Lamal (38 résultats)

Hard Cover. Etat : Acceptable. No Jacket. Usual ex-library features. The interior is clean and tight. Binding is good. Cover shows slight wear. 300 pages. Ex-Library.

Paperback. Etat : Very Good. In zeer goede staat, paperback, 222 pp., 13m9 x 21,3 x 1,7 cm., geïllustreerd met tekeningen, zwart-witfoto's en kleurenfoto's, met bibliografie en noten Wordt verzonden als brievenbuspakket.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 127 pages; Description: 127 p. ; 23 cm. Subjects: Inflation (Finance) --Belgium --Currency question. 1 Kg.…

128pp., br., cachet, bon état, E34039.

Etat : Fine. Unused, the book is in like new condition inside and out.

First Edition. Near fine copy in the original stiff-card wrappers; edges very slightly dust-dulled and toned. Remains particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. ; 127 pages; Description: 127 p. ; 23 cm. Subjects: Inflation (Finance) --Belgium --Currency question. 1 Kg.…

Etat : New.

Etat : New. In English.

Etat : New. The authors of this text take a behaviour analytic approach to cultural practices, minimizing the space devoted to abstract discussion and focusing on particular cultural practices, which are disparate and drawn from three countries. The authors demonstrate that this approach is not culture-bound. Num Pages: 312 pages, black & white illustrations. BIC Classification: 1FPJ; 1KBB; 1KBC; JFC; JH; JMAL; JMH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 22. Weight in Grams: 632. . 1997. Hardback. . . . .…

Etat : Very Good.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : As New. Unread book in perfect condition.

Etat : New. The authors of this text take a behaviour analytic approach to cultural practices, minimizing the space devoted to abstract discussion and focusing on particular cultural practices, which are disparate and drawn from three countries. The authors demonstrate that this approach is not culture-bound. Num Pages: 312 pages, black & white illustrations. BIC Classification: 1FPJ; 1KBB; 1KBC; JFC; JH; JMAL; JMH. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly. Dimension: 229 x 152 x 22. Weight in Grams: 632. . 1997. Hardback. . . . . Books ship from the US and Ireland.…

Hardcover. Etat : Very Good. hardback book in very good to near fine condition.

Etat : new.

Hardcover. Etat : Brand New. 300 pages. 9.75x6.50x1.25 inches. In Stock.

Hardcover. Etat : Brand New. 266 pages. 9.25x6.25x1.00 inches. In Stock.

Etat : New. pp. 314 Index.

Etat : new.

Etat : New. pp. 314 9:B&W 6 x 9 in or 229 x 152 mm Case Laminate on Creme w/Gloss Lam.

Leather Bound. Etat : New. 1st. Print, in the early modern period, could make or break power. This volume addresses one of the most urgent and topical questions in early modern history: how did European authorities use a new medium with such tremendous potential? The eighteen contributors develop new perspectives on the relationship between the rise of print and the changing relationships between subjects and rulers by analysing print's role in early modern bureaucracy, the techniques of printed propaganda, genres, and strategies of state communication. While print is often still thought of as an emancipating and disruptive force of change in early modern societies, the resulting picture shows how instrumental print was in strengthening existing power structures. Contributors: Renaud Adam, Martin Christ, Jamie Cumby, Arthur der Weduwen, Nora Epstein, Andreas Golob, Helmer Helmers, Jan Hillgärtner, Rindert Jagersma, Justyna Kilianczyk-Zieba, Nina Lamal, Margaret Meserve, Rachel Midura, Gautier Mingous, Ernesto E. Oyarbide Magan~a, Caren Reimann, Chelsea Reutchke, Celyn David Richards, Paolo Sachet, Forrest Strickland, and Ramon Voges.…

Leather Bound. Etat : New. 1st. Print, in the early modern period, could make or break power. This volume addresses one of the most urgent and topical questions in early modern history: how did European authorities use a new medium with such tremendous potential? The eighteen contributors develop new perspectives on the relationship between the rise of print and the changing relationships between subjects and rulers by analysing print's role in early modern bureaucracy, the techniques of printed propaganda, genres, and strategies of state communication. While print is often still thought of as an emancipating and disruptive force of change in early modern societies, the resulting picture shows how instrumental print was in strengthening existing power structures. Contributors: Renaud Adam, Martin Christ, Jamie Cumby, Arthur der Weduwen, Nora Epstein, Andreas Golob, Helmer Helmers, Jan Hillgärtner, Rindert Jagersma, Justyna Kilianczyk-Zieba, Nina Lamal, Margaret Meserve, Rachel Midura, Gautier Mingous, Ernesto E. Oyarbide Magan~a, Caren Reimann, Chelsea Reutchke, Celyn David Richards, Paolo Sachet, Forrest Strickland, and Ramon Voges.…

Hardcover. Etat : Brand New. 443 pages. 9.75x6.75x1.25 inches. In Stock.

Hardcover with dusjacket, 319 pages, ill. *new ISBN 9789080885578. the 500th anniversary of Christopher Plantin's birth (circa 1520-1589) Originally from Touraine, Plantin was trained as a bookbinder, but around 1549/50, he moved to Antwerp, a hub for international trade. In 1555, he laid the foundations for the largest printing company that has ever existed in Europe during the Ancien Régime. Plantin was a business genius and a talented typographer. In 1570, Philips II, king of Spain, bestowed on him the title of architypographer. Although Plantin was at times also involved in illicit activities, his company, bearing the device The Golden Compasses, became one of the most important supporters of the Counter Reformation. After his death, the business was passed on to his son-in-law Jan Moretus I, and remained in the hands of the family until the 19th century. From the outset, Plantin?s production was marked by its quality. Both his correspondence and the surviving business documents give testimony of his great ambitions, his understanding of the different buyers and markets, and his extreme care for book design. Christopher Plantin and his successors transformed the aesthetics of the Renaissance book and inaugurated the Baroque era in terms of its mise en page by mobilizing new typographical and ornamental materials and by promoting copperplate illustrations. In addition, they set up a privileged collaboration with the artist Pieter Paul Rubens. During this golden century of the Officina Plantiniana, which gave birth to more than 5,000 editions, visual temptation is combined with readability and efficiency in the shaping of the texts and book design. Published in 2021 in Antwerpen by Vereniging van Antwerpse bibliofielen. Volume 98, Nummer 2 van Gulden Passer/The Golden Compasses 0 g.…

Etat : Very Good. Envoi rapide Très bon état de conservation sous papier de soie intérieur frais. in8. 1949. Broché. Very Good.

[Antwerpen, Vereeniging van de Antwerpsche Bibliofielen, 2021]. Col. ills. Orig. hardcover (boards), d.j. 8vo. (De Gulden Passer, 98, 2 (2020)). Contributions partly in French, partly in English.

Etat : Very Good.

Antwerpen, De Gulden Passer - The Golden Compasses, 2020, in-8°, 319 pp, Publisher's cloth with original dust wrapper. Published as issue nr. 98/2 of the peiodical Gulden Passer.

Etat : gut. Christophe Plantin 1520-2020 : studies of the Officina Plantiniana at the quincentennial of Plantin's birth In deutscher Sprache. pages.