kimberley devlin (26 résultats)

Etat : good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

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Etat : As New. 2004. Paperback. Number 9 in the National Library's Joyce Studies series of 2004/5. . . . . Books ship from the US and Ireland.

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Etat : As New. 2004. Paperback. Number 9 in the National Library's Joyce Studies series of 2004/5. . . . .

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Etat : New. Series: Princeton Legacy Library. Num Pages: 220 pages, black & white illustrations. BIC Classification: DSK. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 254 x 178 x 12. Weight in Grams: 371. . 2014. Paperback. . . . .

Etat : New. Series: Princeton Legacy Library. Num Pages: 220 pages, black & white illustrations. BIC Classification: DSK. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 254 x 178 x 12. Weight in Grams: 371. . 2014. Paperback. . . . . Books ship from the US and Ireland.

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Hardcover. Etat : Brand New. 220 pages. 10.00x7.00x0.59 inches. In Stock.

Paperback. Etat : New. Guiding readers through the disorienting dreamworld of James Joyce's last work, Kimberly Devlin examines Finnegans Wake as an uncanny text, one that is both strange and familiar. In light of Freud's description of the uncanny as a haunting awareness of earlier, repressed phases of the self, Devlin finds the uncanniness of the Wake rooted in Joyce's rewritings of literary fictions from his earlier artistic periods. She demonstrates the notion of psychological return as she traces the obsessions, scenarios, and images from Joyce's "waking" fictions that resurface in his final dreamtext in uncanny forms, transformed yet discernible, often to uncover hidden, unconscious truths. Drawing on psychoanalytic arguments and recent feminist theory, Devlin maps intertextual connections that reveal many of Joyce's most deeply felt imaginative and intellectual concerns, such as the self in its decentered relationship to language, the elusive nature of human identity, the anxieties implicit in mortal selfhood, the male subject in its opposition to the female sexual "other."She suggests that the Wake records Joyce's implicit interest in the psychological counterpart to Vico's theory of historical repetition: Freud's theory of the insistent internal return of earlier narratives. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorKimberley J. DevlinKlappentextrnrnGuiding readers through the disorienting dreamworld of James Joyce s last work, Kimberly Devlin examines Finnegans Wake as an uncanny text, one that is both strange.

Paperback. Etat : New. Guiding readers through the disorienting dreamworld of James Joyce's last work, Kimberly Devlin examines Finnegans Wake as an uncanny text, one that is both strange and familiar. In light of Freud's description of the uncanny as a haunting awareness of earlier, repressed phases of the self, Devlin finds the uncanniness of the Wake rooted in Joyce's rewritings of literary fictions from his earlier artistic periods. She demonstrates the notion of psychological return as she traces the obsessions, scenarios, and images from Joyce's "waking" fictions that resurface in his final dreamtext in uncanny forms, transformed yet discernible, often to uncover hidden, unconscious truths. Drawing on psychoanalytic arguments and recent feminist theory, Devlin maps intertextual connections that reveal many of Joyce's most deeply felt imaginative and intellectual concerns, such as the self in its decentered relationship to language, the elusive nature of human identity, the anxieties implicit in mortal selfhood, the male subject in its opposition to the female sexual "other."She suggests that the Wake records Joyce's implicit interest in the psychological counterpart to Vico's theory of historical repetition: Freud's theory of the insistent internal return of earlier narratives. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Guiding readers through the disorienting dreamworld of James Joyce's last work, Kimberly Devlin examines Finnegans Wake as an uncanny text, one that is both strange and familiar. In light of Freud's description of the uncanny as a haunting awareness of earlier, repressed phases of the self, Devlin finds the uncanniness of the Wake rooted in Joyce's rewritings of literary fictions from his earlier artistic periods. She demonstrates the notion of psychological return as she traces the obsessions, scenarios, and images from Joyce's 'waking' fictions that resurface in his final dreamtext in uncanny forms, transformed yet discernible, often to uncover hidden, unconscious truths. Drawing on psychoanalytic arguments and recent feminist theory, Devlin maps intertextual connections that reveal many of Joyce's most deeply felt imaginative and intellectual concerns, such as the self in its decentered relationship to language, the elusive nature of human identity, the anxieties implicit in mortal selfhood, the male subject in its opposition to the female sexual 'other.' She suggests that the Wake records Joyce's implicit interest in the psychological counterpart to Vico's theory of historical repetition: Freud's theory of the insistent internal return of earlier narratives.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Taschenbuch. Etat : Neu. Wandering and Return in Finnegans Wake | An Integrative Approach to Joyce's Fictions | Kimberley J. Devlin | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2014 | Princeton University Press | EAN 9780691607405 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Gebunden. Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorKimberley J. DevlinKlappentextrnrnGuiding readers through the disorienting dreamworld of James Joyce s last work, Kimberly Devlin examines Finnegans Wake as an uncanny text, one that is both strange.

