hompson davi det (35 résultats)

First edition. Oblong softcover. 12 pages. Exhibition catalog for a show that ran May 14 through June 26, 1993. Essay by Wesley Gibson. A close to near fine copy in stapled wrappers from the Cranbrook Academy of Art Library with their stamp to the last page. Otherwise, a very clean copy.

Etat : Very Good. photocopier-created art magazine along the lines of William S. Burroughs cut-up technique with text and b&w images interwoven; pages folded in the Japanese style, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Exhibition invite, 5 x7 inches; very good condition; a mailed copy with address and postal marks on reverse.

Softcover, staple-bound, 4 pages; very good condition; clean and crisp; no other internal marks.

Unbound. Etat : Very Good. First edition. The printed sheets are in very good condition, in publisher's cardstock box (box is lightly bowed at top and bottom edge, else very good); the white pictorial cardstock sleeve is tanned at edges, with a long, uneven vertical crease on front panel of sleeve (with light tanning and wear, else complete). "Rainbow Edition" [issued as Jargon 56]. Six (individual) accordion-folded sheets (each folded six times, horizontally, printed in black, on rectos only, each printed on a different color paper), illustrated by Hak Vogrin; all six folded sheets are laid into a black (open) cardstock box, with a pictorial (cardstock) sleeve.

184 pp.; 27.7 x 21.5 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Summer 1982 issue of Art Journal. Guest edited by Clive Phillpot. "Editor's Statement," by Clive Phillpot; "Looking at a Printed Page," by Tony Rickaby; "Messages Received," by Howardena Pindell; artist's project by Sol LeWitt; "Kangaroo? (Some Songs by Art & Language and the Red Crayola," by Art & Language, The Red Crayola; "artist's project by Davi Det Hompson; "Why Write," by Daniel Buren; Color / Language Studies 1973 - 82, by Iain Baxter" artist's project by John Fekner; "The Walking Man 1975 - 1978 and The Artist's Dream," by Ian Breakwell; "Extracts fom Personhood's Self-Cancellation," by Henry A. Flynt Jr.; "Notes from Art (4 pages)," by Lawrence Weiner; artist's project by Ben; "The Definitive/ist Manifesto by the Guerrilla Art Action Group"; artist's project by Les Levine; artist's project by Jenny Holzer; artist's project by John Baldessari "On Social Grease," by Hans Haacke. Additional content by Marsha Morton, Maureen Connor, Bernard Hanson, Douglas G. Campbell, and Karen F. Beall. Very Good. Light bumping of corners and rubbing of covers. Yellowing at edges of cover. Contents clean and unmarked.

Paperback. Etat : Fine. Book. Ceolfrith 25 - Portrait of Robin Crozier. Pristine copy 72pp black & white text and line drawings throughout. Crozier invited various artists and writers to send him a portrait (drawing) of Robin Crozier, and this book displays all of those drawings. Contributors include: Richard Hamilton, Clemente Padin, Davi Det Hompson, Jiri Valoch, Dora Maure, Robert Filliou, Ben Vautier, Edgardo Antonio Vigo,Dick Higgins, Ray Johnson, Hansjorg Mayer, John Furnival, Michael Gibbs, George Brecht, Ken Friedman, Genesis P-Orridge, Henri Chopin, Jochen Gerz, Wanda Golkowska, Takako Saito, Andrzej Partum. Gabor Toth, Mieko Shiomi, Ewa Partum, Dom Sylvester Houedard, Anna Banana, John Armleder and others. The Mail Art networking concept at it's peak. Condition: fine, unread copy, crisp & tight.

Soft cover. Etat : Very Good. 1st Edition. A self-published artist's book consisting of fifteen short, sardonic anecdotes, one per page, all dealing with various characters' reactions to "my writings," "my work," etc.: 'Placing his hand flat against the wall a student called to me and said, "This is it. This is what your pieces are doing."' Saddle-stapled in plain paper. 8.5 x 5.5 in.; unpaginated (16pp., including covers). Very good condition, some brown dampstains along top edge, primarily at the spine corner. Although undated, Clive Phillipot ascribes this phase of Hompson's book production specifically to the years 1976-77 ("Some Contemporary Artists and Their Books," in "Artists' Books: A Critical Anthology and Sourcebook," ed. Joan Lyons, 120).

