Lensing george (68 résultats)

Etat : Very Good. Very Good condition. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Etat : Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Etat : Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Etat : very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.…

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Hardcover. Etat : Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDED; Good hardcover with tips bumped, nicked, staining underneath dust jacket, book club, dust jacket with a big hole on front cover, and prompt shipping with tracking.

Etat : Good. Good copy, solid binding, unmarked text, covers show some age and reading wear.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

hardcover. Etat : Good. Used items may contain, highlighting, writing, and other previous signs of use. Used items may not contain CD's. access codes and other accompanying items when applicable. **MAY BE AN EX LIBRARY COPY**.

Hardcover. Etat : Very Good. Etat de la jaquette : Near Fine. 1st Edition. First hardcover edition, with dust jacket, published by Louisiana State University Press, 1976. Analyzes the work of four American poets, Robert Bly, James Wright, Louis Simpson, William Stafford, showing how each is part of the 'Emotive Imagination' movement. 220 pages with Index, 6" X 8-3/4". Dust jacket is intact and has been protected with a clear, removable cover. Jacket has some rubbing wear, and just a bit of wear to the tips of the corners. Blue-green hardcover boards with the title on the spine in silver. Age foxing spots to the top edge of the text block - see photos. No former ownership marks, no writing on the text pages. Not a remainder, not a library discard. Binding is tight and square. Attached are some photos of the copy we have in our inventory.…

Etat : New. Brand New.

First paperback edn. 8vo, pp. 311. Index. Paper wraps. A nice copy.

Etat : As New. Unread book in perfect condition.

Etat : New.

Etat : New.

Softcover. Etat : Very Good. Single issue. Quarto wrappers. 769-1,069pp. Faint water wrinkle on page edges, corners rubbed, very good. Wallace Stevens Centennial Issue. Contributions by Donald E. Stanford, Roy Harvey Pearce, Grosvenor E. Powell, Milton J. Bates, Herbert J. Stern, William H. Pritchard, George S. Lensing, Samuel French Morse, Price Caldwell, Buchsbaum, Lynette Carpenter, Ann Hayes, Robert Penn Warren, Daniel Hoffman, Elizabeth Daryush, Timothy Steele, R.L. Barth, Suzanne Doyle, Alison A. Trimpi, Helen Pinkerton, Paul West, Alvin H. Rosenfeld, James Ballowe, and Sydney Lea. …

Etat : New.

Hardback. Etat : New. Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet's progress in the creation of his body of work, considering its development, composition, and reception.Drawing on little-known sources and nuanced readings of Stevens' texts, Lensing expands the customary view of the poet's creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens' work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem ""Sea Surface Full of Clouds""- viewing it alongside his wife Elsie's journal describing the sea voyage that inspired the poem- and an extensive, multiperspective treatment of the widely anthologized ""The Idea of Order at Key West,"" as well as a careful excavation of the poem ""Mozart, 1935"" in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens' work received from poets and critics in Great Britain and Ireland. Stemming from decades of research and writing, Making the Poem: Stevens' Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens.…

Etat : Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Etat : Brand New. New. US edition. Expediting shipping for all USA and Europe orders excluding PO Box. Excellent Customer Service.

Softcover. Etat : Near Fine. Single issue. Quarto wrappers. 769-1,069pp. Bottom page edges bumped, thin crease on front wrapper foredge, near fine with tear on edge of wrapper. Wallace Stevens Centennial Issue. Contributions by Donald E. Stanford, Roy Harvey Pearce, Grosvenor E. Powell, Milton J. Bates, Herbert J. Stern, William H. Pritchard, George S. Lensing, Samuel French Morse, Price Caldwell, Buchsbaum, Lynette Carpenter, Ann Hayes, Robert Penn Warren, Daniel Hoffman, Elizabeth Daryush, Timothy Steele, R.L. Barth, Suzanne Doyle, Alison A. Trimpi, Helen Pinkerton, Paul West, Alvin H. Rosenfeld, James Ballowe, and Sydney Lea. …

Etat : New.

Paperback. Etat : New. In Wallace Stevens: A Poet's Growth, George S. Lensing examines Stevens' gradual emergence and development as a poet, tracing his life from his formative years in Pennsylvania to his careers as a lawyer for the Hartford Accident and Indemnity Company and as one of the major poets of the twentieth century. Lensing draws extensively upon previously unpublished material from the Stevens archive at the Huntington Library, which contains letters, early drafts of poems, and notebooks. Two notebooks,Schemata and From Pieces of Paper, are here reproduced in full.The study is divided into three sections. In the first, Lensing examines the years before the publication of Sevens' first volume of poetry, paying special attention to the forces that hindered and enhanced his progress toward modernity. In the second, we see Stevens in the exercise of his craft. Lensing discusses the influence of the Romantics on the verse Stevens wrote as an undergraduate at Harvard; his interest in Oriental art, Cubism, and Fauvism; his anticipation of Imagism; and his imitation of certain French Symbolists. Sources of the epigraphs to Stevens' poems are identified fully for the first time, suggesting the role of Stevens' vast reading upon his poetry. Also considered is Stevens' voluminous correspondence with people from all over the world, some of whom he never met personally. These letters helped rescue Stevens from the insularity of his business life and aided in the making of his poems.The final section treats the critical responses to Stevens' poetry by such people as Harriet Monroe, editor and founder of Poetry, who was the first important reader and publisher of his work. Attention is also given to Stevens' explications of his poems.Wallace Stevens: A Poet's Growth is a comprehensive examination of Stevens' live and work. This study provides abundant new material, which will be of value to scholars and to those readers who are drawn to Stevens' poetry.…

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Etat : new. Hardcover. Over sixty years after his death, Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style, formal rigor, and aesthetic investigations of the natural, political, and metaphysical worlds. In Making the Poem, noted Stevens scholar George S. Lensing explores the poet's progress in the creation of his body of work, considering its development, composition, and reception.Drawing on little-known sources and nuanced readings of Stevens' texts, Lensing expands the customary view of the poet's creative approaches. This wide-ranging study extends from the origins and overlapping themes of well-known poems through the social and political backgrounds that marked Stevens' work to the prosodic and musical elements central to his style. Making the Poem features a dynamic new reading of the important early poem ""Sea Surface Full of Clouds""- viewing it alongside his wife Elsie's journal describing the sea voyage that inspired the poem- and an extensive, multiperspective treatment of the widely anthologized ""The Idea of Order at Key West,"" as well as a careful excavation of the poem ""Mozart, 1935"" in the context of the U.S. Great Depression. Lensing concludes with a discussion of the gradual (and sometimes reluctant) recognition Stevens' work received from poets and critics in Great Britain and Ireland. Stemming from decades of research and writing, Making the Poem: Stevens' Approaches presents a holistic view of his creative achievements and a wealth of new material for readers to draw upon in their future encounters with the poetry of Wallace Stevens. Wallace Stevens remains one of the major figures of American modernist poetry, celebrated for his masterful style and investigations of the natural, political, and metaphysical worlds. Stevens scholar George Lensing explores the poet's progress in the creation of his body of work, considering its development, composition, and reception. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …