jolas eugene elliot paul (26 résultats)

Softcover. Etat : Poor. The front cover and spine are missing. Rear cover is detached but present. Pages are loosely attached. Page edges are lightly browned. ; Approx. 5 1/2" wide by 7 1/2". Contents include Continuation of a Work in Progress by James Joyce. ; 185 pages.

Soft cover. Etat : Good. No Jacket. 1st Edition. (1929), First Edition; Good/no dj, octavo, 194pp., off-white softcover wraps chipped all along edges of spine & corners of covers, paper in text slightly browning & brittle o/w unmarked, binding tight, limited edition of 96 copies of this copy unnumbered.

Card covers. Etat : Very Good. 152, [7] pages; one leaf of plates. Wrapper unevenly sunned; leaves toned. Binding sound; contents clean. Unopened. 7.6 x 5.5 inches.

Soft cover. Etat : Very Good. 1st Edition. Beige soft cover with decorative wheel and black type to front, back and spine. Includes Letters of Protest by G.V.L. Slingsbury and Vladimir Dixon. Wear and small tears to extremities of covers and slight soiling to front, back and spine. Browning, as usual, to text block edges. Small tear to free tanding endpaper and tape repair to half-title. Protected by mylar cover. A limited edition of 96 numbered copies on thicker verge d'Arches paper issued simultaneously with this issue A very good copy.

Bross Edit. Etat : Buono. 8vo, br. ed. imgiallimento naturale carta, sottolneature a matita. altrimenti buono. pp. 186. Introduzione a Finnegans Wake. Saggi di: Samuel Beckett (Da Dante a Bruno, da Vico a Joyce), Marcel Brion, Frank Budgen, Stuart Gilbert, Eugene Jolas, Victor Llona, Robert McAlmon, Thomas McGreevy, Elliot Paul, John Rodker, Robert Sage, William Carlos Williams. Prefazione di Sylvia Beach, esaurito. fuori catalogo-.

paperback. Etat : very good(-). First. 8vo, printed light tn wrappers. Paris: Shakespeare & Co., January, 1928. Contributions by Gertrude Stein, Malcolm Cowley, Wm. Carlos Williams, and others. The wrappers are lightly soiled and missing an inch at the base of the spine.

Original wrappers. Reproductions of paintings by de Chirico, Pena and Sidney Hunt Somewhat browned throughout, as usual, and wrappers a little soiled and worn (especially at backstrip), otherwise a nice copy Contributors include Kay Boyle, Cowley, Horace Gregory, Riding, Stein, William Carlos Williams and the editors.

Wraps. Etat : Good+. Etat de la jaquette : No dust jacket. First edition. 8vo. 163p., printed wrappers, uncut; edges lightly chipped & browned. Paris: Shakespeare & Co., August, 1927. First Edition. Good copy of a fragile publication. Contributors include James Joyce, Pablo Picasso, Andre Breton, Robert McAlmon, Ernest Hemingway, James Joyce, Paul Eluard, Robert McAlmon, Kay Boyle et al. Includes the 5th installment of Joyce's (Finnegan's Wake) "Work in Progress".

Hardcover. Etat : Very Good. No Jacket. I am not sure what to make of this little book. There is little information to identify the date or edition of this publication. Some other sellers have stated that the fact the words "Printed in France" indicate that it is the 2nd edition from 1936. OThers have mentioned the Shakespeare edition from 1929 and the notation on the back overleaf of its printing in Chartres Frances on 5-1929 (stated) as indicating a first edition. I simply don't know so will let the description and pictures speak for themselves. The one thing I am sure of is it a very scarce little work! Book is very good in blue cloth boards with golden lettering on the spine. The front board has a couple of brown stains that look a bit like chocolate on it. There is very light rubbing at the bottom of the spine. Other than that and some toning of the outside of the rough cut pages, a great copy, worthy of any collection!

Soft cover. Etat : Very Good. 1st Edition. Green Card Covers, Slight Chipping At Bottom Front Cover, Tiny Chip. O/W Excellent. William Carlos Williams, James Joyce, Allen Tate, Et Al. Very Rare176 Pgs 4 Pages Advertisments.

Softcover. First Issue, Second Edition. Octavo, 158 pages; VG-; softcover; in gray wrappers; spine age-toned, with black and faded red lettering; mild shelf wear and soiling; age-toning to upper and fore edges of front cover; crease to center of spine; small chips missing from crown and tail of spine; spine age-toned; spine slightly cocked; textblock age-toned; contains black and white illustrations; pages clean. CX consignment. Shelved in Room G. 1346322. Special Collections.

First edition. Octavo. pp 208, [viii] adverts. Four reproductions of artworks. Wrappers. Includes an essay by Elliot Paul on James Joyce. Other contributors include Djuna Barnes, William Carlos Williams, Kay Boyle, Laura Riding, Hart Crane, etc.Cheap paper tanned as usual. Spine slightly faded. Very good indeed. A bright copy.

8vo. First UK edition using sheets printed in France in May 1929. Original turquoise cloth lettered in gilt on the spine. Cloth a little darkened to the spine and top edges. Neat ink ownership, dated 1940, on the fly. Unclipped jacket, showing the price as '6s. net', a bit tanned on the spine with tiny nicks to the spine ends. Near fine in near fine d/w. A collection of essays about 'Work In Progress', which would be published as Finnegans Wake ten years later. The two 'Letters of Protest' are by Joyce. Beckett's contribution, 'Dante. Bruno. Vico. Joyce' is the author's first appearance in print. His first novel, only published in 1992 after his death but probably written c. 1932, was called 'Dream of Fair to Middling Women'. That title is adapted from Tennyson's poem but was used unaltered by Henry Williamson for one of his novels, published by Faber and included as No. 14 in the list of 'The Faber Library' on the back panel of the jacket of this book. The former owner was David Daiches CBE (1912-2005), the Scottish literary historian and critic.

Paperback. Etat : Very Good Plus. Sm.octavo.Wrappers. 185pp. plus ads. Experimental literary magazine featuring James Joyce's "Continuation of a Work in Progrss" which is the earliest form of what became Finnegan's Wake. Also featured are works by Kay Boyle and Gertrude Stein, with poetry by Laura Riding and Rilke and 4pp. of reproductions of work by surrealists artists. Some darkening and minor spots to cover, minor wear to spine. Later glassine cover. Very nice and clean.

Etat : Very good plus. First edition. Fourteenth issue of Eugene and Maria Jolas's landmark literary journal, which along with Margaret Anderson's THE LITTLE REVIEW was one of the primary vehicles of Modernist and experimental writing. Over the course of 11 years, often times under great financial difficulty, they published a who's-who of modernist and experimental authors, alongside the work of Surrealist, Expressionist, and Dada artists: "TRANSITION would explore the literary currents washing over Europe and America, present them all if they showed 'imaginative emancipation' as against descriptive naturalism" (Hoffman).This issue most noteworthy for the inclusion of Gertrude Stein's classic "Tender Buttons." A monument to Modernism and the early avant garde and a well-above-average example of a fragile production. 8.5'' x 6''. Original pictorial wrappers featuring an image by Stuart Davis. 284 pages. Original wraparound band (worn) loosely laid in. Issue largely unopened. Toning to pages, as usual. Edgewear, some creasing to spine. Overall, clean and sound.

paperback. Etat : near fine. First. 8vo, printed gray wrappers. Paris: Shakespeare & Co., October, 1927. Contributions by William Carlos Williams, James Joyce, Allen Tate, Hart Crane, Robert Graves, and others. Unusually nice copy, with pages unopened & wrappers with some fading but no chips.

Softcover. Etat : Near Fine. First edition. Octavo. Pp. 184, [7] advertisements. Illustrations. Printed wrappers. Neat note on front wrap noting two articles, near fine. Includes James Joyce's ''Continuation of a Work in Progress'', Dawn Powell, Léon-Paul Fargue, Ma Pa We, Gertrude Stein, Panteleimon Romanov, Kurt Schwitters, Walter Lowenfels, William Carlos Williams, Valéry Larbaud, Michael Fraenkel, André Gide, and others. A very nice copy.

Hardcover. First English language edition. 191 (2) pages. 19 x 14.5 cm. Published from the original French sheets. Critical essays on Joyce's "Finnegans Wake. Beckett, in Joyce's company at the time, and his essay (the first of the essays here published, by virtue of the alphabet) is his first publication notes, "It takes few intellectual prisoners: " . . . if you don't understand it, Ladies and Gentlemen, it is because you are too decadent to receive it." Clean copy, pencil notations front free endpaper. Orig. azure blue cloth spine lettered in gilt. Near fine in very good dust wrapper with slightly faded spine.

