hugo hermannus (20 résultats)

Hardcover. Etat : Good. 12mo, [20], 434, [3] p. Opnieuw gebonden leer met ribben (met gegraveerde titelpagina, gravure met het wapen van de abt in het voorwerk, 46 gravures en 3 gegraveerde titelpagina's voor de drie onderwerpen die behandeld worden). Onbekende herdruk.

Etat : Bueno. 76765 Hugo Hermannus 1617 Pergamino de época con título caligrafiado en el lomo, pero con desperfectos. 8º. 227 págs. + 1 h. Ilustr. con grabados. Señales de humedad marginal. Es una historia de la escritura y literatura.

Hardcover. Etat : Very Good. 1st Edition. Obsidio Bredana Armis Philippi IIII. auspiciis Isabellae Ductu Ambr. Spinolae perfecta. Hermannus Hugo. Antwerp, Plantin, 1629. Bound together with: Marci Zuerii Boxhornii. Historia Obsidionis Bredae et rerum Anno MDCXXXVII gestarum. [Antwerp, Plantin-Moretus, 1637]. 2 parts in one vol. Limp vellum, small folio, (6),129,(4) and (6),176,(11) pp. The first part with an engraved title page by Cornelis Galle after P.P. Rubens, 12 copper engravings of which 7 double-page and 5 full-page and 2 text engravings. The second part with half title, 8 engravings of which 4 double-page and 4 full-page and 3 text engravings. Plantin impression. Very good copy.

Hardcover. Etat : Very Good. Title-page in red and black, decorated throught with woodcut ornaments; 5 copper-engraved plates (2 folding); bound in contemporary full vellum over thongs, neatly titled by hand on the spine. Some occasional light. A very good bright copy. Herman Hugo (9 May 1588 - 11 September 1629) was a Jesuit priest, writer and military chaplain. His Pia desideria, a spiritual emblem book published in Antwerp in 1624, was "the most popular religious emblem book of the seventeenth century". It went through 42 Latin editions and was widely translated up to the 18th century.

Hardcover. Etat : Good. No Jacket. 1st Edition. Good hard cover. Text in Dutch. Full leather bound in contemporary marbled calf over boards; spine with red morocco panel with gilt stamped titles and gilt stamped fillets and rolls with fleurons in compartments; copperplate engraved frontispiece and 45 (of 46) plates; decorative tailpieces. Bright, clean, square covers and spine; very slight rubbing at edges; leather remains supple; tightly bound; small stamp and label on front free end paper; title page lacking (facsimile laid in); clean interior with occasional slight age darkening; plates with occasional faint stains but very good clear impressions; plate 30 lacking (facsimile laid in); printer's notice and device on colophon 'Hendrick Aertssens / in de Kamerstraete in de witte Lelie M. DC. XXIX.' 15 x 9 cm. [9], 604, [5] (usual pagination errors 137-144 - no missing pages); in 8s. Fronstispiece, plates numbered 0-29, 31-45. See, STCN #314725628; OCLC #314913354.

Hardcover. Etat : Very Good. First Edition. 227 pages; Secure in later patterned-paper covered boards. First edition of this first history of writing and the work of the scribe -- bound with two other contemporary tracts. OCLC: 17838634 Herman Hugo (1588 1629) was a Jesuit priest, writer and military chaplain. In addition to this primary work on the history of writing and scribes, he wrote a spiritual emblem book which was extremely popular. ; Experience the pleasure of reading and appreciating this actual printed item. It has its own physical history that imbues it with a character lacking in ephemeral electronic renderings.

Hardcover. Etat : Good. 8vo, [14], 604, [8] p. Origineel overslaand perkament (met Franse titelpagina, gegraveerde titelpagina, gravure voor het voorwoord, 45 gravures buiten collatie en gegraveerd impressum van de drukker achterin, wel in STCN maar zonder locatie). Mooi exemplaar met heldere gravures.

Encuadernación de tapa dura. Etat : Bien. Antverpiae (Amberes), ex Officina Plantiniana, 1626, (Balthasaris Moreti, en colofón) ¿ Pergamino de época, Folio (30,5x20 cm.), 4 hojas + 128 pp. + 2 hojas; 7 láminas plegadas + 6 grabados a toda página y 2 intercalados en el texto. ¿Pergamino semi desprendido del cartón de la encuadernación, al igual que las guardas. Pequeñas pérdidas de papel en el margen inferior de las primeras hojas, probablemente debido a antigua humedad (sin afectar al texto, salvo en la portada calcográfica, en que afecta al año de impresión). Pequeñas manchas en primeras 15 y últimas 10 hojas. Uno de los planos del sitio de Breda, suelto. Pese a estos defectos, el ejemplar es atractivo y las láminas (una más en nuestro ejemplar de las que reseña el CCPB) de magnífica factura. - Primera edición, rara, de este tratado sobre el sitio y toma de Breda, escrito por el jesuita belga que sirvió como capellán a Ambrosio de Spinola. ¿.

