jane ashton sharp (26 résultats)

Hardcover. Etat : Used; Good. Dispatched, from the UK, within 48 hours of ordering. This book is in good condition but will show signs of previous ownership. Please expect some creasing to the spine and/or minor damage to the cover.

Hardcover. Etat : Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

Hardcover. Etat : Sehr gut. 88 p. Dutch / Engl. ISBN: 9789078670094 Sprache: Englisch Gewicht in Gramm: 594.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. 1st. Cloth, 207 pages, illustrations (chiefly colour); 30 cm. Published in conjunction with the exhibition held at the Neue Galerie New York, May 14 to August 31, 2015. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "This book explores the direct connections and collaborations of German and Russian artists and the affinities between both countries artistic development. Russian Modernism maps the Russian version of expressionism and puts it in the context of the history of 20th century art. Russian Modernism is dedicated to the radical modernist movements in Russian and German art during the early years of the 20th century. Their development was parallel and often intertwined. Artists such as Vasily Kandinsky or Alexej von Jawlensky are claimed by the Germans but remain Russian artists for the Russians. The Burluk brothers, who became celebrities of the Russian radical art scene, participated in the first exhibition of the Blauer Reiter. Russian artists travelled to Germany and lived there, while their German counterparts were aware of what was shown in Moscow exhibition halls. The diverse art movement 'expressionism' was formed in Germany at the beginning of the 1910s and was given the name by the critic Herwarth Walden. Members of groups such as Die Brucke and the Blauer Reiter were initially influenced by the French Fauves movement, and their Russian contemporaries also tried to find new artistic truth in Paris, 'la Ville Lumiere'. However, both in Germany and Russia the new French influence underwent radical transformation. Beautifully illustrated and designed, this book provides an insight into the work of Russian and German artists in the early years of the 20th century." - Publisher. *** CONTENTS: A comedy of errors: Russian cubo-futurism as an example of creative misunderstanding, by Konstantin Akinsha; From the jack of diamonds to the donkey's tail: Russian modernism between cubism and primitivism, by Natalia Murray; The Russian oeuvres of Natalia Goncharova and Mikhail Larionov, by Jane Sharp; Russian artists in Munich and the Russian participation in Der Blaue Reiter, by Vivian Endicott Barnett; Three Russian pioneers of abstract art: Vasily Kandinsky, Mikhail Larionov, and Kazimir Malevich, by Aleksandra Shatskikh. Size: 4to. Collectible.

Etat : Very good.

Etat : Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Hardcover. Etat : Fair. Country Flowers (Letts Guides to Sugarcraft) This book is in good or better condition. It has no tears to the pages and no pages will be missing from the book. The spine of the book is still in great condition and the front cover is generally unmarked. It has signs of previous use but overall is in really nice, tight condition. Shipping is normally same day from our UK warehouse. We offer a money back guarantee if you are not satisfied.

Hardcover. Etat : New. Etat de la jaquette : New. First Edition. Dark blue hardback with gilt lettered spine, complete with original dustjacket. In new condition: firm and square with strong joints, no bumps, no rubs. Contents are crisp, tight and clean; no pen-marks. Thus a very nice copy that looks and feels unread, now offered for sale at a very reasonable price.

Etat : New. xv 344 11 of lates.

Etat : New. xv 344 11 of lates 188 Illus.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : New. xv 344 11 of lates.

Hardcover. Etat : Fine. Dust Jacket Included. Illustrated boards (hardcover), 88p, illustrations (chiefly in color), 27 cm. Very good/fine. Text in Dutch and English.

Hardcover. Etat : new. Hardcover. This book reconstructs the efforts of avant-garde artists, primarily Natal'ia Goncharova and her Muscovite colleagues, to reclaim Russia's 'Eastern' cultural heritage. Before the First World War, art addressed a crisis in self-representation that was a consequence of Russia's dual cultural legacies, Asian and European. This text represents Goncharova's leading role in this project, both as a spokesperson and a painter. The animated and often polarizing debates concerning the cultural identity of contemporary art were often preceded by Goncharova's practices that react to a critical tradition that, for at least a decade, had accused the radical 'left' Muscovite artists of failing to create a national tradition. Natal'ia Goncharova and her Muscovite colleagues reclaimed Russia's 'Eastern' cultural heritage. Before the First World War, art addressed a crisis in self-representation that was a consequence of Russia's dual cultural legacies, Asian and European. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Etat : Brand New. 344 pages. 11.00x8.50x0.75 inches. In Stock.