The summer 1928 issue of Transition, number 13, containing James Joyce's ongoing piece âContinuation of a Work in Progress." Octavo, original pictorial wrappers with the cover portrait by Picasso, illustrated with black and white photographs throughout including Berenice Abbott's famed portrait of James Joyce. âContinuation of a Work in Progress" is an excerpt of Joyce's experimental novel that would later be published as Finnegans Wake (1939). Joyce began working on Finnegans Wake shortly after the 1922 publication of Ulysses. By 1924 installments of Joyce's new avant-garde work began to appear, in serialized form, in Parisian literary journals transatlantic review and transition, under the title "fragments from Work in Progress". The actual title of the work remained a secret until the book was published in its entirety, on 4 May 1939. The work has assumed a preeminent place in English literature. In very good condition with loss to the spine. Cover by Pablo Picasso. Transition was a Paris-based modernist literary journal founded in 1927 by Eugene Jolas that became one of the most influential platforms for experimental writing in the interwar period. Dedicated to challenging traditional literary forms, the magazine published work by leading figures such as James Joyce, Gertrude Stein, Samuel Beckett, and Hart Crane, often showcasing texts that pushed the boundaries of language and narrative. Its pages were especially important for serializing excerpts of Joyceâs Work in Progress (later Finnegans Wake), thereby introducing avant-garde readers to his evolving style.

Softcover. First Edition. Octavo, 185 pages, plus [7] pages of advertisements. In Fair condition. Covers missing. Some of the original brown paper wrapper remains on the spine, heavily chipped. Text block shows moderate edge wear, with rubbing on all edges and corners. Binding is fragile. Stain affects pages in the advertising section at the rear of the book. Contains a "Work in Progress" (Finnigan's Wake) by James Joyce, other works by William Carlos Williams, Rainer Maria Rilke, etc., art by Max Ernst, Juan Gris, Giorgio de Chirico, and Yves Tanguy. Housed in a card-backed, archival sleeve. SH consignment. Shelved in Room A. Bill Bird was an American publisher best known for running the Three Mountains Press, a small press that published many prominent modernists in the 1920s including Ezra Pound, Ernest Hemingway, James Joyce, William Carlos Williams and Robert McAlmon, with Ezra Pound serving as editor. Over a period of two and a half years he published 9 works. Concurrently he founded Consolidated Press Service and worked there as a journalist from 1920-1933, when he joined the New York Sun as chief foreign correspondent. Forced to flee France after the Nazi invasion, he wrote articles warning of war. After WWII he moved to Tangier and was the editor of the Tangier Gazette. This title was among Bird's private collection, having been carted by him from Paris (where he stayed until 1940), to Spain, Tangiers, and finally back to Paris and by descent to the US. 1403440. Special Collections.

Etat : Near fine. First edition. Fifteenth issue of Eugene and Maria Jolas's landmark literary journal, which along with Margaret Anderson's THE LITTLE REVIEW was one of the primary vehicles of Modernist and experimental writing. Over the course of 11 years, often times under great financial difficulty, they published a who's-who of modernist and experimental authors, alongside the work of Surrealist, Expressionist, and Dada artists: "TRANSITION would explore the literary currents washing over Europe and America, present them all if they showed 'imaginative emancipation' as against descriptive naturalism" (Hoffman). An important issue, featuring an installment of Joyce's 'Work in Progress' (i.e. FINNEGANS WAKE), plus contributions by Gertrude Stein, Hart Crane, Malcolm Cowley, Eugene Atget, Robert McAlmon, Katherine Anne Porter, William Carlos Williams, Kay Boye, Robert Desnos, L. Moholy-Nagy, among many others. With the extremely ephemeral and fragile original overlap, rare in this condition. 9'' x 6.5''. Original pictorial wrappers featuring an image by Man Ray. 298 pages, plus ads. Original printed overlay tipped to front cover present. Issue largely unopened. Minor toning to pages, as usual. Touches of rubbing, shelfwear, soil. Small bump to top of spine. Overall clean and sound.