52 pp.; 20 x 22.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 9 - July 16, 1981. Exhibition examines the social, cultural, and political elements of the sixties that birthed the "alternative" movement -- specifically Gain Ground, Apple, 98 Greene Street, 112 Greene Street Workshop, Idea Warehouse, 3 Mercer -- and charts the effects it had on the art world. Curated by Jacki Apple, with preface by Marcia Tucker and essay by Mary Delahoyd. Artists include Vito Acconci, John Perreault, Robert Newman, Eleanor Antin, Billy Apple, Geoff Hendricks, Jerry Vis, Davi Det Hompson, Artwiser / Artweiser, Roger Welch, Bill Beckley, Susan Hall, Robert Kushner, Brad Davis, Gordon Matta-Clark, Suzanne Harris, Tina Girouard, Larry Miller, Richard Nonas, Jeffrew Lew, Jene Highstein, Nancy Holt, Cecile Abish, Peter Downsbrough, Douglas Davis, Virginia Piersol, Stefan Eins, Christopher McNeur, Dieter Froese, Stuart Sherman, Jaime Davidovich, and Bill Bierne. Includes images of selected works. Good / Very Good. Mild edgewear and yellowing of interior cover. Circular sticker on lower left corner of recto. Sticker adhesive from removed sticker on lower right corner of recto. Clean and unmarked.

Unbound. Etat : Very Good. This sheet is hand SIGNED by the Flux artist Davi Det Hompson (David E. Thompson) on the back; sheet size: 8-1/2 x 11in; the text on front in white on black backgroun: "Sure, sure. Davi Det Hompson, I know about you. You used to do Fluxus stuff and artists' books. I've read some of your pamplets. Are you still making throw-away art?"; printed on a med.-thick smooth card paper; in VERY GOOD COND. SIGNED.

Etat : Good. Carlo0 Giovanni Cicatelli (ed), Quoz? Vol.III No.11, Trinity Press, San Francisco, Autumn 1975. 133 x 105mm. 40pp. Printed black on light orange stock with cream printed covers, stapled. Colour collage element to Ken Friedman contribution. Condition: rust to staples, cover has seperated from the pages which are still bound, with some bleeding from the staples. Nibbles to top corner of front cover as seen. Good only.

Sin Encuadernar. Etat : Muy Bien. Phandangos 3! 520 x 395 mm. Printed black on large format newsprint with numerous unique collages and cut-out interventions throughout. On each issue the covers includes a unique collage element as well as Blue Landscape by Dick Wessels, a blue acetate square stapled to the cover. Wears to front covers. Toning age.

Soft cover. Etat : Very Good. 1st Edition. Stunning publication featuring a wide variety of contributors with varying methods of color printing and inserts, which are all present. Some indenting to the wraps from the card inserts in front and back. Some minor rubbing to covers and some corner wear, as well as a crease to the bottom of one page towards the back but otherwise a lovely copy, now in mylar.

