joel sternfeld (298 résultats)

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

1st printing of 1st edition. Unpaginated, illustrated. Fine paperback art book in decorative wrappers (soft cover book)/ no dust jacket.

Etat : New. 170 pp., paperback, brand new, still in shrink wrap. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Paperback. Etat : Very good. Paperback. Unpaginated. Lightly rubbed , else very good in publisher's French fold wraps.

Paperback. First edition, first printing. Fine/As New paperback with French flaps. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Photographs by Stuart Hawkins; introduction by Joel Sternfield. Unpaginated [80 pages]; 32 full-page color plates; 11 x 9.5 inches. Inviting friends and strangers in Nepal to pose for the camera, Blue Eyes includes three photographic series and three video projects that reveal the ubiquity of American media culture while underscoring certain behaviors as they pertain to global capitalism and race.

Soft cover. Etat : Fine. Bright softcover, with no marks or flaws. 80 pages. No sign of wear.

Paperback. The Winter 1993 issue of Aperture magazine, No. 130, with 10 portfolios of work by Dore Gardner, Teun Hocks, Mary Kocol, Michiko Kon, Annette Messager, Lu Nan, Rocky Schenck, Thomas Tulis, Anne Turyn, and Christian Walker. Also: reviews of lunar maps by Richard B. Woodward, Joel Sternfeld's Campagna Romana, Brett Weston 1911-1993, and much more. Edited by Melissa Harris. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine with hints of shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. William Eggleston (illustrateur). The Fall 1984 issue of Aperture magazine, No. 96, focusing on color photography, with: portfolios of photographs by William Eggleston (unpublished Berlin Series) with writings by Peter Schneider, Joel Sternfeld (social landscapes), William Christenberry (Klan Room), Luis Medina (Chicago's painted walls), Patrick D. Pagnano (street photography), Jan Staller (city streets at night), and Len Jenshel (the natural world); Mark Holborn essay on Graceland by William Eggleston and the art of Cindy Sherman; Peter Plagens on Lucas Samaras; Danny Lyon reviews El Salvador and A Vanishing World; a long essay by Lewis Baltz titled "Konsumerterror: Late-Industrial Alienation;" and much more. First edition. Perfect-bound stiff card covers; 80 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Near Fine paperback with light shelf wear. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Paperback. First edition, first printing. Fine paperback with French flaps. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, BOXED. In July of 2001, the G8 summit was held in Genoa, Italy, sparking massive street demonstrations and a furious response from the Italian police which left one dead and many injured. Sternfeld presents portraits of participants in the demonstrations from around the world, opposite their statements to the question of why they're there. Photographs by Joel Sternfeld; essays by Alexander Stille and Stefania Galante. 88 pages; 39 color plates; 9 x 11 inches. List of captions.

Softcover, 88 pages; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Etat : New. 1 v (unaged) Illus. (Mostly Col.).

Paperback. First edition, first printing. Good+ paperback with a cloth spine with a small chip to the tip of the front cover and a light dog-ear to the first ten leaves or so, otherwise clean. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Portraits of the attendees at the eleventh United Nations conference on climate change held in Montreal in 2005, each accompanied by the subject's statements about the evidence of shifts in his or her home country's weather and wildlife. Despite the US efforts to undermine the meeting, this was the moment when "the nations of the world joined together without them and agreed to take a step forward." Photographs by Joel Sternfeld. 170 pages; 55 full-page color illustrations; 8.75 x 6 inches.

Hardcover. Etat : Near Fine. Clean and solid. ; Color Photographs; Oblong 8vo; 95 pages.

Paperback. Etat : Very Good. A paperback book of very good quality. Crisp, unread, unmarked copy. The wrapper is clean, corners sharp. Text and images unmarked. Light sunning to margins of pages.

Etat : New. 1 v (unaged).

Cloth. Etat : Fine. Etat de la jaquette : Very Good. 2nd Edition. Large oblong 8vo, 71 pp., color photographs. Fine, nearly As New, in lightly edgeworn dust jacket. The second edition, which is greatly expanded, including a timeline through 2009.

Etat : New. Brand New.

Magazine. First edition. Fine/As New magazine, a newsstand copy with half-wrapper promotional flap. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The May 21, 2001, issue of the The New Yorker magazine, with: a feature article on the photographer William Klein by Anthony Lane; "A Walk on the High Line" by Adam Gopnik illustrated with a photograph by Joel Sternfeld (this was before it became an urban park); is the testimony on L.A.P.D. police misconduct, which ignited the biggest scandal in the history of the department, a real story?; review of the movie "Shrek;" golf in Morocco; fiction by Kazuo Ishiguro; poetry by John Ashberry; Gary Giddins on Moss Hart; John Adams; and much more. Staple-bound; 110 pages; color and b&w illustrations throughout; 8 x 10.75 inches.

