introduction commentaries john plummer (17 résultats)

Hardcover. Etat : Good. First Edition Thus. this is one of the several careful reprints published by george braziller in the 1960's. this examle is reproduced from the illumiated manuscript belonging to the guennol collection and the pierpont morgan library. the twenty odd page introduction is agood intro to the world of illuminated manuscripts. this copy has been reduced severely to reflect the presence of two nearly invisible small faults to the spine. in every other respect fine.

Hardcover. Etat : Near Fine. No Jacket. Undated; published ca. mid-1960s. Reprint. Small octavo in simulated vellum binding in publisher-issued slipcase. Facsimile color plates. Erratum sheet laid in. Condition: slight age-darkening to spine of binding; deep abrasion to outer edge of slipcase affecting part of label; else near fine in very good slipcase. 359 pages.

Black slipcase lightly rubbed, color pictorial paste-on affixed upon rear panel, patches of surface peeling and edge chips to title label affixed upon front panel and spine with toning to latter, short tear to surface paper at bottom seam. 359 pages. Hardcover: H 20.75cm x L 14.5cm. No dust jacket (presumably as issued). Cream colored boards with bright gilt stamping, slight bumping and scuffing at spine ends. Interior pages are bright and clean and binding remains fairly crisp. A very good+ copy in a very good- slipcase. Reproduced from the illuminated manuscript belonging to The Guennol Collection and The Pierpont Morgan Library. With Introduction, 160 color plates mostly on rectos with explanatory text on opposing versos, and four appendices of which the last is a Selective Bibliography. {Approximate shipping weight 2.5 pounds.}.

Etat : Good. 3rd Edition.

Hardcover. Etat : Near fine / Very Good box. 359pp., 160 color plates.

Hardcover. Etat : Fine. Etat de la jaquette : No Jacket but a Slipcase. Second Printing. New York: George Braziller, 1975. 359 pages; 160 color plates. Reproduced from the illuminated manuscript in the Pierpont Morgan Library. Enclosed in a decorated paperboard slipcase in very good condition. Second Printing. Hard Cover - cloth boards. Fine/No Jacket but a Slipcase. 8vo.

Hardcover. Etat : Very Good. Very Good beige boards with gilt lettering along spine. Binding and hinges tight and square; Contents clean and unmarked. No dust jacket. Very Good slip case. 359 pp. Appendices. Book closer to As new, appears unread.

Decorative Cloth in Slip Case. Etat : Very Good. No Jacket. 359 pp. Reproduced from the Illuminated Manuscript Belonging to The Guennol Collection and The Pierpont Morgan Library. Nearly flawless book save a small cut/tear on spine (Spine has a one inch closed tear at top of spine). Undamaged slip case. Beautiful color plates. Publishing year is an approximation.

Hardcover. Etat : Fine. 1st Edition. 1st British edition. 8" x 5.5". 359pp with 160 cold plates. Fine hardback with polythene wrapper and faded and stained slip case.

Hard Cover in Slipcase. Etat : Fine. Second Printing. Previous owner blind stamp on title page; slipcase with printed labels on three sides. Reproduced from the Illuminated Manuscript in the Pierpont Morgan Library; 160 colour plates with commentary.

Cloth, with Board Slipcase. Etat : Very Good. 359 pages. Hardcover. Texts in English. There is some soiling to the covers and a bit of shelfwear to the slipcase. But the binding is tight, the interior clean and free of markings. Bound in cloth covered boards and cased in an illustrated paper covered board slipcase. Second printing. Reproduced from the illustrated manuscript in the collection of the Morgan Library. Beautiful full page and full color reproductions of the original manuscript pages with detailed accompanying introductions. Book.

Original Marbled Vellumette. Etat : Very Good+. Etat de la jaquette : Very Good-. First Edition. With plastic dustjacket. Slight discolouration to slipcase edges. Slight wear to bottom edge of slipcase. Light denting to slipcase. Slight wear to spine, covers and corners.; Reproduced from the illuminated manuscript belonging to The Guennol Collection and the Pierpont Morgan Library. With colour reproductions. With blue tint on top edge & gilt titling to cover and spine. Slipcase has information sheet from publisher on side.; Octavo; 359 pages.

25, 160 Plates with commentary, Appendices pp. LCC: 6623096 Very good condition, in stiff hardcover slipcase.

Hardcover. Etat : Fine. First edition thus. Beautiful hardcover book, Reproduced from the Illuminated Manuscript Belonging to The Guennol Collection and The Pierpont Morgan Library, in unworn original slipcase. Errata slip still laid in. Clean beige faux vellum boards with gold coat of arms on cover, gold lettering on spine. No bumping or wear. Binding is tight and square, pages and edges are clean and bright. Clean endpapers - no names, writing or marks. Gorgeous color plates throughout. 359 pages. Clean black paper-covered slipcase has clean unchipped decorated label on one side; no chipping, no cracking or wear. A fine copy.

8vo. 359[1]pp, 160 full-page colour text illustrations. Original imitation vellum gilt, glassine wrap, slip-case. Sip case partly sun-faded and very lightly rubbed.

Introduction And Commentaries By John Plummer With 60 Color Facsimiles (illustrateur). Very Good (covers nice; contents clean & tight); very minor wear & little soil slipcase. 8vo., off-white faux-leather in original slipcase; 359 pages First Edition. Reproduced from the illuminated manuscript belonging to the Guennol Collection and the Pierpont Morgan Library.

Hardback. Hardback. 359pp. 160 colour plates. A reproduction of this Gothic style illuminated manuscript sometimes known as the Guennol Hours or the Arenberg Hours. The work was commission to celebrate hher marriage to Arnold, Duke of Guelders in 1430 and completed a few years later. Introduction and commentaries by John Plummer. Cream faux vellum with gilt titles to front and spine. In blue slipcase. Book is very clean, bright and neat. Slipcase is unevenly faded and somewhat edge worn with surface peeling to the very edges. Near fine, bright copy in fair slipcase Near fine, bright copy in fair slipcase.