Etat : Good condition. Verdussen, Antwerpen, 1740 , in 8° , 18th century reprint ( first edition in 1624 ) of this famous regligious emblem book, with 48 emblems by the engraver Boëtius à Bolswert. This book became very popular from the moment it was first published in 1624. Full leather binding, with ornated gilt spine and title 1 volumes. 258 g Vollederen band met gedoreerde nerven en titel.

Antverpiae, Ex Officina Plantiniana, Balthasaris Moreti, M. DC. XXVI. 31 x 21 cm, une page de titre gravée, 68 ff. 8 planches gravées à double page, 5 planches à pleine page et deux figures dans le texte. Relié plein vélin d'époque, reliure légèrement usée sans gravité. La plupart des planches à double page sont détachées, une avec de fortes rousseurs, la plupart avec des petites déchirures et des manques sans atteinte, la page d'Approbatio est détachée. Une erreur de pagination, l'on passe de la page 15 à 18 sans manque de texte. Tampon de double de la Bibliothèque Jagiellonian, et facture de vente de Antykwariat Naukowy d'Anna Wojtowicz à Cracovie datée 1993. N'hésitez pas à nous contacter pour plus de précision. Édition originale rare de ce traité sur le siège et la prise de Breda, écrit par le jésuite belge Hermannus Hugo (dont le nom vernaculaire n'est pas attesté, peut-être Herman Huyghs), né le 9 mai 1588 à Bruxelles et décédé le 12 septembre 1629 à Rheinberg (Rhénanie-Westphalie), était un prêtre jésuite des Pays-Bas méridionaux, poète-écrivain latin et aumônier militaire des troupes royales espagnoles. C'est Ambroise de Spinola qui commandait les troupes espagnoles dans les Pays-Bas qui l'a pris comme aumônier. Dès lors Herman Hugo l'accompagne dans ses campagnes militaires. Il est présent au siège de Bergen-op-zoom de 1622 (un échec de Spinola). Il est surtout témoin de la prise et reddition de Breda en 1625, un triomphe pour le même marquis de Spinola. Hugo en fait cette relation écrite : Obsidio bredana (1626). Le livre fut rapidement traduit en espagnol, anglais et français. . Livres.

Antwerp, Officina Plantiniana [Balthasar I Moretus], 1629. (6),130,(1) pp. Copper-engraved frontispiece, 7 double-page plates, 6 single-page plates & 2 text-ills. Boards covered with 15th century waste paper (membra disjecta / maculatuur) taken from rubricated incunabula: Vicentius Bellovacensis' Speculum Quadruplex (Strassburg, 1473). 4to. - Lacking spine; corners sl. worn; joints loosening; text and plates in good condition; new endpapers.

Etat : Fair. Folio. 7 double page engraving, 6 single page plates, 2 in text gravings. Lacking engraved title piece. 163 pp, [15]. Lacking final leaf. Contemporary limp vellum. Vellum soiled. Damp staining to margins, scattered spotting. This is the French translation made on the original Latin Hugo (Obsidio Bredana, 1626 ). See Maurice Cockle (110) for the English edition and 817 for several other editions. Cockle acknowledges that this is the best contribution made in the 17th century to the seat of Breda both militarily and politically. The siege of Breda lasted 11 months and cost the lives of 5000 inhabitants of the city. The capitulation of the city on June 2, 1625 was immortalized by the painting of Velasquez "Las Lanzas o The rendition of Breda".

T'Hantwerpen (Antwerpen) .by Hendrick Aertssens inde Cammerstrate in de Witte Lelie, 1629, small in-8°, 15 x 9 cm, (16) nn pp ; with engraved title & engraved frontispiece + 604 pp + (8) pp with 45 fullpage copper engravings printed on recto of leaf only (outside the pagination). Complete. Old half leather, smooth back with two labels. (Small damage at top turn in, but still a good binding). First edition of the translation by Harduyn. A copy of one of the most influential emblem books ever printed. The plates are by Boetius à Bolswert. From the library of C.P. Serrure, with his name in manuscript on the flyleaf. See De Vries N° 129, Landwehr N°357, Funck pp.338.