Etat : Near fine. First edition. Thirteenth issue of Eugene and Maria Jolas's landmark literary journal, which along with Margaret Anderson's THE LITTLE REVIEW was one of the primary vehicles of Modernist and experimental writing. Over the course of 11 years, often times under great financial difficulty, they published a who's-who of modernist and experimental authors, alongside the work of Surrealist, Expressionist, and Dada artists: "TRANSITION would explore the literary currents washing over Europe and America, present them all if they showed 'imaginative emancipation' as against descriptive naturalism" (Hoffman). An important issue, it includes Berenice Abbott's famed portrait of James Joyce, as well as work from Gertrude Stein, Man Ray, Kay Boyle, Laura Riding, William Carlos Williams, and others. Rare in this condition. 9'' x 6.5''. Original pictorial wrappers featuring an image by Pablo Picasso. 278 pages, plus ads. Original red printed overlay tipped to front cover present. Issue largely unopened. Minor toning to pages, as usual. Touches of rubbing, shelfwear, soil. Overall clean and sound.

First limited British edition of this collection of critical essays and two letters on James Joyce's book Finnegans Wake. Small octavo, original publisher's cloth. Boldly signed by Samuel Beckett and Marcel Brion on the half-title page, and additionally signed by Beckett above the title of his essay. Samuel Beckett and Marcel Brion both personally knew James Joyce and were early defenders of his experimental work 'Finnegans Wake.' Beckett, a close associate of Joyce in Paris, assisted him with research and contributed an essay to 'Our Exagmination.' Marcel Brion, though more distant, also knew Joyce and played a key role in promoting Finnegans Wake to a French audience, offering interpretive insights that helped frame its reception within European modernism. He also contributed an essay to 'Our Exagmination.' One of 96 numbered copies, this example is unnumbered. Near fine in a near fine dust jacket. Letters of Protest by G.V.L. Slingsby and Vladimir Dixon. From the collection of Robert Duncan. Rare. Our Exagmination Round His Factification for Incamination of Work in Progress (1929) is a landmark critical volume that offers some of the earliest responses to James Joyceâs Finnegans Wake, then still unpublished and known only as Work in Progress. Comprising essays by a range of writersâ"including Samuel Beckett, William Carlos Williams, and Stuart Gilbertâ"the collection attempts to grapple with the experimental form, linguistic density, and philosophical ambition of Joyceâs evolving text. While some essays offer praise and others express bafflement, the volume as a whole reflects the modernist fascination with Joyceâs radical departure from conventional narrative.

Softcover. Etat : Very Good+. Etat de la jaquette : No Dust Jacket. First Edition; First Printing. First trade edition. Limited to 200 copies. Stamped "Made in Great Britain" at base of title page. Very good+ copy in printed paper wrappers. (Bottom inch of spine chipped. Right-hand corner of front cover faintly damp-stained. Binding brittle, but solid. ) Features Samuel Beckett's FIRST appearance in print "Dante. Bruno. Vico. Joyce.".

Etat : Good. 8vo. Original wraps, some covers detached. 16 volumes. Included are nos. 1-4, 8, 11, 13-15, 18-21, 24, 27. This run is from the library of the late George Whitsett (1889-1979), who was living in Mill Valley California, after 1945. He contributed pieces in nos. 8, 24 and 27.

Erstausgabe. October, 1927. No. 7. 8°. 176 Seiten, 4 Blätter. Original-Broschüre. Buchblock papierbedingt vergilbt, sonst gutes, sauberes Exemplar. Inhalt: William Carlos Williams: A Voyage to Pagany. Marcel Jouhandeau: Prudence Hautechaume. Laura Riding: In A Cafe. James Joyce: Continuation of a Work in Progress [Finnegans Wake]. George B. Leonard: The Prostitute. Philippe Soupault: The Death of Nick Carter. John Mithchell: Renunciation. C.W. Whittemore: The Fur Coal. Paul Elliot: No.4 Commercial Street. Carl Sternheim: A Pair of Drawers. Photograph of a wire sculpture by Alexander Calder, and reproductions of paintings by Polelonema and Max Ernst. Poems by the Comte de Lautréamont (Isidore Ducasse),(translated by John Rodker), Yvor Winters, Giuseppe Ungaretti, Karel Toman, Allen Tate, Henri Solveen, Pierre Minet, Emily Holmes Coleman, Pierre Reverdy, Hart Crane, Hans Arp, Robert Graves, Elsa von Freytag-Loringhoven, Ivan Goll. Laura Riding: Jamais Plus. Eugene Jolas: Enter The Imagination. Robert Sage: A Modern Xantippe. Elliot Paul: Honeysuckle-Coloured Pyjamas. Glossary. Advertisement.