Hardback. Etat : New. Guiding readers through the disorienting dreamworld of James Joyce's last work, Kimberly Devlin examines Finnegans Wake as an uncanny text, one that is both strange and familiar. In light of Freud's description of the uncanny as a haunting awareness of earlier, repressed phases of the self, Devlin finds the uncanniness of the Wake rooted in Joyce's rewritings of literary fictions from his earlier artistic periods. She demonstrates the notion of psychological return as she traces the obsessions, scenarios, and images from Joyce's "waking" fictions that resurface in his final dreamtext in uncanny forms, transformed yet discernible, often to uncover hidden, unconscious truths. Drawing on psychoanalytic arguments and recent feminist theory, Devlin maps intertextual connections that reveal many of Joyce's most deeply felt imaginative and intellectual concerns, such as the self in its decentered relationship to language, the elusive nature of human identity, the anxieties implicit in mortal selfhood, the male subject in its opposition to the female sexual "other."She suggests that the Wake records Joyce's implicit interest in the psychological counterpart to Vico's theory of historical repetition: Freud's theory of the insistent internal return of earlier narratives. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Hardback. Etat : New. Guiding readers through the disorienting dreamworld of James Joyce's last work, Kimberly Devlin examines Finnegans Wake as an uncanny text, one that is both strange and familiar. In light of Freud's description of the uncanny as a haunting awareness of earlier, repressed phases of the self, Devlin finds the uncanniness of the Wake rooted in Joyce's rewritings of literary fictions from his earlier artistic periods. She demonstrates the notion of psychological return as she traces the obsessions, scenarios, and images from Joyce's "waking" fictions that resurface in his final dreamtext in uncanny forms, transformed yet discernible, often to uncover hidden, unconscious truths. Drawing on psychoanalytic arguments and recent feminist theory, Devlin maps intertextual connections that reveal many of Joyce's most deeply felt imaginative and intellectual concerns, such as the self in its decentered relationship to language, the elusive nature of human identity, the anxieties implicit in mortal selfhood, the male subject in its opposition to the female sexual "other."She suggests that the Wake records Joyce's implicit interest in the psychological counterpart to Vico's theory of historical repetition: Freud's theory of the insistent internal return of earlier narratives. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Buch. Etat : Neu. Wandering and Return in Finnegans Wake | An Integrative Approach to Joyce's Fictions | Kimberley J. Devlin | Buch | Einband - fest (Hardcover) | Englisch | 2016 | Princeton University Press | EAN 9780691635996 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.

Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Guiding readers through the disorienting dreamworld of James Joyce's last work, Kimberly Devlin examines Finnegans Wake as an uncanny text, one that is both strange and familiar. In light of Freud's description of the uncanny as a haunting awareness of earlier, repressed phases of the self, Devlin finds the uncanniness of the Wake rooted in Joyce's rewritings of literary fictions from his earlier artistic periods. She demonstrates the notion of psychological return as she traces the obsessions, scenarios, and images from Joyce's 'waking' fictions that resurface in his final dreamtext in uncanny forms, transformed yet discernible, often to uncover hidden, unconscious truths. Drawing on psychoanalytic arguments and recent feminist theory, Devlin maps intertextual connections that reveal many of Joyce's most deeply felt imaginative and intellectual concerns, such as the self in its decentered relationship to language, the elusive nature of human identity, the anxieties implicit in mortal selfhood, the male subject in its opposition to the female sexual 'other.' She suggests that the Wake records Joyce's implicit interest in the psychological counterpart to Vico's theory of historical repetition: Freud's theory of the insistent internal return of earlier narratives.Originally published in 1991.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.