lippard lucy richard serra (3 résultats)

Etat : Gut. 272 Seiten; zahlr. (s/w) Illustrationen; graph. Darst.; 22 cm; fadengeh. Orig.-Leinenband mit OUmschlag. Ein gutes Exemplar; der Umschlag stw. berieben u.m. kl. Läsuren. - Grundlagenwerk zur "Conceptual Art" / Konzeptkunst. - Zahlreiche Dokumente und Illustrationen. - Englisch. - (Vollständiger Titel) : "Six Years: The dematerialization of the art object from 1966 to 1972: a cross-reference book of information on some esthetic boundaries: consisting of a bibliography into which are inserted a fragmented text, art works, documents, interviews, and symposia, arranged chronologically and focused on so-called conceptual or information or idea art with mentions of such vaguely designated areas as minimal, anti-form, systems, earth, or process art, occurring now in the Americas, Europe, England, Australia, and Asia (with occasional political overtones), edited and annotated by Lucy R. Lippard. " // The unusual form of this provocative book intentionally reflects the chaotic network of ideas connected with so-called conceptual art or information art or idea art, in America and abroad, from 1966 to 1972. Arranged as a continuous bibliographical chronology, into which is woven a rich collection of original documents -including texts by, and taped discussions with and among, the artists involved-and annotations by Lucy R. Lippard, the book has the informal quality of a lively contemporary forum. Only a minimum of order is imposed; for the most part the reader is left to confront the curious compendium of information on his or her own, to follow changing ideas and artistic developments over the six-year period, to witness the gradual (and controversial) "dematerialization" of the art object. At the same time, the book is a fully sourced historical survey, a necessary reference book for anyone interested in the period. The editor has been closely involved with the art and the artists since their emergence. In a unique position to collect an extraordinary range of unpublished material, she has organized the text and illustrations in such a way as to present the art in all its diversity. Over one hundred artists are represented by works or writings - among them, Carl Andre, Joseph Beuys, Hans Haacke, Douglas Huebler, Joseph Kosuth, Sol LeWitt, Robert Morris, Bruce Nauman,Yoko Ono, Robert Smithson, and Keith Sonnier. (Verlagstext) // KÜNSTLER : Carl Andre ----- Eleanor Antin ----- Keith Arnatt ----- Richard Artschwager ----- John Baldessari ----- Robert Barry ----- Gilbert + George ----- Hanne Darboven ----- James Collins ----- F. Barthelme ----- Joseph Beuys ----- Mel Bochner ----- Monika Baumgartl ----- Jon Borofsky ----- Donald Burgy ----- Chr. C. Cook ----- Agnes Denes ----- Gerald Ferguson ----- Dan Graham ----- Hans Haacke ----- Douglas Hueber ----- Richard Jarden ----- Edward Kienholz ----- Michael Kirby ----- Christine Kozlov ----- Barry Le Va ----- Richard Long ----- Lee Lozano ----- Mel Ramsden ----- Bruce Nauman ----- Edward Ruscha ----- Robert Ryman ----- Robert Smithson ----- Michael Snow ----- Bernar Venet ----- Franz Erhard Walther ----- William Wegman ----- Lawrence Weiner ----- William Wiley ----- Ian Wilson / u.v.a. -- Konzeptkunst (englisch conceptual art) ist eine in den 1960er-Jahren durch den US-amerikanischen Künstler Henry Flynt geprägte Bezeichnung für eine moderne Kunstrichtung.Ursprünglich aus dem Minimalismus kommend, steht Konzeptkunst letztlich als Sammelbegriff für eine Weiterentwicklung der Tendenzen in der abstrakten Malerei und für unterschiedliche Kunstrichtungen wie Objektkunst oder Happening, die den Gedanken für die Bedeutung eines Kunstwerks als vorrangig gegenüber dessen Realisierung erachten. "Die Ausführung des Kunstwerks ist von untergeordneter Bedeutung und muss nicht durch den Künstler selbst erfolgen." Im Vordergrund stehen Konzept und Idee, die für die künstlerische Arbeit als gleichwertig erachtet werden. An Stelle fertiger Bilder und Skulpturen treten in diesem Sinne Skizzen, Schriftstücke, Anleitungstexte oder unter Umständen Künstlerbücher, die eigene ästhetische Qualitäten entfalten, auf. Eines der Ziele ist die "Entmaterialisierung" des Kunstwerks und die Einbeziehung des Betrachters. Gewohnte Sichtweisen, Begriffe und Zusammenhänge der Welt werden hinterfragt, neue Regeln erfunden. Es wird mit Kontexten, Bedeutungen und Assoziationen gearbeitet. Theoretiker der Konzeptkunst sind Mel Bochner, Sol LeWitt, Art & Language, Joseph Kosuth und Victor Burgin. Ein künstlerisches Vorbild dieser Bewegung war Marcel Duchamp. Er grenzte seine Kunst von "retinaler Kunst" ab, die überwiegend auf das Auge einwirkt, statt als Vorstellung oder Verknüpfung von Bedeutung im Denken zu wirken. (wiki) ISBN 0289703328 Sprache: Englisch Gewicht in Gramm: 750.

