kerouac jack corso gregory ginsberg (24 résultats)

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. First Edition. Fine in fine dustjacket (mylar-protected).

Soft cover. Etat : Good. 1st Edition. 256pp, with the Subscription Card still intact, bound in illustrated stiff paper covers, with the binding and hinges tight, illustrated throughout. Covers show edge wear, slight darkening. Interior shows occasional soiling.

Original Wraps. Etat : Very Good. McDarrah, Fred (illustrateur). First Edition. Touch of edgewear else near fine -- photogr. wraps. Anthology of 45 NYC Beat writers. Photographs by Fred McDarrah'. $1.95 cover price.

Paperback. Etat : Brand New. 308 pages. Spanish language. 8.19x6.30x0.87 inches. In Stock.

Soft cover. Etat : Very Good. 1st edition. VG+. 8vo, 256pp, printed wrappers. Early issue of Evergreen Review, featuring work by Kerouac, Ginseberg, Olson, Corso, et al. Unmarked copy, minor outer wear. Not Signed.

Soft cover. Etat : Very Good. 1st edition. Near VG. 4to, 150pp, stapled wrappers. A thick double issue of Allen De Loach's important underground literary magazine; includes a letter from Timothy Leary to Allen Ginsberg (Horowitz et al. C74), plus work by Bukowski, Kerouac, Kirby Doyle, John Wieners, and a range of other important contributors. Unmarked copy with soil and wear to covers (which are starting to pull). Not Signed.

Softcover. Etat : Near Very Good. First Edition. Presumed first edition with NAP, trade paperback in stapled wraps, has a mild lean to the binding, light bumps to the spine ends and cover corners, rubbing to the covers with cross creasing along the spine, and age toning to the inside of the covers and page faces. Overall, a solid, unmarked, Near Very Good copy.

Oversize Hardback. Etat : Fine. Etat de la jaquette : Fine. Book is in excellent condition, as new in black cloth with silver print on cover and spine. Binding is solid and square, covers have sharp corners, exterior shows no blemishes, text/interior is clean and free of marking of any kind. Dust jacket is new and wrapped in clear protective cover. With contributions from Jean-Paul Sarte, Gregory Corso, John O'Hara, Joel Oppenheimer, Allen Ginsberg, Jack Kerouac, J. Robert Oppenheimer, W. c. Williams, Terry southern, Orlovsky, Jean Genet, J. Ashbery, Fidel Castro,

Soft Cover. Etat : Very Good +. First Edition, second reprint. 8½ x 12½"; 96 pp. The interior--the text is surprisingly clean and unmarked. 1960 softcover publication, intact covers/pages.

Softcover. Etat : Near Fine. Periodical. Octavo. 96pp. Pictorial wrappers. Spine lightly toned, near fine. Special "Kerouac Issue." Text includes a seven-line statement by Allen Ginsberg, and a conversation between Ginsberg, Gregory Corso, John Clellon Holmes and Peter Orlovsky.

Etat : Very Good. Trade paperback with b/w illustration to covers, 253 pp. + ads. Light wear to covers, minor soiling to page edges.

Soft cover. Etat : Very Good. 1st Edition. Very good copy in brown paper wraps. Small tear to bottom edge near spine. German language anthology of Beat poets. IB.

Soft cover. Etat : Very Good. 1st edition. Near VG. Folio, ~128pp (printed two-column), printed wrappers. Alfred Leslie's unique one-shot review from 1960, containing a delirious amalgam of literary and countercultural contributors (including Fitzhugh Ludlow's The Hasheesh Eater, reproduced in its entirety). Unmarked copy, typical toning of interior newsprint stock, a little toning, soil and wear to covers (1-1/4" closed tear at top of spine). Highly recommended. Not Signed.

Softcover. Etat : Near Fine. First edition. Small quarto. 111pp. Illustrated wrappers. Small owner name on titlepage, spine a little toned, else very good or better. A collection of works from *Beatitude* magazine with contributions from Allen Ginsberg, Jack Kerouac, Philip Whalen, Gregory Corso, Richard Brautigan, Lawrence Ferlinghetti, and many others.

Soft cover. Etat : Fine. Paperback. 9 1/2 x 6 1/2 inches. 68 pages with many black/white photos. VERY FINE. Binding tight, without stress creases and square. All corners pointed. Without tears, creases, bumps or chips. With some tanning from age and paper quality. Not marked in any way and very clean and bright. All books carefully wrapped and sent boxed.

Soft cover. Etat : Very Good. 1st edition. VG+. 4to, 88pp, printed wrappers. Clean copy of the 20th anniversary issue of the classic San Francisco underground Beat magazine, includes a particularly select range of contributors. Unmarked copy with light outer soil. Not Signed.

Saddle-stitched. First Edition. Small octavo, 23 pages. In Good plus condition. Wraps have two small tears along fore edge, moderate general soiling, age toning, water warping, and a brown semicircle ring stain along rear cover; previous price (50 cents) written in red ink on front head fore corner. Text block edges mildly scuffed and moderately age toned; interior has water warping throughout (text unaffected). Shelved in Room B. 1395160. Special Collections.

Hardcover. Etat : Very Good. 1st edition. VG. 4to, [xii]+116pp, printed boards. 1 of 150 stated copies (though unnumbered) of the hardcover version, printed on Sulgrave Text paper, of this exhaustive anthology of period writing and art. Unmarked copy, a little rubbing and soil to boards. Not Signed.

Softcover. Etat : Very Good. First edition, complete in 5 volumes. Perfectbound wrappers. The issues are moderately soiled with a modestly toned spine on Volume 1, light foxing on the cover of Volume 2, and a small tear on the spine of Volume 4, overall very good. Included is the notorious first issue which reprints the complete contents of the suppressed *Winter 1959 Chicago Review*, which consisted of "Ten Episodes from *Naked Lunch*" by William S. Burroughs, "Old Angel Midnight" by Jack Kerouac, two pieces by Edward Dahlberg and three poems from Gregory Corso. *Maynard and Miles* C6. The remaining issues feature contributions from Allen Ginsberg, Antonin Artaud, Paul Bowles, Lawrence Ferlinghetti, Robert Duncan, John Ashbery, Norman Mailer, Robert Creeley, Jack Spicer, Jack Kerouac, LoRoi Jones, Charles Olson, John Updike, and others.

Soft cover. Etat : Good. 1st edition. Good+. 4to, 23 leaves (printed one-side; one duplicated), stapled front wrapper. The rare final issue of the first phase of this central Beat Generation mimeo mag. Unmarked copy, tanning and some stains to front wrapper. Not Signed.

Stapled wrappers. Etat : Near Fine. Fred W. McDarrah (cover photo) (illustrateur). First Edition. Small 8vo. Pp. 23. Photo-illustrated wraps, saddle-stapled. Very slight age-toning on near spine on rear cover. A scarce issue of the journal that proved a harbinger of the mimeograph little magazine movement. The Kerouac contribution is two excerpts from Book of Dreams; the Ginsberg poem is "On Visions;" David Rafael Wang's poem is "Proclamation: From a Sick Bourgeois." This copy is notably fresh, with sharp corners, shiny staples.

Soft cover. Etat : Near Fine. 1st Edition. Jack Kerouac's personal copy includes both ink and blind stamps from Kerouac Estate. This anthology contains selections from Book of Dreams, which would be published a few months later (Charters B13).

Four vintage reference photographs by John Cohen from the 1959 short film. Three with the title in manuscript ink on the bottom margin of the recto, and one with a provenance label on the verso. Based on a purportedly true incident in the life of Beat icons Neal and Carolyn Cassady, wherein a couple's dinner party for a visiting bishop is crashed by their zany bohemian friends. Adapted by Jack Kerouac from the third act of his play "Beat Generation," with voiceover narration by Kerouac, and a title taken from the poem of the same name co-written by Kerouac, Cassady, and Allen Ginsberg. For years the film was rumored to have been entirely unscripted, capturing a real event at co-director Alfred Leslie's loft in the Bowery, until Leslie revealed in a 1968 interview that the film had in fact been scripted, heavily rehearsed, and shot in a photography studio. 10 x 8 inches. Small chips at the top edges, else about Near Fine. National Film Registry.