Jules bache (25 résultats)

Soft cover. Etat : Good. Stated Copyright 1929 Jules S. Bache [Under Revision] Second Printing. Tight softcover in good condition. 8vo. Sixty-Four page section of black & white illustrations of the Paintings with identifying information that is printed on coated stock. Sixty- Four pages of text followed by a 14-page Biographical Index of the Painters. Pale blue wrappers & backstrip with rectangular title paste-on on the front wrapper. Book is very tight. The wrappers have some edgewear with discoloration close to the outside edge. The bottom corner on the front wrapper is clipped. Previous family wrote names of favorite paintings on the title-page & copyright page. Previous owner also wrote name in tiny lettering in one corner of the back wrapper. The leaves are in very good condition with no markings. The corners of the leaves are lightly bumped. The back coated endpaper & 2 of the illustrations have some light foxing close to the outside edge. Ships within 24 hours. Scanned photos available upon request.…

Paperback. Etat : Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Softcover. Etat : Good. No Jacket. Moderate shelf wear. Please note the image in this listing is a stock photo and may not match the covers of the actual item. Book.

Soft Cover. Etat : Like New. Copyright by The Metropolitan Museum of. 20 + ix + 118 pp. Flawless copy. Of this book 2000 copies were printed November, 1935. Pictures of actual copy -not displayed here!- available upon request.

Soft cover. Etat : Good. Image shows actual book for sale. Book Condition: Good; firm binding; contents good; owner's name; a little handling wear. Soft Cover Jules S Bache 1929 Art.

Paperback. Etat : Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDGood paperback with no dustjacket. Clean pages with frayed and torn cover. Noticable foxing only on cover and minor corner folding on last few pages. 9 inches. 2nd Printing. Published in 1929.

Hardcover. Etat : Very Good. Qto.,Approx 120 pages, 59 plates. A Very Good clean, bright copy.

First Edition. Very good copy in the original stiff-card wrappers, with title-label to front. Slight markings and minor edgewear only to wrappers. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 0 pages; Description: 2 p. L. , 64, [14] p. , 1 l. 64 (i. E. 65) pl. On 33 l. 24 cm. Subjects: Painting--Private collections. Museum studies. 1 Kg.…

Second Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Foxed endpapers. Remains quite well-preserved overall. Provenance: Bookplate of Esher. Physical description: 64, [14] p : 64 (i.e. 65), plates on 33. Notes: Includes bibliographies. Subjects: Painting Private collections; Painters. 1 Kg.…

First Edition. Very good copy in the original stiff-card wrappers, with title-label to front. Slight markings and minor edgewear only to wrappers. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 0 pages; Description: 2 p. L. , 64, [14] p. , 1 l. 64 (i. E. 65) pl. On 33 l. 24 cm. Subjects: Painting--Private collections. Museum studies. 1 Kg.…

Second Edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age. Foxed endpapers. Remains quite well-preserved overall. Provenance: Bookplate of Esher. Physical description: 64, [14] p : 64 (i.e. 65), plates on 33. Notes: Includes bibliographies. Subjects: Painting Private collections; Painters. 1 Kg.…

paperback. Etat : Good. Unmarked trade paperback, cover edges show considerable wear but text block very good.

Hardcover. grey cloth boards w/ gilt spine printing & design. top edge gilt. deckled edges. unpaginated pgs of 59 plates w/ vellum. A very nicely perserved copy of this edition from the American banker and renowed art collector. VG--cloth covers have light edge wear. wear to bottom of spine cloth.

Grey/gilt hardback cloth cover. Etat : Good. First Edition. G+ : in good condition plus without dust jacket. Several stamps on prelims. Some offsetting. Teg. 290mm x 230mm (11" x 9"). colour frontis and 59 b/w illustrations. N.B.: Heavy book- extra shipping needed for overseas.

Soft cover. Etat : Very Good Plus. Etat de la jaquette : No Jacket, As Issued. Softcover. Privately printed, NY: Jules S. Bache, 1938. 8vo. wrappers, 78pp. text plus 64 full page plates. Very good plus, clean, bright.

Hardcover. grey cloth boards w/ gilt spine printing & design; gilt tiling & printing to cover board. top edge gilt. deckled edges. unpaginated pgs of 59 plates w/ vellum. Photo is of another copy in our collection. This copy has gilt tiling and printing to front board. Interior lightly tanned, with speckled foxing to edges. Tissue-guards toned. Spine split; textblock and pages firmly intact. Good (various rubbed spots to cover edge, front board & spine; scuffs & scratches to boards; spine rubbed & frayed w/ slight tear.).…

hardcover. Etat : near fine. Profusely illustrated with b/w plates protected by tissue. Unpaginated. Thick 4to, grey cloth with gold decorative borders, gilt top edge. New York: Privately Printed, (1929). A near fine copy.

