa presso Breitkopf & Härtel di Lipsia nel 1802; la 1a rappresentazione viennese è dello stesso anno (privata: maggio; pubblica: aprile). La 1a italiana avvenne al Liceo Filarmonico di Bologna il 10 maggio 1811 (in occasione della nascita del re di Roma, figlio di Napoleone) colla direzione di G. Rossini, al cembalo. Nella nota preliminare è detto che la traduzione "è la stessa che fu fatta in Dresda sul ritmo musicale dell'originale tedesco" (la stessa seguita nella stampa italiana fatta presso la Tipografia Ramponi); edizioni coeve riportano il nome del vicentino Francesco Degli Antoni. Ottime condizioni.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1850 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 27 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 27.

LeatherBound. Etat : New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1811 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 38 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: Italian.