[4] pp.; 30 x 30 cm.; black-and-white; edition size 20; unsigned and unnumbered; offset-printed Vinyl 33-1/3 LP record issued as exhibition catalogue for show held November 1 - December 14, 1969. "Shortly after its opening, the Museum of Contemporary Art planned an exhibition to record the trend, incipient then and pervasive today, toward conceptualization of art. This exhibition, scheduled for the spring of 1968 and abandoned because of technical difficulties, consisted of works in different media, conceived by artists in this country and Europe and executed in Chicago on their behalf. The telephone was designated the most fitting means of communication in relaying instructions to those entrusted with fabrication of the artists' projects or enactment of their ideas. To heighten the challenge of a wholly verbal exchange, drawings, blueprints or written descriptions were avoided." - Jan van der Marck from record jacket. Artists on LP include: Siah Armajani, Richard Artschwager, John Baldessari, Iain Baxter, Mel Bochner, George Brecht, Jack Burnham, James Lee Byars, Robert H. Cumming, Francoise Dallegret, Jan Dibbets, John Giorno, Robert Grosvenor, Hans Haacke, Richard Hamilton, Dick Higgins, Davi Det Hompson, Robert Huot, Alani Jacquet, Ed Kienholz, Joseph Kosuth, Les Levine, Sol LeWitt, Robert Morris, Bruce Nauman, Claes Oldenburg, Dennis Oppenheim, Richard Serra, Robert Smithson, Guenther Uecker, Stan Van Der Beek, Bernar Venet, Frank Lincoln Viner, Wolf Vostell, William Wegman, William T. Wiley. The 2008 screenprinted gatefold cover, produced by Specific Object, is an exacting reproduction of original 1969 offset printed cover, which incorporates an installation image on the back cover, and extensive introductory text and additional texts on each participating artist. References : "Record As Artwork 1959 - 73" by Germano Celant. London, United Kingdom : Royal College of Art Gallery, 1973. "Bruce Nauman : Disappearing Acts" by Kathy Halbreich, Thomas Beard, Briony Fer, Nicolás Guagnini, Rachel Harrison, Ute Holl, Suzanne Hudson, Julia Keller, Liz Kotz, Ralph Lemon, Glenn Ligon, Catherine Lord, Roxana Marcoci, Magnus Schaefer, Felicity Scott, Martina Venanzoni, Taylor Walsh, Jeffrey Weiss. New York, NY : The Museum of Modern Art, 2018, pp. 49. Fine. Original 1969 vinyl LP housed in 2008 screenprinted facsimile album cover. Vinyl in good condition, jacket is New.

Soft cover. Etat : Very good. No jacket. Catalog published on the occasion of an exhibition held at Key Gallery, Richmond, Virginia, from May 14 to June 26, 1993. Signed by both artists on the back of one of the "hand fans." Cardboard box is scuffed and crushed, but staple-bound catalog and "hand fans" are in excellent condition.

Soft cover. Etat : Good. 1st Edition. A set six of the avant-garde periodical Assembling. Instead of selecting from submissions presented to it, Richard Kostelanetz (and, at various times, Henry James Korn, Mike Metz, Scott Helmes, and David Cole) invited potential contributors to submit a thousand copies of whatever they wanted to include, which were then alphabetically assembled into 8.5 by 11 inch books. Published by Ghilbmessa Inc. (First number) and then by Assembling Press, New York between 1970-1981. Edition of 1000. Overall excellent, well-preserved copies with minor edge-wear and age-toning, some mildly bumped corners, oversized pages in some issues creased at fore-edges. Very Good or better with no major flaws, no internal markings - all in custom protective mylar. Notably - front panel of Issue 1, which is printed on lighter paper than subsequent issues, has small closed tears at the staples - loosely attached thus. Issue 4 has a closed, diagonal tear with creasing at the spine near bottom edge - not affecting binding. Please inquire for further, thorough descriptions of condition of individual issues. Issue 1 (1970) features mixed-media contributions from Edward Ruscha (Chocolate smear by the artist), Dan Graham, Bernadette Mayer, Vito Acconci, Madeline Gins, Arakawa, Hannah Weiner, Robert Lax et al. Second Assembling (1971) features the work of Jochen Gerz, Davi Det Hompson, Clemente Padin, Alan Sondheim and Nicholas Zurbrugg et al. Third Assembling (1972), which was collated and bound by an anonymous fireman and his family, includes contributions from artists such as John Baldessari, John Furnival, Roni Hoffman, Elizabet Ginsberg, Ruth Krauss and Joseph Phillips. Fourth Assembling (1973) contains work by: Jean-Jacques Cory, Wally Depew, Dick Higgins, Nancy Henderson, Mad Dog et al. Fifth Assembling (1975) features artistic contributions by Eric Anderson, Bruce Andrews, Scott Hyde, Shoichi Kiyokawa, Thomas Macauley, Jonathan Price and Karl Young among many others. Sixth Assembling features works by Bob Aab, Anna Banana, A.F. Caldiero, Robin Crozier, Veronica Drew, Bill Gaglione & Tim Mancusi, Joe Johnson etc. Seventh Assembling features contributions by, among others, Rene Aeberhard, Bruce Andrews and Eduardo Ballerini. Eighth Assembling (1978) was split into two (A-J) and (K-Z) and includes avant-garde contributions from artists such as Charlton Burgh, Charles Ewert, Michael Gibbs and Richard Grayson in the first, and Valery Oisteanu, Douglas Turnbaugh and Nancy Wolf in the second. Ninth Assembly (1979) constitutes a 'critical' anthology. Tenth Assembling features contributions by Allan Coleman, Bonnie Donohue, Rimma & Valery Gerlovin and Tom Persons. Eleventh Assembling (1981), subtitled "Pilot Proposals" includes contributions by Agnes Denes, Bern Porter and Richard Meltzer, among others. Signed by Author(s).