Soft cover. Etat : Near Fine. First Edition. Near fine in original wrappers.

Etat : New. 1 v (unaged).

Hardback or Cased Book. Etat : New. Joel Sternfeld: Nags Head 2.25. Book.

Etat : good. Signs of wear and consistent use.

Hardcover. Etat : As New. No Jacket. 1st Edition. A MINT Hardcover edition in Red Cloth.Hardcover and First ed. No Jacket as Issued.

Paperback. First edition, first printing. Fine paperback with a touch of rubbing to the extremities in the publisher's printed card slipcase which is Near Fine with one stress mark at one edge and a slight crease to another edge. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition presenting the four finalists for the 2004 Citigroup Photography Prize competition, held at The Photographer's Gallery, London, January 29 - March 28, 2004, and at the Museum Kunst Palast, Dusseldorf, May 29 - August 22, 2004. The four photographers were Robert Adams (USA), Peter Fraser (UK), David Goldblatt (South Africa), and Joel Sternfeld (USA). Sternfeld was the winner that year. Photographs by Robert Adams, Peter Fraser, David Goldblatt, and Joel Sternfeld; essays by Thomas Weski, Johanna Burton, Okwui Enwezor, and Brian Wallis; forewords by Paul Wombell and Michael Kirkwood. 100 pages; 19 color and 13 b&w plates + text illustrations; 6.5 x 9 inches. Text in English. There were four slipcases issued, one for each photographer with his image highlighted; this copy has the Sternfeld image.

Magazine. First edition. Very Good+ magazine with light patches of rubbing to the front cover and a light bump to one corner. SHIPS THE NEXT BUSINESS DAY, WRAPPED IN PADDING AND CARDBOARD. The November 1977 issue of Camera magazine with: portfolios of photographs by Mark Cohen, Joel Sternfeld (color), and Larry Fink; an essay on photographic education; a short section on new equipment; and reviews of exhibitions, catalogues, and books. Edited by Allan Porter. Perfect-bound; 44 pages; color and b&w illustrations throughout; 8.75 x 11.5 inches. Text in English.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. First Edition Thus. First edition thus, hardcover, has a slight lean to the binding, bumps to the spine ends and cover corners, a small ding to the front hinge, light smudging to the edges of the text block, and a shallow damp wrinkle to the head of the text block. Overall, a Very Good copy in a like, unclipped dust jacket, which has bumps to the spine ends and cover corners, rubbing with light edge wear to the covers, and a sticker to the back. The jacket is wrapped in Mylar.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 119 pages, oblong 4to. Shelfwear to DJ: light scuffing along edges and covers. DJ in mylar. Tight binding, no marks. Volume is in Very Good condition.

Etat : New.

Hardcover. Etat : new. Hardcover. All of the stars had to align for the High Line to be saved-and they did. This little book was one of those stars. - Joel SternfeldIn one of his last acts as mayor of New York City, Rudy Giuliani signed an order permitting the High Line, that beloved elevated railroad ruin which snaked down the west side of Manhattan, to be torn down. Everyone who had managed to climb up onto the High Line loved it: the wildflowers growing through disused tracks, the birds that followed the path north in spring, and south again in fall-that rural feeling magically flowing through the city like an unbidden river. Who didn't love the High Line? Those who owned the land beneath it and longed to erect high-rise buildings on the site, if only the High Line wasn't blocking their way. And so when Giuliani signed that order, the Friends of the High Line, the small community organization led by Robert Hammond and Joshua David, sprang into legal action, seeking an injunction.For over a year, Joel Sternfeld had already been photographing this hidden jewel in every season, so New Yorkers could visually climb up and see it too. In October 2001, while the rubble of the World Trade Center was still smoldering, Gerhard Steidl accepted Sternfeld's urgent request to make a book and flew to New York: together they designed Walking the High Line and just seven weeks later it was delivered, a vision for the wildly successful park that today hosts over two million visitors a year. Now in a new edition with nine additional photos, a larger format and an updated timeline, this is the book that made walking the High Line possible. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

First edition. Softcover. 120 pages. Special issue published in the wake of the September 11, 2000 attacks. Features poetry by Billy Collins, Stuart Dybek, James Hart, and others. Includes images by Joel Sternfeld, Taryn Simon, Doug and Mike Starn, Mary Ellen Mark and others. A near fine copy in wrappers with some very minor wear. Internally a clean copy.