Cologne (Coloniae), Sumptibus Engelberti Theodori Kinchi, 1694, 12mo., full parchment spitsel binding with yap edges, red sprinkled edges, 24+240 pp., exposes board on the inside of the covers, but otherwise the construction and sewing are solid, there are slits for closure ribbons, but the ribbons are missing, some stains on the parchment and some damage to the parchment on the front cover, some sign of worming on the first few pages (no loss of text), some contemporary (1740, 1752 and later) ownership signatures and notes in ink on the page preceding the titlepage, with library stamp on frontispiece and the page before that (Biblioth.Conge. Miss. Dom. Colon.). With engraved frontispiece, decorative woodcut endpieces, strewn with engraved emblems. Other editions were printed in Amsterdam, Utrecht or Antwerp and are present in the STCN, this edition was printed in Cologne (according to the titlepage) and is not mentioned in the STCN. l 5th edition.

8. Antverpiae (Antwerpen), Ex Officina Plantiniana, Apud Balthasarem Moretum & Viduam Ioannis Moreti, & Io. Meursium, 1620, in-8°, 17 x 11 cm, (32) + 401 pp + (18) pp, with wood engraved printer's mark at the end, contemporary vellum, front endpaper and first paste down (both blank) missing, title page thumbed and damaged with small loss of paper (no loss of text). De Backer-Sommervogel Volume IV page 513 item 5. First edition.

T'Hantwerpen (Antwerpen) .by Hendrick Aertssens inde Cammerstrate in de Witte Lelie, 1629, small in-8°, 15,3 x 9,3 cm, (16) nn pp ; with engraved title & engraved frontispiece + 604 pp + (8) pp with 45 fullpage copper engravings printed on recto of leaf only (outside the pagination). Complete, no provenance indication. Bound in full supple vellum with yabbed edges. First edition of the translation by Harduyn in Dutch of the most influential emblem books ever printed.: Pia desideria by H. Hugo. Harduyn translated the Latin of Hugo into Dutch renaissancistic texts along counter reformation lines. The plates are by Boetius à Bolswert. See De Vries N° 129, Landwehr N°357, Funck pp.338.

Obsidio Bredana armis Philippi IIII. auspiciis Isabellae ductu Ambr. Spinolae perfecta.Antuerpiae, Officina Plantiniana, 1629, 33,5 x 22,5 cm., plena piel, lomo cuajado, 4 h. incluso bella portada grabada + 129 págs. incluso 8 láminas intercaladas en el texto, 6 de ellas a toda página + 1 h. y 7 láminas plegadas. (Espléndida segunda edición muy ilustrada sobre el sitio de Breda por el ejército español, inmortalizado por Velázquez con el Cuadro de las Lanzas. La portada fue grabada por Corn. Galle siguiendo un diseño de Rubens. El autor fue un jesuita belga que había acompañado a las tropas del general Spínola, estando presente en el sitio de ciudad). Historia y Geografía Universal.

18. Antverpiae (Antwerpen), Ex Officina Plantiniana, Apud Balthasarem & Ioannem Moretos, 1617, in-8°, 17 x 11 cm, 227 + (3) pp, engraving on title-page, fine woodcut initials, 2 ills. (p. 83; the directions of writing; p. 85; stylus) and 1 table (p. 123; material supports), woodcut printer's mark at the end, cont. limp overlapping vellum with traces of ties, 19th century library stamp on title, printed ex-dono from the Antwerp Jesuits in 1910 tipped-on to the first past-down, bookblock a bit loose in binding but still a fine copy. The author, 1588 - 1629, finished this fascinating enclyclopia of literary matters at Brussels, 1 June 1616 , so this is the first edition, and dedicated it to Carolus Scribani, the jesuit provincial.

Antverpiae (Antwerpen), Ex Officina Plantiniana B. Moreti, 1630, in-folio, 30,5 x 19,5 cm, titlepage** + (6)nn pp + 344 pp + (9)(index) + (1)(woodcut printer's mark), with 6 double page engravings and numerous engravings in the text, contemporary full vellum. ** Titlepage. The book was published with an engraved titlepage (Galle). Our copy has instead an original contemporary wash-drawing which is exactly similar to the engraving. Even the engraved textlines have been perfectly rendered. The drawing is of such an astonishing quality that one is tempted to link this design somehow with the creation of this titlepage. (The drawing has some thumbmarks in the lower righthand corner which led to a part of the drawing being partly erased, roughly a triangle of 5 x 5 cm). For the author, who was chaplain to the Spanish general Ambrosius Spinola, see De Backer-Sommervogel.