64 pp.; 31 x 24 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; This issue of Studio International contains a 48-page "exhibition" organized by Seth Siegelaub: "The content of the 48-page exhibition in this issue was organized by requesting six critics to each edit an 8-page section of the magazine, and in turn, to make available their section to the artist(s) that interest them. The Table of Contents lists the name of the artist(s) under the name of the critic who was responsible for their participation." -- Seth Siegelaub. Section curated by David Antin: Dan Graham, Harold Cohen, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier; curated by Germano Celant: Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penono, Emilio Prini, Pistoletto, Gilberto Zorio; curated by Michel Claura: Daniel Buren; curated by Charles Harrison: Keith Arnatt, Terry Atkinson, David Bainbridge, Michael Baldwin, Harold Hurrell, Victor Burgin, Barry Flanagan, Joseph Kosuth, John Latham, Reolof Louw; curated by Lucy R. Lippard: Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme curated by Hans Strelow: Jan Dibbets, and Hanne Darboven. References : "Sol LeWitt : Artist's Books" by Sol LeWitt, Giorgio Maffei, Emanuele De Donno, Didi Bozzini, Cecilia Metelli, Marilena Bonomo. Sant'Eraclio di Foligno, Italy : Edizioni Viaindustrie, 2009, pp. 38. No. 8.2 in "Artists' Magazines : An Alternative Space for Art" by Gwen Allen. Cambridge / London, MA / United Kingdom : The MIT Press, 2011, pp. 204. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 208 - 211. Fair / Good. 1.5 cm. tear to bottom of spine and 2 cm. tear to top edge of spine. 2.7 cm. dog-ear to top right corner of recto. 28.2 cm. blue pencil or ink mark on verso. Rubbing of cover edges. Bumping of top right corner of covers and pages. Names of 6 artists on contents page circled in black ink, pages yellowed, contents otehrwise clean and unmarked.

48 pp.; 31.5 x 25 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Hardback variant of Studio International, Vol. 180, No. 924 (July / August 1970) containing only the conceptual catalogue for an exhibition that took place within the pages of the issue organized, and with an introduction by, Seth Siegelaub. Curated chapters by David Antin, Germano Celant, Michel Claura, Charles Harrison, Lucy R. Lippard, and Hans Strelow. Artists include Dan Graham, John Baldessari, Richard Serra, Eleanor Antin, Fred Lonidier, George Nicolaidis, Keith Sonnier, Giovanni Anselmo, Alighiero Boetti, Pier Paolo Calzolari, Mario Merz, Giuseppe Penone, Emilio Prini, Pistoletti, Gilberto Zorio, Daniel Buren, Keith Arnatt, Terry Atkinson, David Bainbridge, Harold Hurrell, Michael Baldwin, Victor Burgin, Joseph Kosuth, Barry Flanagan, John Latham, Roelof Louw, Robert Barry, Stephen Kaltenbach, Lawrence Weiner, On Kawara, Sol LeWitt, Douglas Huebler, N.E. Thing Co., Frederick Barthelme, Jan Dibbets, and Hanne Darboven. "This exhibition was organized by requesting six critics to each edit an 8-page section and in turn, to make available their section to the artist(s) that interest them." -- from Siegelaub's introduction. Text in English, German, and French. References : "Materializing Six Years : Lucy R. Lippard and the Emergence of Conceptual Art" by Catherine Morris, Vincent Bonin, Julia Bryan-Wilson. Brooklyn / Cambridge, NY / MA : Brooklyn Museum / MIT Press, 2012, pp. 39. "International General, Distributing Independently Produced Vanguard Art Books, Catalogues and Information" by Seth Siegelaub. New York, NY : International General, 1971. "Seth Siegelaub : Beyond Conceptual Art" by Leontine Coelewij, Sara Martinetti, Marja Bloem, Julia Bryan-Wilson, Jo Melvin, Götz Langkau, Matilda McQuaid, Alan Kennedy, Seth Siegelaub. Köln and Amsterdam, Germany / Netherlands : Verlag der Buchandlung Walther König / Stedelijk Museum, 2016, pp. 208-211. "Six Years, The Dematerialization of the Art Object from 1966 to 1972 : A Cross-Reference Book of Information on Some Esthetic Boundaries . / edited and annotated by Lucy R. Lippard." by Lucy R. Lippard. Praeger Publishers Inc., NY / DC : Praeger Publishers Inc., 1973, pp. 179. Good / Very Good. Curve to recto with mild rubbing of covers. Light yellowing of pages. Contents otherwise clean and unmarked.