jian lin (Plus de 5 000 résultats)

Etat : Good. Zhou Jian (illustrateur). 2 Edition. Used book that is in clean, average condition without any missing pages.

Soft cover. Etat : Fine. Etat de la jaquette : No Dust Jacket as Issued. Zhou Jian (illustrateur). Color glossy wraps. Spine is straight, no cease. Binding is tight. Content is clean, no markings. Corners are sharp. This copy is the revised edition. 538 p. 7 x 10 x 1 inches. 2.03 lbs.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.4.

Etat : As New. Jian-Xin, Zhou (illustrateur). Unread book in perfect condition.

Etat : New. Jian-Xin, Zhou (illustrateur).

Etat : New. Jian-Xin, Zhou (illustrateur).

Paperback. Etat : Fair. No Jacket. Former library book; Missing dust jacket; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.01.

Etat : As New. Jian-Xin, Zhou (illustrateur). Unread book in perfect condition.

Paperback. Etat : Acceptable. Wear and Tear Satisfaction 100% guaranteed.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 1.01.

Etat : New. Jian-Xin, Zhou (illustrateur).

Paperback. Etat : new. Jian-Xin, Zhou (illustrateur). Paperback. The "glorious" sequel to Freeman Award-winning The Boy from Clearwater After his imprisonment in Green Island, Kun-lin struggles to pick up where he left off ten years earlier. He reconnects with his childhood crush Kimiko and finds work as an editor, jumping from publisher to publisher until finally settling at an advertising company. But when manhua publishing becomes victim to censorship, and many of his friends lose their jobs, Kun-lin takes matters into his own hands. He starts a childrens magazine, Prince, for a group of unemployed artists and his old inmates who cannot find work anywhere else. Kun-lins life finally seems to be looking up. but how long will this last? Forty years later, Kun-lin serves as a volunteer at the White Terror Memorial Park, promoting human rights education. There, he meets Yu Pei-Yun, a young college professor who provides him with an opportunity to reminisce on his past and how he picked himself up after grappling with bankruptcy and depression. With the end of martial law, Kun-lin and other former New-Lifers felt compelled to mobilize to rehabilitate fellow White Terror victims, forcing him to face his past head-on. While navigating his changing homeland, he must conciliate all parts of himselfthe victim and the savior, the patriot and the rebel, a father to the future generation and a son to the old Taiwanbefore he can bury the ghosts of his past.P R A I S E Yu, Zhou, and King bear glorious witness to little-known tragic history by empathetically spotlighting an everyday superhero who survivedand thrives.Booklist (starred) An accessible, timely account of Taiwans struggles for democracy and human rights as experienced through a personal lens.Kirkus (starred) Triumphant and rewarding.Foreword Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Etat : new. Jian-Xin, Zhou (illustrateur). Paperback. Freeman Book Award WinnerGLLI Translated YA Book Prize HonoreeAn incredible true story in graphic novel form that lays bare the tortured and triumphant history of Taiwan, an island claimed and fought over by many countries, through the life story of a man who lived through its most turbulent times.Part One: Taiwan, 1930s.Tsai Kun-lin, an ordinary boy born in Chingshui, recounts a carefree childhood despite the Japanese occupation: growing up happily with the company of nursery rhymes and picture books on Chingshui Street. As war emerges Tsai's memories shift to military parades, air raids, and watching others face conscription into the army. It seems no one can escape. After the war, the book-loving teenager tries hard to learn Mandarin and believes he is finally stepping towards a comfortable future; butlittle does he know, a dark cloud awaits him ahead.Part Two: Taiwan, 1950s.In his second year at Taichung First Senior High School, Tsai is arrested simply for joining a book club and subsequently tortured, deprived of civil rights, and sent to Green Island for reformation. Lasting until his release in September 1960, Tsai, a victim of the White Terror era, spends ten years of his youth in prison on an unjust charge. But he is ready to embrace freedom.Experience parts one and two of the tour-de-force graphic novel series that took Taiwan by storm - parts three and four coming May 2024. P R A I S E "The stupendous achievements here are many: a synergistic literary success; a historic record of twentieth-century Taiwan; the remarkable account of a boy's life; and a triumph of translation."-Booklist (starred) "A story of persistence, both hopeful and chilling, and a powerful vision of the personal implications of Taiwan's mid-century history."-School Library Journal "Stunning."-Kirkus Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : As New. Jian-Xin, Zhou (illustrateur). Unread book in perfect condition.

Hardcover. Etat : As New. Beautifully clean and bright with no marks. Excellent.

Etat : New.

