kahlo frida diego rivera (36 résultats)

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less 1.39.

Etat : Used: Like New. Libro proveniente da collezione privata. Pagine ingiallite. La copertina riporta usuali segni del tempo. Consegna 24/48 ore 60 n8.

24.5 x 17.0cms 120pp b/w & colour illusts very good paperback & cover This dual biography begins with Kahlo''s story and centres on her relationship with Rivera.

kart. Etat : Gut. 118 S. : zahlr. Ill. ; 28 cm; Gutes Ex. - INHALT : Kinderjahre im Blauen Haus ---- Frida - Die junge Rebellin ---- Erste Begegnung mit dem Tod ---- Diego Rivera ---- Die Taube und der Elefant ---- "Gringolandia" - Die Jahre in Amerika ---- Schattenseiten der Beziehung ---- Liaison mit Leo Trotzki ---- Die produktiven Jahre 1937-1938 ---- Frida Kahlos erste Einzelausstellung in New York ---- Kahlo und der Surrealismus ---- Scheidung und Wiedervermählung ---- "Los Fridost und "Los Dieguitost ---- Von der Frau zur Mutter - vom Mann zum Kind ---- Frida Kahlos körperlicher Verfall ---- Frida Kahlos Tod ---- Viva la Vida - Es lebe das Leben ---- "Für meinen Augenstern." Rivera nach dem Tod Frida Kahlos ---- Anmerkungen. ISBN 9783791332444 Sprache: Englisch Gewicht in Gramm: 518.

Etat : Sehr gut. 131 S. : zahlr. Illustr. ; 28 cm; fadengeh., farb. illustr. Orig.-Pappband. Sehr gutes Ex. - Die ganze Wahrheit über Frida Kahlo und Diego Rivera werden wir wohl nie erfahren. Zu viele Geschichten wurden auf zu unterschiedliche Weise erzählt. Ebenso wie Diego Rivera stets dafür sorgte, eine sagenhafte Legende um sich zu ranken, gehörte es zu Frida Kahlos größten Vergnügen, ihre Vergangenheit in einen bunten Schleier zu hüllen. Das Geheimnis um sie beginnt schon mit ihrem Geburtsjahr. Fest verwurzelt in den Idealen der Revolution, behauptete Kahlo, 1910 geboren zu sein, in dem Jahr, das für Reform, blutigen Kampf und Befreiung steht, das Jahr der mexikanischen Revolution, in dem sich das Volk unter der Führung Emiliano Zapatas und Francisco »Pancho« Villas gegen die Diktatur erhob. In Wirklichkeit wurde Frida Kahlo aber am 6. Juli 1907 geboren. . (S. 13) // INHALT : Kinder jähre im Blauen Haus ---- Frida - Die junge Rebellin ---- Erste Begegnung mit dem Tod ---- Diego Rivera ---- Die Taube und der Elefant ---- >GringolandiaLos Dieguitosi ---- Von der Frau zur Mutter - vom Mann zum Kind ---- Frida Kahlos körperlicher Verfall ---- Frida Kahlos Tod ---- Viva la Vida - Es lebe das Leben ---- "Für meinen Augenstern." Rivera nach dem Tod Frida Kahlos ---- Anmerkungen ---- Frida Kahlo und Diego Rivera - Lebensstationen. ISBN 9783791337982 Sprache: Englisch Gewicht in Gramm: 1150.

24.5 x 17.0cms 120pp b/w & colour illusts very good+ paperback & cover This dual biography begins with Kahlo''s story and centres on her relationship with Rivera.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less 1.35.

235, (5), XXIV S. Ill. Orig.-Broschur. - Einband gering berieben. Widmung auf Titel; ansonsten innen sauber. Gut erhaltenes Exemplar. - Achtung: Bei Auslandsversand bitte Portokosten erfragen (höheres Gewicht)!

Softcover, 96 pages; very good condition; light rubbing to covers; owner's library stamp to first page; no other internal marks. Foreign shipping may be extra.

Oversized Paperback. Etat : Good. Text in French.

Hardcover. Etat : As New. Etat de la jaquette : Like New. A nice hardcover with a crisp dust jacket, a tight binding and an unmarked text. Unopened in plastic wrap. From a private smoke free collection. Shipping within 24 hours, tracking number and delivery Confirmation.

