Lacourse munteanu dana (77 résultats)

Hardcover. Etat : Good. 1st edition. VG condition book with dust jacket. DJ is clean, has fresh colours and has little wear to edges. Book has clean and bright contents.

Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. A Very Solid Tight Clean Book, No Marks Or Inscriptions. Black Cloth Covered Boards With Bright Gilt Title On The Spine. Glossy Grey Dj , Not Price Clipped With A Picture Of A Fragment Of A Greek Ceramic On The Front. Black Titles. Very Little Wear.…

Etat : New.

Soft cover. Etat : Like New. No Jacket. First Paperback Edition. In Pristine Condition, No Marks Or Notations. Khaki Card Covers With A Fragment Of A Greek Vase On The Front Coverr. N O Shelf Or Reading Wear. Aheavier Book, May Require Extra Shipping. Please Ask.

Hardcover. Etat : Fine. Etat de la jaquette : Fine. clean, unmarked copy.

Paperback. Etat : New. This tightly focused collection of essays by a distinguished group of scholars analyses the degree to which expressions of emotion in ancient literature and art become an 'artistic' rather than a 'social' construct. To what degree do literary genres, philosophy and visual arts produce expectations for the arousal of certain emotions? Are the emotions of women, for example, represented differently in different genres? How and why do literary genres and visual arts concentrate on specific emotions and stylise them accordingly, and how do particular emotions relate to gender within literary texts? The book will be of interest to all students and scholars of classical literature and gender studies.Contributors: Peter J. Anderson, Associate Professor of Classics at Grand Valley State University, USA.Douglas L. Cairns, Professor of Classics at the University of Edinburgh, UK.Dorota Dutsch, Associate Professor of Classics at the University of California, Santa Barbara, USA.Laurel Fulkerson, Associate Professor of Classics at Florida State University, USA.Margaret Graver, Professor of Classical Studies at Dartmouth College, USA.David Konstan, Professor Emeritus of Classics at Brown University and Professor, Department of Classics, New York University, USA.Anna McCullough, Assistant Professor, Department of Greek and Latin, Ohio State University, USA.Dana LaCourse Munteanu, Assistant Professor, Department of Greek and Latin, Ohio State University, USA.Évelyne Prioux, Researcher at the Université de Paris, France.Zara Martirosova Torlone, Associate Professor at Miami University, USA.Jessica Wissmann, formerly University of Iowa, currently affliiated with the Rheinische Friedrich-Wilhelms-Universität Bonn, Germany.…

Etat : New. An examination of pity and fear as responses to tragedy in ancient Greek thought. Num Pages: 294 pages, black & white illustrations. BIC Classification: 2AHA; DSBB. Category: (P) Professional & Vocational. Dimension: 154 x 229 x 31. Weight in Grams: 422. . 2015. Paperback. . . . .

Etat : Sehr gut. Criminal Practice Series. 269 p. From the library of Prof. Wolfgang Haase, long-time editor of ANRW and the International Journal of the Classical Tradition (IJCT). - Zustand: Im sehr guten Zustand. / Condition: In very good condition. - Content: 1. Veiling Grief on the Tragic Stage - Douglas L. Cairns; 2. Cowardice and Gender in the Iliad and Greek Tragedy - Jessica Wissmann; 3. Women's Emotions in New Comedy - Dorota Dutsch and David Konstan; 4. Comic Emotions: Shamelessness and Envy (Schadenfreude); Moderate Emotion Dana LaCourse Munteanu; 5. Helen as Vixen, Helen as Victim: Remorse and the Opacity of Female Desire - Laurel Fulkerson; 6. Emotions in Ecphrasis and Art Criticism - Evelyne Prioux; 7. One Wife, One Love: Coniugalis Amor, Grief and Masculinity in Statius' Silvae - Anna McCullough; 8. Absit Malignus Interpres'. Martial's Preface to Book One of the Epigrams and the Construction of Audience Response - Peter J. Anderson; 9. De Bello Civili 2.326-91: Cato Gets Married - Margaret Graver; 10. Engendering Reception: Joseph Brodsky's 'Dido and Aeneas' Zara - Martirosova Torlone. ISBN 9780715638958 Sprache: Englisch Gewicht in Gramm: 518 Original hardcover with dust jacket.…

Etat : New. An examination of pity and fear as responses to tragedy in ancient Greek thought. Num Pages: 294 pages, black & white illustrations. BIC Classification: 2AHA; DSBB. Category: (P) Professional & Vocational. Dimension: 154 x 229 x 31. Weight in Grams: 422. . 2015. Paperback. . . . . Books ship from the US and Ireland.…

Hard cover. Etat : Good. Etat de la jaquette : Very good. Great condition. Edges are gently shelf worn. Inside is lightly marked in pencil.

Paperback. Etat : Brand New. reprint edition. 294 pages. 8.75x6.00x0.75 inches. In Stock.

Etat : New.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : As New. Unread book in perfect condition.

Etat : new.

Etat : New. pp. 278.

Etat : New.

Hardcover. Etat : Brand New. 248 pages. 6.58x0.85x9.37 inches. In Stock.

Hardcover. Etat : As New. Etat de la jaquette : As New. 1st Edition. Near mint copy.

Etat : As New. Unread book in perfect condition.

Hardback. Etat : New. New copy - Usually dispatched within 4 working days.

TAPA DURA. Etat : New.

Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Scholars have often focused on understanding Aristotle's poetic theory, and particularly the concept of catharsis in the Poetics, as a response to Plato's critique of pity in the Republic. However, this book shows that, while Greek thinkers all acknowledge pity and some form of fear as responses to tragedy, each assumes for the two emotions a different purpose, mode of presentation and, to a degree, understanding. This book reassesses expressions of the emotions within different tragedies and explores emotional responses to and discussions of the tragedies by contemporary philosophers, providing insights into the ethical and social implications of the emotions. …

Hardcover. Etat : new. Hardcover. Decoding the Tragic in Aristotle posits that a specific form of involuntary action lies at the heart of Aristotle's conception of the tragic-a point that remains unexplained in the Poetics. This key insight is illuminated through Aristotle's ethical works, particularly the Nicomachean Ethics and Eudemian Ethics, where the philosopher discusses a type of counter-voluntary error (hamartia) rooted in ignorance of particulars. These references clarify the tragic mechanisms behind the most celebrated dramatic structures in Poetics chapters 13 and 14, which have long appeared inexplicably contradictory.Aristotle's notion of involuntariness is distinct from mere accident, chance, or misfortune. It represents the highest tragic degree when fully integrated into the action that tragedy depicts, evoking the most profound pity, fear, and a sense of wonder. While the ethical treatises help clarify Aristotle's aesthetic theory, they do not-as is sometimes claimed-impose a moral or didactic framework onto tragedy in response to Plato's critique. The Poetics remains focused on the structural conditions that best produce the tragic effect, understood as simultaneously emotional, cognitive, and psychologically compelling.Elsewhere, Aristotle does engage with moral dilemmassuch as Neoptolemus' in Sophocles' Philoctetesand with ethical and rhetorical problems embedded in drama, aligning more closely with traditional philosophical approaches to tragedy. Yet he carefully distinguishes between what makes a tragedy effective in the Poetics and what tragedies are ethically good for in other contexts.Ultimately, Decoding the Tragic in Aristotle reveals Aristotle's concept of the tragic as both singular and forward-looking-anticipating contemporary insights from cognitive theory and neuroaesthetics, which sets it apart from other philosophical and literary accounts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Etat : New. This tightly focused collection of essays by a distinguished group of scholars analyses the degree to which expressions of emotion in ancient literature and art become an 'artistic' rather than a 'social' construct. To what degree do literary genres, philosophy and visual arts produce expectations for the arousal of certain emotions? Are the emotions of women, for example, represented differently in different genres? How and why do literary genres and visual arts concentrate on specific emotions and stylise them accordingly, and how do particular emotions relate to gender within literary texts? The book will be of interest to all students and scholars of classical literature and gender studies.Contributors: Peter J. Anderson, Associate Professor of Classics at Grand Valley State University, USA.Douglas L. Cairns, Professor of Classics at the University of Edinburgh, UK.Dorota Dutsch, Associate Professor of Classics at the University of California, Santa Barbara, USA.Laurel Fulkerson, Associate Professor of Classics at Florida State University, USA.Margaret Graver, Professor of Classical Studies at Dartmouth College, USA.David Konstan, Professor Emeritus of Classics at Brown University and Professor, Department of Classics, New York University, USA.Anna McCullough, Assistant Professor, Department of Greek and Latin, Ohio State University, USA.Dana LaCourse Munteanu, Assistant Professor, Department of Greek and Latin, Ohio State University, USA.Évelyne Prioux, Researcher at the Université de Paris, France.Zara Martirosova Torlone, Associate Professor at Miami University, USA.Jessica Wissmann, formerly University of Iowa, currently affliiated with the Rheinische Friedrich-Wilhelms-Universität Bonn, Germany.…

Etat : New.

Buch. Etat : Neu. Neuware - Decoding the Tragic in Aristotle posits that a specific form of involuntary action lies at the heart of Aristotle's conception of the tragic-a point that remains unexplained in the Poetics. This key insight is illuminated through Aristotle's ethical works, particularly the Nicomachean Ethics and Eudemian Ethics, where the philosopher discusses a type of counter-voluntary error (hamartia) rooted in ignorance of particulars. These references clarify the tragic mechanisms behind the most celebrated dramatic structures in Poetics chapters 13 and 14, which have long appeared inexplicably contradictory.Aristotle's notion of involuntariness is distinct from mere accident, chance, or misfortune. It represents the highest tragic degree when fully integrated into the action that tragedy depicts, evoking the most profound pity, fear, and a sense of wonder. While the ethical treatises help clarify Aristotle's aesthetic theory, they do not-as is sometimes claimed-impose a moral or didactic framework onto tragedy in response to Plato's critique. The Poetics remains focused on the structural conditions that best produce the tragic effect, understood as simultaneously emotional, cognitive, and psychologically compelling.Elsewhere, Aristotle does engage with moral dilemmas-such as Neoptolemus' in Sophocles' Philoctetes-and with ethical and rhetorical problems embedded in drama, aligning more closely with traditional philosophical approaches to tragedy. Yet he carefully distinguishes between what makes a tragedy effective in the Poetics and what tragedies are ethically good for in other contexts.Ultimately, Decoding the Tragic in Aristotle reveals Aristotle's concept of the tragic as both singular and forward-looking-anticipating contemporary insights from cognitive theory and neuroaesthetics, which sets it apart from other philosophical and literary accounts.…

Etat : New.

Etat : New. Brand New.