Softcover. Etat : Near Fine. Four pamphlets. Octavos. Each [16]pp. Stapled printed self-wrappers. Overall near fine with light rubbing, spine creases and a few scattered spots. A collection of four mail art pamphlets from Davi Det Hompson, the pseudonym of Fluxus artist and Concrete poet David E. Thompson. They include: *"Understand. This is only temporary."*; *I yelled, "What the hell is going on?"*; *May I have a glass of water with no ice, please?*; and *I asked a usually talkative friend why she was so quiet.* Each pamphlet consists of short snippets of dialogue on each page that ranges from declarative statements and questions to pedestrian asides and personal opinions, along with Hompson's name, address, and telephone number on the rear wrap. The pamphlets were sent by him to a select group of friends during the mid-1970s. Little definitive information exists as to the total number of individual mailings or copies printed. There was a 1980 box set of 15 pamphlets which contained three of the four included here, though how they differs from the original mailed pamphlets is unclear. Still, the box set itself is uncommon with *OCLC* locating nine copies, which falls in line with the scarcity of the individual pamphlets here which *OCLC* locates in quantities of nine or fewer.

Paperback. Etat : Fine. Book. ARTZIEN (Amsterdam 1978-83). The fearless, idiosyncratic review of art in The Netherlands, focusing particularly on the marginal and the new, written mostly by artists, and featuring interviews with such luminaries as General Idea, Vito Acconci, Reindeer Werk, Al Hansen, Milan Knizak, Ulises Carrion and Lawrence Weiner. 28 issues published. Quite raw in an attractive way. Artists often directly involved in layout &/or making their images. Each issue 215 x 172mm. Mostly in English (the Editor was British). Stapled, illustrated (in black and white, occasionally red rubber stamps & a couple of covers with colour). Some issues are double issues (therefore 28 numbers within 25 issues). Condition - fine (fresh staples, tight clean copies).

Poster, measuring 11 x 17 inches; very good condition; small smudge to left edge.

Folded silkscreen print in orange and blue. Image size: 161 x 410mm. Paper size: 210 x 464mm. Signed by Hompson and numbered 17/120. Inscribed and dated to Bound & Unbound, the New York gallery where he had a show the same year. Barely visible tideline. Slightly cockled.

Etat : Very Good +. First printing. 280x105mm. Silkscreen poster on card stock with stapled inner sheets printed black on white. Published for the artist's exhibition at the Bound & Unbound gallery. Handling marks and light wear to covers, otherwise fine. Overall: VG+.

Etat : Very Good +. Jorge Glusberg, CAYC, et al, Video cayc alternativo / Fourth International Open Encounter on Video, Centre of Art and Communication (CAYC), Buenos Aires, 1975. 224 x 168mm, unpaginated, staple-bound booklet with black and red printed wraps, photographs and texts printed black on white. Programme for the CAYC Fourth International Open Encounter on Video held in Buenos Aires in 1975. Features an introductory text by Jorge Glusberg on the role of the Latin American Artist and the purpose of the Open Encounter. The programme lists alphabetically numerous participating artists, often illustrating a still from their video work. Artists include: Donald Burgy, Giuseppe Chiari, Coum Transmissions, Micheal Druks, Felipe Ehrenberg, Jochen Gerz, Group cayc, Davi Det Hompson, Rebecca Horn, Etsuro Kawamura, Les Levine, Jonier Marin ,Raúl Marroquin, Mario Merz, Rita Myers, Nam June Paik, Martha Rosler and others. Cover design by Leopoldo Maler and Jorge Glusberg, Photos by Gasper Glusberg. Introduction by Jorge Glusberg.