Soft cover. Etat : New. Paperback. 4to. (29 x 24 cm). In English and Turkish. 253 p., color ills. Frida Kahlo & Diego Rivera. From the Gelman Cellection.= Frida Kahlo & Diego Rivera. Gelman Koleksiyonu'ndan. [Exhibition catalogue]. Curated by Helga Prignitz-Poda. Edited by Begüm Akkoyunli Ersoz, Tania Bahar. The Frida Kahlo and Diego Rivera from the Gelman Collection exhibition introduced art lovers to two of the most outstanding and globally renowned Mexican figures of 20th century art. Generating wide interest, as much with their unique characters, life stories, and intriguing relationship, as with their oeuvre, these two artists were welcomed for the very first time to Turkey with this exhibition presenting over forty of their works. Collectors Jacques and Natasha Gelman spent a significant portion of their lives in Mexico; the works included in the couple's extensive collection, encompasses 20th century Mexican art, outstanding Frida Kahlo self-portraits, that reflect the profound traces of her artistic personality, as well as rare examples of Diego Rivera's canvas paintings. This globally acclaimed collection was previously presented to audiences only through a limited number of exhibitions outside of Mexico. Apart from the most favored Frida Kahlo works of the "Frida Kahlo Retrospective" organized in Berlin and Vienna in 2010, the exhibition at Pera Museum also included Diego Rivera's paintings.

Hardcover. Etat : Very Good. Diego Rivera, Juan Clemente Orozco, Frida Kahlo, Rufino Tamayo, et al (illustrateur). First Edition. Color endpapers by Alfredo Martinez. Small chip to DJ spine crown; 1" closed tear to DJ rear bottom; else a very good DJ. A beautiful edition.

SOFTCOVER. Etat : VERY GOOD. Over 80 Color & B/w Illus (illustrateur). 1st Edition. This is the (often very elusive) English edition for the Whitechapel showing of this exhibition. 4to in colour printed stiff glossy card covers, 79pp on stiff art paper, colour plates, b/w illustrations in text, bibliography, etc . [CONDITION: VERY GOOD, a clean and tight copy (small flat crease to bottom fore-corner of front cover, spine and covers edges a little rubbed) ] . . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Dura. Etat : New. Etat de la jaquette : Nuevo. Diego Rivera,Frida Kahlo,Max Ernst,Nickolas Muray (illustrateur). 1. Las cautivadoras imágenes creadas por Frida Kahlo (1907-1954) son, en muchos sentidos, la manifestación de un trauma. Sufrió un accidente de tráfico casi mortal a los 18 años, numerosos problemas de salud, un matrimonio turbulento y varios abortos que le impidieron tener hijos y, sin embargo, supo transformar todas sus aflicciones en arte revolucionario. En sus autorretratos reales y metafóricos, Kahlo contempla al espectador con una mirada audaz, negándose a ser una víctima pasiva y entrelazando símbolos de su experiencia en un híbrido lenguaje de vida surrealista: pelo, raíces, venas, enredaderas, tentáculos y trompas de falopios. Muchas de sus obras también exploran los ideales políticos comunistas, que Kahlo compartía con Rivera. La artista describió sus cuadros como lo más sincero que podía hacer para expresar lo que sentía dentro y fuera de su ser. Este libro ofrece un amplio repaso de la obra de Kahlo, que descubre su inagotable determinación como artista y su importancia como pintora, icono feminista y pionera en la cultura latinoamericana. 565 gr. Libro.

Calagogue de l'exposition présentée au Musée d'art moderne de Villeneuve d'Ascq de septembre 2004 à janvier 2005. Fort volume 22,5x27,5cm cartonné sous couverture en couleurs, 330 pages abondamment illustrées en couleurs dans et hors texte présentant 233 oeuvres exposées de plus de 70 artistes. Bel exemplaire. Livres.

Pintoras Mexicanas Contemporáneas Mujeres Pintoras Arte Contemporáneo Mexicano Siglo XX Ed. Ministerio de Cultura. 198 págs. 20 x 23 cm. Encuadernado en tela ilustrada. Índice; Frida Kahlo, en la vida, herida. Autorretratos. Lo popular en la pintura de Frida Kahlo. Frida Kahlo y el arte mexicano. GASTOS DE ENVÍO ORDINARIO HASTA 1 KILO, GRATIS. (3,50 el Kilo de más o fracción) Los PEDIDOS DE MENOS DE 6 euros tienen unos gastos de 1 euro.

