irsai istvã¡n (15 résultats)

Paper, stone lithography. Size: Tram poster (cca. 24 x 17 cm). Pacsirta meaning Skylark radio is a 1935 vintage Hungarian modernist advertising poster designed by Istvan Irsai also known as Pesach Ir Shay Fine, light wear, abraisons on the backside.

Paper, stone lithography. Etat : Near mint. Size: 7 x 6 cm. Ex libris Gyorgyne Klar is a 1930s Hungarian Art Deco ex libris bookplate.

Paper, letterpress. Size: B4 (cca. 35 x 25 cm). Modernist toothpaste advertisement on a newspaper cover by one of the greatest graphic designer of the early 20th century Fine, light wear, vertical fold mark.

Paper, stone lithography. Size: Pre-war 1 Sheet (cca. 95 x 63 cm). Things that everyone enjoys is a 1936 Hungarian vintage Art Deco commercial advertising poster advertising household appliances table lamp electric kettle iron hotplate and hair dryer The poster suggests that these modern electric appliances are great as Christmas gifts Fine, light wear, restored small tears.

Paper, stone lithography. Size: A5 1/16 Sheet (cca. 21 x 15 cm). Lampart 247 901 self heating bath tub is an original 1934 vintage Hungarian Modernist advertising brochure designed by Istvan Irsai also known as Pesach Ir Shay Budapest Revay Kunossy Printing House Three times folded fanfold 15 5 x 59 cm when opened In Hungarian Appendix of the Hungarian Applied Arts journal Beautiful modernist constructivist design by Istvan Irsai also known as Pesach Ir shay The tub had to be heated with wood it was possible to make a warm bath in a half hour It was possible to use it without electricity and tap water Irsai was an important poster designer and architect in Hungary and in Israel Irsai s original style makes him one of the greatest masters of modernist constructivist poster art He was born to a not religious Jewish family Istv n Irsai finished high school at a conservatory as a violin player Between 1914 and 1916 he was serving as an officer in the First World War he got seriously injured which blocked his career as violinist In 1916 Irsai returned home as a veteran Liutenant and he began to study architecture at the Technical University of Budapest besides he finished the Music Academy as music teacher Beginning his career as an architect and furniture designer he also worked in the field of graphic design In the early 1920 s he was working at the Globus Printing House where he learned everything about printing techniques included large scale lithography which was very useful for his later work In 1925 Irsai emigrated to Palestine where he became involved with graphic works Hailed as a leading graphic artist in Israel he developed the first modern Hebrew font the Haim He also designed Bauhaus styled houses in Tel Aviv but sadly non of them exists today In 1930 Irsai returned to Hungary and established an impressive career as a poster and graphic artist He immediately had a huge impact designing numerous outstanding posters in the early 1930 s After most artists have abandoned the modernist style by the the second half of the decade Irsai continued to work in this style and he was highly parised by his contemporaries including Bortnyik He designed several clear constructive poster designs for commercial products Very good, some wear, separation along one of the fold lines, impurities on the backside.

Paper, stone lithography. Etat : Fine, light wear. Size: Tram poster (cca. 24 x 17 cm). Tungsram Radio is a 1934 vintage Hungarian Modernist advertising poster designed by Istvan Irsai also known as Pesach Ir Shay.

Paper, stone lithography. Etat : Fine, light wear. Size: Brochure (cca. 17 x 24 cm). Tungsram Radio is an original 1936 vintage Hungarian Modernist advertising brochure Istvan Irsai also known so Pesach Ir Shay.

Paper, stone lithography. Etat : Fine, light wear. Size: Tram poster (cca. 17 x 24 cm). Champion radio is a 1935 vintage Hungarian Modernist advertising Avant garde tram poster designed by Istvan Irsai also known as Pesach Ir Shay.

Paper, stone lithography. Etat : Fine, light wear. Size: Tram poster (cca. 24 x 17 cm). Lampart enamel never flakes is a 1934 vintage Hungarian Modernist advertising Avant garde tram poster designed by Istvan Irsai also known as Pesach Ir Shay.

Paper, stone lithography. Size: Tram poster (cca. 24 x 17 cm). Lampart enamel bathtub is forever new is a 1934 vintage Hungarian Modernist advertising Avant garde tram poster designed by Istvan Irsai also known as Pesach Ir Shay Fine, light wear, small paper loss at the bottom right corner.

Paper, stone lithography. Etat : Fine, light wear. Size: Tram poster (cca. 24 x 17 cm). Lampart self heating tub without plumbing is a 1934 vintage Hungarian Modernist advertising Avant garde tram poster designed by Istvan Irsai also known as Pesach Ir Shay.