First edition of 70, of which this is no. 10. 15 x 15" (38.1 x 38.1 cm) poster silk screened in matte dark gray and yellow ink on thin cream colored stock. Signed and numbered in pencil by the artist. An original silk screened collage featuring a text incorporated into an image of a woman cooking at a stove. By the prolific and multifaceted concrete poet, Fluxus, mail, and performance artist. Slight waviness to sheet including age toning and trace amounts of handling creases, else fine.

First edition of 70, of which this is no. 10. 15 x 15" (38.1 x 38.1 cm) poster silk screened in matte dark gray, yellow, and dark red ink on thin cream colored stock. Signed and numbered in pencil by the artist. An original silk screened collage featuring a text incorporated into an image of a woman cooking at a stove. By the prolific and multifaceted concrete poet, Fluxus, mail, and performance artist. Slight waviness to sheet including age toning, trace amounts of handling creases, and a 1" (2.5 cm) tape abrasion at top right margin, else near fine.

First edition of 50, of which this is no. 3. 15 x 15" (38.1 x 38.1 cm) poster silk screened in matte gray, red, and light blue ink on thin cream colored stock. Signed and numbered in pencil by the artist. An original sardonic concrete poem silk screened in three colors resulting a soothing visual reverberation. By the prolific and multifaceted concrete poet, Fluxus, mail, and performance artist. Slight waviness to sheet on account of the ink volume, with age toning and light handling creases, else fine.

First printing. 12.25 x 20 inches, silkscreen poster on cardstock, issued in a very small print run. Published on the occasion of a solo exhibition at Barbara Moore's Bound & Unbound shop & gallery. Very light scuffing to edges, not affecting image, otherwise very good.

Etat : Good. Silkscreen print. Red lettering on blue forms. Single sheet folded once to make a two-page booklet. 18-1/2 x 8-5/16 inches. Davi Det Hompson was a participant in Fluxus and Dada activities in the 1960s and 1970s. After 1980 he began painting, as well as continuing to make artist's books. This print made for his solo exhibit at Bound & Unbound artist's book gallery in 1991. Inscribed by the artist "For Bound and Unbound." Signed and dated. Printed in an edition of 120, of which this is number 80, numbered by artist. One corner slightly bumped, otherwise Near Fine.

Etat : Very good +. Document. David Det Hompson declares the following series of unauthorized occurences at Apple, not dated (was sent to recipient in Europe c. 1977). 278 x 214 mm. Edition not known but the artist did not work in large editions at this time. A description of happenings/events by the artist at Apple in New York including: Sweeping the gray wood floor, Watching a women [sic] at the bottom of the stairs, Looking through a hole in the white paper covering the rear windows, Calling my wife, Nan, on the telephone. Condition: Toning on the upper right and right edges of the paper, minor handling marks the top left corner and minor rub right corner, overall in very good++. Rare.

Etat : Very good + / Near Fine. Rubber Vol.3, No.4 no.6, Aart van Barneveld (ed.), Rubber Stamp Publications (An Index), April June 1980, 235 x 160 mm. Various artists. Over 200 artist books by various Rubber associated artists are listed and pictured throughout in black and white. Artists include: Anna Banana, Peter Below, George Brecht, Stanley Brouwn, Paulo Bruscky, Ulises Carrion, Marie C. Combs, Ray DiPalma, Leonhard Frank Duch, Claudio Goulart, Davi Det Hompson, Hetty Huisman, Robert Jacks, J.H, Kocman, Geza Perneczky, Pawel Petasz, Dieter Roth, Willy Scholte, Elsa Stansfield, Gabor Toth, Tim Ulrichs. Condition: Very good + / Near Fine.

4, 16, 16 p. Oktn. very fine (David E. Thompson, Künstlerbüch , artist's book)).