Exemplaire neuf. [6208].

Softcover. White and color illustrated wraps, red and orange lettering, spine is white with black lettering, 235 pp, profusely illustrated in color and bw. Published on the occasion of an exhibition organized by the Fondation Dina Vierny-Musée Maillol, Paris, June 17-Sept. 30, 1998. Includes bibliographical references (pages 223-229). VG (corners lightly bumped, light shelfwear).

Softcover exhibition catalog, 280 pages, in English and French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. The book has red fabric boards with the title printed in yellow text on the front cover and along the spine. The front and back covers are illustrated with (origionally black-and-white, now red-tinted) photographs. The front and back free and pasted end pages are a healthy yellow. Has a red and yellow headband. Pages: (5), 6-248. Profusely illustrated with color and true-tone images. Catalog of an exhibition organized by the Detroit Institute of Arts, held from March 15-July 12, 2015, celebrating the famous Mexican artist couple Diego Rivera and Frida Kahlo during the year they spent in Detroit while he completed the "Detroit Industry Murals." VG+: A book in excellent condition. Tight binding, clean pages, and sharp corners. Looks like it has rarely, if ever, been taken from the shelf.

Exhibition Announcement Cards. The original announcement card for an exhibition of photographs by Leo Matiz (1917-1998) titled "Retrospective" and held at Westwood Gallery, NYC, May 3 - June 28, 2001. The front features a 1946 photograph of Frida Kahlo and Diego Rivera and inside, a short bio. Stiff card, folded once to 4 pages; 5 x 7 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Exhibition Announcement Cards. The original announcement card for an exhibition of photographs of Frida Kahlo and Diego Rivera by various photographers titled "Diego y Frida" and held at Throckmorton Fine Art, NYC, January 3 - March 2, 2002. The image on the front is by Nickolas Muray. Stiff postcard, printed both sides; 6 x 4 inches. Condition: Good+, mailed with scuffing to the front. Laid-in is the gallery press release. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.

Large photo, 19x14.5n, on card stock paper, of Frida Kahlo, seated and painting, while Diego Rivera looks on. Half-tone. Fine condition.

Large photo, 19x14.5in, on card stock paper, of Frida Kahlo dressed in her native, Tepehuana costume. Fine condition.

Inscribed with drawings and doodles by the artistic super-couple Frida Kahlo and Diego Rivera at the unveiling of Rivera's newly completed masterpiece, the Detroit Industry Murals at the city's Institute of Art, early in 1933. With these drawings into a child's autograph album, made a few days before their departure for New York City, Kahlo and Rivera marked the close of a period of great artistic achievement for them both. Just three days before these drawings were created Rivera finished his industrial frescoes and Kahlo completed her anguished sequence of Detroit canvases which are considered to be among her greatest works. In the drawing that she executed for Lydia Cohen in this album, Kahlo depicts a cat seen from behind, placidly sitting and looking away from both artist and the album's owner. Next to this she has written 'To Lidia with the love of Carmen Rivera' - signing herself with her formal married name as she did on her Detroit paintings. According to Helga Prignitz-Poga only one other depiction of a cat is known in Kahlo's work (Self Portrait with Thorn Necklace), lending special significance to this image. Rivera's first contribution to the album shows, in portrait format, a full length image of a woman whose face is seen in profile, wearing boots and what may be a feathered Aztec(?) skirt, next to a little gate or perhaps a swimming pool ladder. This is signed 'Diego Rivera' and undated. Five leaves later Rivera has drawn a wild yet instantly recognisable portrait head of himself seen in profile, as in voluble full flow, using blue-black ink and inscribed it: 'Diego Rivera. Detroit March 16 1933.' Together Kahlo and Rivera spent much of 1932 and early 1933 in Detroit where Rivera was commissioned to create a series of frescoes for the Detroit Art Institute which would draw upon the city's industrial heritage. It is generally acknowledged that while in the city both artists hit 'a career peak' as Rivera completed his DIA mural and Kahlo worked intensely on a series of portraits dealing with her personal struggles. Later Rivera remembered how: 'Frieda began work on a series of masterpieces which had no precedent in the history of art. Never before had a woman put such agonized poetry on canvas as Frida did at this time in Detroit.' Whilst they lived in the city the couple were feted and entertained by Detroit's elite. Kahlo in particular responded provocatively to her American hosts: 'the expansive Rivera speaking Spanish and French and demanding all the attention, with the petite and caustic Kahlo dressed in colorful Mexican costumes. At Henry Ford's sister's home, Frida talked on about the wonders of communism. At a dinner at Henry Ford's she asked the anti-semitic industrialist if he was Jewish.' One of the other elite Detroit households who entertained Kahlo and Rivera was the Cohen family, parents of Lydia -or Lidia - Cohen who, on the evening of March 13, 1933, persuaded Kahlo and Rivera to inscribe her little album. This album captures a pivotal moment in art history. PROVENANCE: Lydia Cohen and by descent. LYDIA COHEN'S ALBUM: Black roan with amateur tape repairs to the backstrip and loss at the head and tail of the spine; 55 paper leaves alternating pink, yellow and gree in colour; c75 inscriptions. Lydia Cohen has written her name on the front flyleaf and her schools in Detroit: William T Sampson School; George Brady School; Roosevelt Elementary; Durfee Middle School. The entries into the album do not follow chronological order but dot around between 1922-1934 with contributions from school teachers, friends, musicians, mostly English and sometimes written and drawn in Hebrew. Kahlo's contribution appears first, followed by Rivera's pair of drawings, all three inserted between other signed pages. A second Spanish speaker seems to have been present that night spent with the Cohens, Kahlo and Rivera on March 16. 1933. They have written: 'El idioma es corto y la palabra tosca para hablar de las vellezas tullas mejor recibe mi galarte via en il idioma quero lo el alma entiende' ('The language is short and the word is crude to speak of the tullas' virtuousness, it is better to receive my reward via the language that the soul understands') - perhaps suggesting they were also a creative figure and signed 'Y Ay'. The album is housed in a custom-made drop-back solander box with natural wool lining. Please contact Christian White Rare Books Ltd for more information or images of this item.