Paper, print. Size: A4 (cca. 29 x 21 cm). Tunderujjak is an original vitage magazine with a modernist photomontage cover by Istvan Irsai from 1936 Very good, light wear, some paper loss.

Paper, stone lithography. Etat : Fine, light wear. Size: Non-standard size. Modernist promotional material by Istv n Irsai or Pesach Ir Shay who was an important poster designer and architect in Hungary and in Israel Irsai s original style makes him one of the greatest masters of modernist constructivist poster art The concept of using a fan as a commercial medium for a soap was a clever idea as that both the soap and the fan are associated freshness Irsai applied Hungarian folk motives on the lower part of the composition what was typical of Art Deco style The top part is physically separated from the bottom part by the text on a stripe and also by graphical means in contrast with the lower part the top is stylized and clean The two identical blond girls are wearing white dress with black dots and are holding a wooden tub filled up with water and Flora soap ready to do the washing The typography is the same as that of the brand what was applied in all Flora turpentine soap advertisements Like on the majority of Flora soap ads the axonometric depiction of the product itself also appears A little rhyme on the top and the back side made the brand name stuck in the audience s head Okos legyen Flor t vegyen what literally means be smart buy Fl ra.

Paper, print. Etat : Fine, stains. Size: Book (cca. 13 x 20 cm). Lampart enamel pots is an original vintage Hungarian modernist avant garde product catalogue from 1933 designed by Istvan Irsai Pesach Ir Shay The cover design of this price catalogue carries the characteristics of modernist style Irsai worked extensively for Lampart industrial enamel works designing a wide array of posters catalogs price lists brochures flyers etc.

Paper, letterpress. Size: Book (cca. 23 x 16 cm). XXI International Zionist Congress is a 1939 vintage Hungarian Avant garde Judaica booklet The Modernist cover was designed by Istvan Irsai There are two main focuses of the publication The first one is the construction of the Jewish state and status of the Palestinian Jewish community the jisuv the purchase of as much land as possible and continuous construction work and the White Paper of 1939 The paper called for the establishment of a Jewish national home in an independent Palestinian state within 10 years rejecting the idea of partitioning Palestine It also limited Jewish immigration to 75 000 for 5 years and ruled that further immigration was to be determined by the Arab majority section II Restrictions were put on the rights of Jews to buy land from Arabs section III The second is World War 2 that broke out that year and the effect it would have on the plan of the zionists Thus it is a document that captures a focal point of historical significance for numerous reasons Istvan Irsai or Pesach Ir Shay was an important poster designer and architect in Hungary and in Israel Irsai s original style makes him one of the greatest masters of modernist constructivist poster art He was born to a non religious Jewish family his father turned his name to Irsai after the Hungarian town Albertirsa Istv n Irsai finished highshool at a conservatory as a violin player Between 1914 and 1916 he was serving as officier in the First World War he got seriously injured which blocked his career as violinist In 1916 Irsai returned home as veteran Liutenant and he began to study architecture at the Technical University of Budapest besides he finished the Music Academy as music teacher Beginning his career as an architect and furniture designer he also worked in the field of graphic design In the early 1920 s he was working at the Globus Printing House where he learned everything about printing techniques inclueded large scale lithography which was very usefull for his later work In 1925 Irsai emigrated to Palestine where he became involved with graphic works Hailed as a leading graphic artist in Israel he developed the first modern Hebrew font the Haim He was seriously interested at typography and he also wrote a book about the new font Besides this he made signets emblems and other graphic works for instutions in Erec Israel He was fond of theatre art too with great actors and directors he joined the foundation of the first Jewish theatres in Palestine one of them was the famous HaKumkum Irsai worked as designer of the thearte s mobile stages He also designed Bauhaus styled houses in Tel Aviv but sadly non of them exists today In 1930 Irsai returned to Hungary and established an impressive career as poster and graphic artist He immediately had a huge impact designing numerous outstanding posters in the early 1930 s After most artists have abandoned the modernist style by the second half of the decade Irsai continued to work in this style and he was highly parised by his contemporaries including Bortnyik He designed several clear constructive poster designs for commercial products In 1944 Irsai was deported by the Kasztner train to Bergen Belsen But according to a deal worked out by Rezso Kasztner he and prominent Jewish families and representatives of the Jewish intelligentsia were rescued from the concentration camp and survived the Holocaust They were all successfully sent to Switzerland and from there Irsai emigrated to Israel in 1945 He settled in Tel Aviv and continues to work as graphic artist jhe designed important propaganda posters for the newly founded state of Israel In the last period of his life he turned to painting and sculpture After 1930 when Irsai arrives to the field of Hungarian poster design Ber ny and Bortnyik have already abandoned the modernist style and turned to a classicist painting like approach However Irai is not only able to bring the constructivist poster style back to life but he gav.