Huss silverstein (26 résultats)

Paperback. Etat : Very Good. Paperback. Previous owner's name inside front cover. Pages are clean and unmarked. Covers show very minor shelving wear. APPEARS UNREAD. ALMOST LIKE NEW.; 100% Satisfaction Guaranteed! Ships same or next business day.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Etat : New. PHOTO AND VIDEO OF PAGES TAKEN TO SHOW CONDITION PRIOR TO SHIPPING; STORED NEW PRISTINE CONDITION SANITIZED THEN WRAPPEDPHOTOS EMAILED FOR MORE SPECIFICS WHEN REQUESTED; Book. Book.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition.

softcover. Etat : Very good copy. Later prt. 8vo, 172 pp. Illus. with photos (illustrateur).

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good.

Paperback. Etat : Good. A NICE edition, USEFUL! Slight yellow tone to the pages. Light scuff to the paperback cover and the page edge, this book is in PRESENTABLE condition.

Hardcover. Etat : Good. Etat de la jaquette : Good. This unique and liberally illustrated book by two experts on cinema art can broaden the moviegoer?s perception and increase his enjoyment of the films he sees. The authors draw upon films of all eras and most film-making countries to show how motion pictures can be much more than just another way of telling a story. With unusual clarity and the help of film stills, revealing diagrams, and a "story board" from a major studio film, the authors illustrate the rich and complex means by which good films are made into special experiences of sight and sound. The reader is shown how a director creates tone and point of view so as to develop themes, establish values, and draw the viewer into the film. The means by which rhythms, images, and visual accords and oppositions are used to create a kind of poetry particular to film are vividly described. Virtually every great director - Antonioni, Griffith, Lang, Kurosawa, Bunuel, Ford, von Sternberg, Godard, Resnais, Eisenstein, Hitchcock, and Fellini, among many-as well as the "underground" film makers are discussed. Technical aspects of film making, such as ways of moving from shot to shot, types of motion and angle used by the camera, and techniques of sound, are described clearly for the neophyte so as to make more comprehensible the aesthetic principles underlying the beauty of films. For moviegoers who want to sharpen their recognition and deepen their enjoyment of film. The Film Experience is excellent reading and an invaluable guide. ROY HUSS and NORMAN SILVERSTEIN are members of the English Department faculty at Queens College in New York City. They recently conducted a popular film course over radio station WNYC. Dr. Huss has directed film societies, taught several film courses, and published widely in journals such as Modern Drama, Theatre Notebook, The Seventh Art, and Dalhousie Review. Dr. Silverstein is film editor of Salmagundi, a quarterly, and is an expert on James Joyce. Recently he spent a year in Poland at the request of the State Department, lecturing on film and American life and letters. During that time he was associated with the Polish State Film School at Lodz. Ex-library book missing page 1 and a few marks on title pages, library name on last page. Otherwise in fine condition. Slight staining to half square inch of dust jacket on spine. All orders shipped protected in a box. Photographs and drawings (illustrateur). Book.…

Softcover. Very Good with no dust jacket; Small crease in corner; Trade PB. Illustrated by Black and White Photos (illustrateur).

Trade Paperback. Etat : Very Good. 8th Printing. 172 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Light foxing on page edges, not affecting text.

Etat : Very Good. NY Delta 1968. 1/0/00 Binding: Unknown VG. in wraps dj. 172 pages. Illustrated by illus. soft cover edition. 8vo.

broché. Etat : Assez bon.

Leinen. Etat : Gut. 172 Seiten englisch, Bibliotheksexemplar mit den üblichen Stempeln und Signaturen. Fingerfleck auf Innentitel, papierbedingte Seitenbräunung /// Standort Wimregal . HFT-02.581 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Englisch Gewicht in Gramm: 544.…

Etat : Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,250grams, ISBN.…

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First edition. Top edge on front board lightly water stained, else very good in a very good dust jacket with similar water stain.

Encuadernación de tapa dura. Etat : Bueno. LA EXPERIENCIA CINEMATOGRÁFICA - ROY HUSS NORMAN SILVERSTEIN - EDICIONES MARYMAR, 1973. Encuadernación de tapa dura con sobrecubierta (tiene una cubierta de plástico por encima de la sobrecubierta original). Tiene 199 páginas. Con sello exlibris al final. Medidas: 23 cm x 16,5 cm. …

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First edition. Tall octavo. 172pp. Page edges and rear endleaves trifle foxed, still easily fine in fine dust jacket.

Paperback. Etat : As New. First Paperback Edition. Publisher: Delta Books, New York, 1969. FINE softcover in pictorial wraps, as issued. First Softcover Edition, First Printing.

Pbk xii + 172pp illus.Clean & bright VG+.

hardcover. Etat : New. In shrink wrap. Looks like an interesting title.

Cloth DW (fyd) xii + 172pp illus.nr Fine.

Etat : Bueno. primera. Sobrecubierta rasgada. castellano.

tapa dura. Etat : 2ª Mano. 2ª Mano. Marymar Ediciones. 1973. Libro.

Buenos Aires, Ediciones Marymar, 1973, 199 pp. Primera edición española.Ilustrada con 39 figuras, fotografías y dibujos plena página y dentro del texto. Encuadernación plena tela original de editor, lomo y plato con títulos dorados y sobrecubierta ilustrada. Traducción directa de la versión inglesa por Flora Setaro. Diseño de cubierta. Horacio Cardo. La experiencia cinematográfica. La continuidad. El ritmo visual dentro de la toma. El ritmo estructural. Las imágenes. Toma y punto de vista. El tema. El arte cinematográfico. Apéndice. Limitaciones del cine como instrumento de registro de la realidad. Índice de ilustraciones. Índice. Estado muy bueno. 4to.…

(XXL5) - Buenos aires - (Cine) - Contiene 199 páginas - Encuadernado en tela completa azul, mantiene sobrecubierta original - Sobrecubierta con bordes gastador, lomo roto reparado con merma - Interior en muy buen estado con fotografías en blanco y negro - Correcto estado. hardcover.