john golding christopher green (16 résultats)

Hardcover. Etat : Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.

Paperback. Etat : Very Good. 108 page paperback exhibition catalog with illustrations and essays by John Golding and Christopher Green plus 3 articles by Leger reprinted from the 1920s. Unmarked, tight and clean.

Brossura. Etat : fine. English Text.London, 1970; paperback, pp. 108, b/w ill., cm 21x21. Libro.

hardcover. Etat : Good. Etat de la jaquette : Includes dust jacket. Secondhand. Clean pages, lightly tanned. Dust jacket shows light marks and shelf wear and several rips. Very Good book.

21.0 x 21.0cms 108pp 6 colour & many b/w Illusts very good paperback & cover The essays are: Leger and the heroism of modern life; Leger and l''esprit nouveau; the machine aesthetic the manufactured object the artisan & the artist; popular dancing; polychromatic architecture.

kart. Etat : Gut. en. 108 Seiten, überw. Ill. In English language. Softbound with illustrated cover. Egdes slightly rubbed, corners slightly bumped, cut edges and margins sliightly darkened, otherwise in very good condition. Handwritten personal dedication on fep. + + + Broschierter Einband tls. leicht berieben oder geringf. bestoßen, Schnitt u. Seitenränder dezent nachgedunkelt, sonst sauber und gepflegt. Hs. Zueignung a. Vs. 9780900874178 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. Sprache: Englisch Gewicht in Gramm: 500.

Paperback. Etat : Very Good. Soft over. 108 pages. Clean and tight. No inscriptions. Dispatched with TRACKING boxed in cardboard. ref o2244. Square format. black & white illustrations and Colour.

Exemplaire en très bon état - Couverture et intérieur très propres - Envoi rapide et très soigné en colissimo recommandé contre signature - Ouvrage totalement épuisé chez l'éditeur - réf n° F - 210324.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Tate Gallery, London, 1970. Hardcover, 108 pp. Small format exhbition catalog. Illustrated in black & white and in color. This show took place from 18 November 1970 to24 January 1971. Near fine in a very good dust jacket with a word written in red ink on front flap, and one small chip on rear panel.

Etat : Very Good. Etat de la jaquette : None. 108 pages. Softcover. Full color and black & white illustrations. Light rubbing to covers. Clean, unmarked copy. Record # 613450.

HARDCOVER. Etat : New. Etat de la jaquette : New. 1st Edition. Large, very heavy 4to in textured grey linen covered boards, black lettering to spine, 254pp on thick art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy in a NEW complete Dust Jacket ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . __NOTE Due to size and/or weight, shipping will cost more than price shown above. Orders made by card will be completed only after you have approved any such extra cost . We always ship in STRONG PROTECTIVE CARD PARCELS.

Hardcover. Etat : Near Fine. Etat de la jaquette : Fair. Fernand Leger (illustrateur). 1st Edition. Published in conjunction with a November 1970 - January 1971 exhibition at the Tate, concentrating on formalist art and the period 1918-1928. In addition to many illustrations, some in color, are photographs showing Leger's environment. Errata sheet enclosed. Light brown boards are very slightly ajar, interior pages are tight, unmarked, but mildly age-toned around edges. Jacket has 1" edge tear and 4 or 5 smaller ones; small piece missing at top of spine, age-toned at flap folds and spine.

London, Tate Gallery, 1970. In 8 quadrato, pp. 108, ill. bianco-nero e 6 tavv. a colori n.t., cart. edit., sovracop. Cat. di mostra: London, The Tate Gallery, 1970-1971.

First edition in publisher's original illustrated card wrap covers (soft back). 4to. 8¼'' x 8¼''. Contains 108 pp with plates in colour and monochrome throughout. In Very Good condition, no dust wrapper as issued. Tate Gallery Exhibition Catalogue ticket laid-in. Member of the P.B.F.A. ART [Surrealism].

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 1st. Cloth, 108 pages, illustrations (some colour); 22 cm. Exhibition held 18 November 1970 to 24 January 1971. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, with light edgewear, protected in a mylar cover. *** The French painter Fernand Leger (1881-1955), known for his tubular cubism, was affiliated with the Purist movement of his colleagues Amedee Ozenfant and Le Corbusier during the 1920s. Includes: Essays, translated from the French, by Fernand Leger, pp. 85-96. Size: 8vo. Collectible.

Hardcover. Etat : Near Fine. Etat de la jaquette : Very Good. 1st Edition. Gift quality first edition hardcover in rusty butternut colored paper covered boards that are lightly sprung at the open ends (see image). No weird smells, or marks. No names, tears or soil in the glossy 108 pp text and matte grey paper index. I see two tidy black marker lines in the index, with an errata slip laid in. Original, unclipped (and unpriced) white background color illustrated dust wrapper shows soil at flap folds and near gutter/spine area from storage. Large 1933 b/w photo of Fernand Leger on rear panel. This is the first attempt to survey from an objective, historical standpoint, the various currents of formalist art that were informing the Paris scene during the nineteen twenties. The most vocal of the Paris painters were Ozenfant and Jeanneret (Le Corbusier) who together launched the purist movement in 1918. But of all the artists working in France at the time it was Leger who spanned and combined the greatest number of idioms, and his relationship to the Purists has been taken as the pivotal point of this survey. The texts and the selection of paintings and sculpture are the work of John Golding, a painter and lecturer at the Courtauld Institute of Art, and a young art historian Christopher Green who also teaches at the Courtauld.