No Binding. Etat : As New. Gelatin silver print (20 x 30 in.). Archivally framed. Estate Edition, a limited edition of 10 copies, embossed and numbered. While in this picture it is Frida s eyes that gaze lovingly up at Diego, Marcel and Ilse Sternberger s records paint a picture of another day that contrasted perfectly. Ilse recounted, Suddenly [Frida] admitted to being tired, and Rivera carried her upstairs to her four-poster bed in which she did a lot of her painting, with the canvas affixed above her. Frida will not come with us to the party, he said when he returned. She has much pain today [sic]. Ilse wondered aloud if it wouldn t be better to cancel al- together. Oh no, no we must go! Diego insisted. I will just tell (sic) good-bye to Frida and he walked heavily up the stairs again. Ilse recalled, We waited five minutes, ten I ll see what s keeping Diego, [Ilse] said, and followed him. The door to Frida s bedroom was open, and [Ilse] saw Rivera kneeling beside her bed, his large head in her lap. She put her hand lightly on his hair, and he took it and kissed it, with reverence.

Signed album page, one page, 4,25 x 2,75 inch, Coyoacan (Mexico), 7.01.1946, signed and dated in dark ink "Coyoacan, Enero 7 de 1946/7 - Frida Kahlo." - also signed and dated by Rosa Rolanda (1895-1970) in green ink (covered by the passepartout), attractively mounted (removable) for fine display with a photograph, shows Frida Kahlo in a chest-up portrait (altogether 8,25 x 11,75 inch), with very mild signs of wear - in nearly very fine condition. Accompanied by two signed album pages: 1. Signed album page, one page, 4,25 x 5,25 inch, Mexico, 7.01.1946, signed and inscribed in blue ink "Para Anutza Daniel - Diego Rivera- Mexico Enero 7 1947" - also signed by an unidentified person (with an added sketch), attractively mounted (removable) for fine display with a photograph, shows Diego Rivera next to Frida Kahlo (altogether 11,75 x 8,25 inch), with very mild signs of wear - in nearly very fine condition. 2. Signed album page, one page, 4,25 x 5,25 inch, Mexico, 30.11.1946, signed and dated in blue ink "Maria Izquierdo: - Mexico Noviembre - 30 de 1946", attractively mounted (removable) for fine display with a photograph, shows Maria Izquierdo in front of an artwork (altogether 11,75 x 8,25 inch), with very mild signs of wear - in nearly very fine condition. All three items from the collection of the Romanian-born German-American author and journalist Anita Daniel (1892-1978).