Etat : Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Hardcover. Etat : new. Jian-Xin, Zhou (illustrateur). Hardcover. The "glorious" sequel to Freeman Award-winning The Boy from Clearwater After his imprisonment in Green Island, Kun-lin struggles to pick up where he left off ten years earlier. He reconnects with his childhood crush Kimiko and finds work as an editor, jumping from publisher to publisher until finally settling at an advertising company. But when manhua publishing becomes victim to censorship, and many of his friends lose their jobs, Kun-lin takes matters into his own hands. He starts a children's magazine, Prince, for a group of unemployed artists and his old inmates who cannot find work anywhere else. Kun-lin's life finally seems to be looking up. but how long will this last? Forty years later, Kun-lin serves as a volunteer at the White Terror Memorial Park, promoting human rights education. There, he meets Yu Pei-Yun, a young college professor who provides him with an opportunity to reminisce on his past and how he picked himself up after grappling with bankruptcy and depression. With the end of martial law, Kun-lin and other former New-Lifers felt compelled to mobilize to rehabilitate fellow White Terror victims, forcing him to face his past head-on. While navigating his changing homeland, he must conciliate all parts of himself--the victim and the savior, the patriot and the rebel, a father to the future generation and a son to the old Taiwan--before he can bury the ghosts of his past. P R A I S E "Yu, Zhou, and King bear glorious witness to little-known tragic history by empathetically spotlighting an everyday superhero who survived--and thrives." -Booklist (starred) "An accessible, timely account of Taiwan's struggles for democracy and human rights as experienced through a personal lens." -Kirkus (starred) "Triumphant and rewarding." -Foreword Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Etat : new. Jian-Xin, Zhou (illustrateur). Hardcover. Freeman Book Award Winner GLLI Translated YA Book Prize Honoree An incredible true story in graphic novel form that lays bare the tortured and triumphant history of Taiwan, an island claimed and fought over by many countries, through the life story of a man who lived through its most turbulent times. Part One: Taiwan, 1930s. Tsai Kun-lin, an ordinary boy born in Chingshui, recounts a carefree childhood despite the Japanese occupation: growing up happily with the company of nursery rhymes and picture books on Chingshui Street. As war emerges Tsai's memories shift to military parades, air raids, and watching others face conscription into the army. It seems no one can escape. After the war, the book-loving teenager tries hard to learn Mandarin and believes he is finally stepping towards a comfortable future; but little does he know, a dark cloud awaits him ahead. Part Two: Taiwan, 1950s. In his second year at Taichung First Senior High School, Tsai is arrested simply for joining a book club and subsequently tortured, deprived of civil rights, and sent to Green Island for "reformation." Lasting until his release in September 1960, Tsai, a victim of the White Terror era, spends ten years of his youth in prison on an unjust charge. But he is ready to embrace freedom. Experience parts one and two of the tour-de-force graphic novel series that took Taiwan by storm - parts three and four coming May 2024. P R A I S E "The stupendous achievements here are many: a synergistic literary success; a historic record of twentieth-century Taiwan; the remarkable account of a boy's life; and a triumph of translation." --Booklist (starred) "A story of persistence, both hopeful and chilling, and a powerful vision of the personal implications of Taiwan's mid-century history." --School Library Journal "Stunning." --Kirkus Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Etat : Good. No Jacket. 1992 hardcover published without jacket/ex-library with usual markings/clean & unmarked text.

Etat : Very Good. Jian-Xin, Zhou (illustrateur).

Etat : As New. Unread book in perfect condition.

Etat : New. New Book.

Etat : New.

Etat : New.

Paperback. Etat : New. The paradoxical relationship between Chinese creative workers and the state Chinese Creator Economies dives into the paradoxical lives lived by creative professionals in emerging economies across China. Jian Lin contextualizes the socioeconomic conditions in which cultural production takes place and pushes back against the dominant understanding of Chinese media as a centralized, state-controlled apparatus by looking at how individual creative workers grapple with governance and precarity in the Chinese cultural industries and develop their bilateral subjectivities within the politico-economic system of Chinese media. Drawing on intensive empirical research conducted on creative labor practices across television, journalism, design, and social media, Chinese Creative Economies looks at both Chinese and foreign-born content creators, exploring the tensions between Beijing's limits on individual creativity, and its aspirations to become a global hub for cultural production. Lin maintains that it is the production of bilateral creatives that generates and maintains hope for the future of those who live and work within the cultural economies of China.

Paperback or Softback. Etat : New. Chinese Creator Economies: Labor and Bilateral Creative Workers 0.75. Book.

Softcover. Etat : Très bon. Ancien livre de bibliothèque. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Etat : Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Etat : New. The paradoxical relationship between Chinese creative workers and the state Chinese Creator Economies dives into the paradoxical lives lived by creative professionals in emerging economies across China. Jian Lin contextualizes the socioeconomic conditions in which cultural production takes place and pushes back against the dominant understanding of Chinese media as a centralized, state-controlled apparatus by looking at how individual creative workers grapple with governance and precarity in the Chinese cultural industries and develop their bilateral subjectivities within the politico-economic system of Chinese media. Drawing on intensive empirical research conducted on creative labor practices across television, journalism, design, and social media, Chinese Creative Economies looks at both Chinese and foreign-born content creators, exploring the tensions between Beijing's limits on individual creativity, and its aspirations to become a global hub for cultural production. Lin maintains that it is the production of bilateral creatives that generates and maintains hope for the future of those who live and work within the cultural economies of China.