Hardcover. Etat : Good+. No Jacket. First Edition. Blue/gilt cloth hard cover - a few faint blemishes to back cover/Good+. Unpaginated. Many b/w illustrations. Gilt top to text block the rest rough cut. Content Good+. (2074g) Photo on request. As Books that Benefit gives the proceeds from the sale of this book to charity correct postage will be asked for when more than default price quoted.…

hardcover. Etat : Good. A Catalogue of Paintings in the Collection of Jules S. Bache, Jules S. Bache â" First Edition Publication: New York, Privately Printed (Gilbert T. Washburn & Company), 1929 Formatting: 4to, unpaginated. Condition Report: Good. The binding remains firm and structurally sound in its original dark grey cloth, with the gilt rules and titling to the front board remaining relatively bright, though the spine ends exhibit minor fraying and the rear board shows a few light scuffs and a touch of localised fading at the top edge. The text block edges are untrimmed and heavily toned. Internally, the book is complete and secure, displaying moderate, scattered foxing primarily to the preliminary leaves and margins, while the tissue guards are entirely intact. As a formally withdrawn institutional copy, its grade is mitigated by a gilt shelf mark to the lower spine, a presentation bookplate to the front pastedown with an associated 'Out of Stock' withdrawal stamp, a small library blind-stamp to the foot of the title page, and a small, inked reference stamp to the upper corner of the front free endpaper. Catalogue Note: This is the 1929 privately printed first edition of the catalogue detailing the exceptional art collection of American banker Jules S. Bache. The volume is richly illustrated with a tipped-in colour frontispiece, reproducing Domenico Ghirlandaioâs portrait of Francesco Sassetti and his son, and numerous full-page monochromatic plates, each protected by a titled tissue guard. The provenance of this specific copy is of notable historical interest: the bookplate indicates it was presented to the Liverpool Public Libraries in December 1929 by Messrs. Duveen Bros. (Inc.) of New York. The legendary art dealer Joseph Duveen was the primary architect of Bacheâs collection, famously sourcing many of the Old Master paintings catalogued within these pages. While secondary market copies of this catalogue occasionally surface, instances boasting direct presentation association from Duveen Brothers to a major British institution are scarce, offering a tangible link to the transatlantic art trade of the roaring twenties. Compiled during the golden age of American art acquisition, this lavishly produced catalogue offers a window into one of the most significant private collections of the early twentieth century. Jules S. Bache amassed a stunning array of masterpieces, featuring the works of titans such as Rembrandt, Titian, Velázquez, and Raphael, many of which he would eventually donate to the Metropolitan Museum of Art. This privately printed volume serves not only as an important visual record of the paintings exactly as they were held in Bacheâs lifetime, but also as a testament to the immense cultural ambition of the era's great industrialists and financiers. N/A (illustrateur).…

Hardcover. Etat : Very Good. First edition. New York: Privately Printed, 1929. First edition. Hardcover. Very Good. Quarto, blue-gray cloth with gilt titles and rules, top edge gilt. Color frontispiece and 59 black and white engravings there is a little offsetting from plates). Inscribed by Bache (to a Chicago art dealer) and dated. Book is in very nice condition with only a little wear to cover corners. 021210C.…

Hardcover. Etat : Very Good. Limited Edition.

Paperback. Etat : As New.

Hardcover. Etat : As New. T-Bajule; Bache, Jules S. Et al A Catalogue of Paintings in the Collection of Jules S. Bache.

1p., 4to. In fair condition, on lightly aged and creased paper. Addressed to 'Hugh Wortham, Esq., | 75 Courtfield Gardens, | London, S.W.5, England'. Signed in green ink. He has received Wortham's book (probably 'The Delightful Profession: Edward VII, A Study in Kingship', published that year). He is 'still in the midst of a rather big book', but once he has finished it, he will send his comments on Wortham's. Turning to his 'Anniversary' (seventieth birthday) he writes: 'It has been saddened somewhat by the numerous deaths in the family, but at my age one gets accustomed to one's contemporaries passing out, and I am getting to be somewhat philosophical in connection with them.' Apparently regarding the Great Depression, he comments, not exactly presciently: 'Incidentally, I believe this crisis is rapidly passing, and it is one burial at which I shall be really happy.' The letter ends with the usual courtesies.…

5. New York, privitaly printed, 1929, in-4°, 120 pp + 60 plates of which one in color, grey gilt publisher's cloth, top edge gilt. Fine copy.