Hardcover. Etat : new. Hardcover. This book reconstructs the efforts of avant-garde artists, primarily Natal'ia Goncharova and her Muscovite colleagues, to reclaim Russia's 'Eastern' cultural heritage. Before the First World War, art addressed a crisis in self-representation that was a consequence of Russia's dual cultural legacies, Asian and European. This text represents Goncharova's leading role in this project, both as a spokesperson and a painter. The animated and often polarizing debates concerning the cultural identity of contemporary art were often preceded by Goncharova's practices that react to a critical tradition that, for at least a decade, had accused the radical 'left' Muscovite artists of failing to create a national tradition. Natal'ia Goncharova and her Muscovite colleagues reclaimed Russia's 'Eastern' cultural heritage. Before the First World War, art addressed a crisis in self-representation that was a consequence of Russia's dual cultural legacies, Asian and European. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Etat : Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Buch. Etat : Neu. Neuware - This book reconstructs the efforts of avant-garde artists, primarily Natal'ia Goncharova and her Muscovite colleagues, to reclaim Russia's 'Eastern' cultural heritage. Before the First World War, art addressed a crisis in self-representation that was a consequence of Russia's dual cultural legacies, Asian and European. This text represents Goncharova's leading role in this project, both as a spokesperson and a painter. The animated and often polarizing debates concerning the cultural identity of contemporary art were often preceded by Goncharova's practices that react to a critical tradition that, for at least a decade, had accused the radical 'left' Muscovite artists of failing to create a national tradition.

Hardcover. Quarto. Hardcover. Matte illustrated paper boards in matte illustrated jacket. 154 pages : illustrations (chiefly color) ; 31 cm. Nonconformist art from the Soviet Union and Russian art : scholarship and programs related to the Norton and Nancy Dodge Collection of nonconformist art from the Soviet Union and the George Riabov collection of Russian art / edited by Jane A. Sharp -- Identity and resistance: late Soviet abstract painting in the dodge collection / Jane A. Sharp -- Russian abstract painting after the thaw (thoughts on two recent exhibitions in Russia) / Andrei Erofeev -- Fantasy and figuration: selected works on paper from the Dodge Collection / Amy Byrzgel -- Photography as a sign of modernity in Soviet illustrated children's books, 1920s-1930s / Alla Rosenfeld -- Facing Stalin: conflicted memory and The origin of socialist realism / Daniel Belasco -- The A-Ya archive -- Memoirs of the Manezh exhibition, 1962 / Vladimir Yankilevsky -- American and European art : scholarship and programs related to American and European art at the Zimmerli / edited by Phillip Dennis Cate -- American sculpture from the Zimmerli Collection: new dimensions / Joan Marter [and others] -- The Henderson Collection of American stained glass and related design material / Francis Fletcher. VG+. One small bump at the head of jacket. Otherwise close to new.

Hardcover. Etat : new. Hardcover. This book reconstructs the efforts of avant-garde artists, primarily Natal'ia Goncharova and her Muscovite colleagues, to reclaim Russia's 'Eastern' cultural heritage. Before the First World War, art addressed a crisis in self-representation that was a consequence of Russia's dual cultural legacies, Asian and European. This text represents Goncharova's leading role in this project, both as a spokesperson and a painter. The animated and often polarizing debates concerning the cultural identity of contemporary art were often preceded by Goncharova's practices that react to a critical tradition that, for at least a decade, had accused the radical 'left' Muscovite artists of failing to create a national tradition. Natal'ia Goncharova and her Muscovite colleagues reclaimed Russia's 'Eastern' cultural heritage. Before the First World War, art addressed a crisis in self-representation that was a consequence of Russia's dual cultural legacies, Asian and European. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. First Edition. 22 x 29cm 344pp near fine hardback in dust jacket with some colour reproductions of Goncharova's works plus many in black and white. Near fine in near fine dustjacket.

paperback. Etat : Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

1st edition dust jacket New book quarto xv + 344pp., colour & b/w plates, notes, bibliog., index,

Paperback / softback. Etat : New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. When the midwife Jane Sharp wrote the Midwives Book in 1671, she became the first British woman to publish a midwifery manual. Drawing on works by her male contemporaries, and weaving together medical information and lively anecdotes, she produced a book th.