Kresic stephan (1 résultats)
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Vendeur : Borkert, Schwarz und Zerfaß GbR, Berlin, AllemagneBorkert, Schwarz und Zerfaß GbR
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EUR 74,00
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Original softcover. Etat : Gut. X, 332 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Slightly rubbed binding with skewed corners, pencil annotation on endpaper, otherwise very good and clean. / Leicht beriebener Einband mit gebogenene Ecke…n, Bleistiftmarkierung auf Vorsatzblatt, sonst sehr gut und sauber. - TABLE OF CONTENTS / TABLE DES MATIERES: AVANT-PROPOS, S. Kresic -- EDITORS INTRODUCTION, S. Kresic -- I. LITERARY INTERPRETATION: PHILOSOPHICAL GROUNDING. INTERPRETATION LITTERA1RE: FONDEMENTS PHILOSOPHIQUES. -- 1. Richard Palmer (MacMurray College): Allegorical, Philological and Philosophical Hermeneutics: Three Modes in a Complex Heritage -- 2. Paul Ricoeur (Paris-Chicago): Explanation and Understanding -- 3. Michael Murray (Vassar College): The New Hermeneutic and the Interpretation of Poetry -- 4. Peter J. McCormick (University of Ottawa): Problems with Literary Truths -- 5. David C. Hoy (Barnard College, Columbia University): Must We Say What We Mean? -- II. PHILOLOGICAL INTERPRETATION: THEORY AND PRACTICE. INTERPRETATION PHILOLOGIQUE: THEORIE ET PRATIQUE -- 6. Bruno Gentili (University of Urbino): The Interpretation of the Greek Lyric Poets in Our Time -- 7. Viktor Poeschl (University of Heidelberg); Interpretation of Images and Symbols -- 8. Antonio Tovar (Universites de Madrid et de Tubingen): La philologie et la linguistique dans 1interpretation des textes la- tins -- 9. Jean-Pierre Chausserie-Lapre'e (Universite de Provence): Une approche stylistique des textes litteraires -- 10. Charles Segal (Brown University): The Music of the Sphinx: Problem of Language in Oedipus Tyrannus -- 11. Fabio Cupaiuolo (Universite de Naples): Contribution a 1inter- pretation dHorace lyrique: 1ode I, 22 -- 12. G. Aurelio Privitera (Universite de Messine): Recherches in- terpretatives sur la premiere ode de Sappho -- 13. Ann L. T. Bergren (University of California, Los Angeles): Helens Good Drug, Odyssey iv, 1-305 -- 14. J.P. Sullivan (University of California, Santa Barbara): Synchronic and Diachronic Aspects of Some Related Poems of Martial -- 15. Pierre Colaclides (Universite de Califomie a Ervine): Odi et amo une lecture linguistique du c. LXXXV de Catulle -- 16. Froma I. Zeitlin (Princeton University): Language, Structure, and the Son of Oedipus in Aeschylus Seven against Thebes -- 17. Carmelo Salemme (Universite de Calabre): Structures tempo- relles dans le Rerum Natura -- Ill. MERGED HORIZONS. HERMENEUTES ET PHILOLOGUES EN INTERACTION -- 18. Horace's Soracte Ode (C. 1,9): J.P. Sullivan: The Philological Aspects -- Michael Murray: The Hermeneutic Response -- Charles Segal: Of Interpretation, Philologic and Hermeneutic -- Richard E. Palmer: Philosophical Hermeneutics and the Interpretation -- 19. Miser Catulle. Obdura: Stephane Kresic: Lecture poetique du poeme VIII -- Peter J. McCormick: Reading and Interpreting Catullus VIII -- H.-G. Gadamer: A Classical Texte a Hermeneutic Challenge. - The New Literary Hermeneutics the philosophical study of what it is to understand and interpret literary texts has over the last three decades made large advances. Its principal exponents, Heidegger, Gadamer and Ricoeur, have completely redefined the whole context of interpretation, offering new understandings of the function of art in human life, of ourselves, of our sense of history and temporal distance, of truth, of the reading-event and the lan-guave event'. In the pages of this book their characteristic views, and those of their leading disciples, are set forth. Philology is interested not only in dry grammatical form, historical details or conventions of genre, but also and principally in using these elements to weigh and expound, with reverence and love, all possible meanings, nuances and forces of a literary text. Here, for the first time, hermeneutic thinkers and classical philologists have joined forces over the interpretations of classical literary texts. The material is divid.
