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Etat : Good. 1 Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Etat : Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

hardcover. Etat : Very Good. HARDCOVER Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Etat : As New. Unread book in perfect condition.

Etat : Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

First Edition. like new; slight shelf wear to dj; broken book.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. 1st. Cloth, 403 pages, illustrations; 24 cm. Firm binding, clean inside copy. Spine slightly rolled at the crown. First printing. Dust jacket with a creased back flap. *** "Jean Renoir: A Life in Pictures is the first biography of this master of modern cinema--the director of Grand Illusion, Rules of the Game, The River, and other classics. Celia Bertin tells Renoir's story from his magical childhood to his first success in films, from his encounter with European fascism to his final years as the beloved 'Frenchman from Beverly Hills.' With the help of Renoir's family, Bertin interviewed everyone who knew the director in Paris, Provence, Bourgogne, and Los Angeles. Using first-hand accounts along with previously unpublished materials, she places this colorful, charming, and brilliant figure in the context of his time, his culture, and the history of cinema. Awarded the prize Therouanne by the Academie francaise in 1986, this acclaimed biography is now available in English. 'The spectacle of real life,' Renoir wrote, 'is a thousand times richer than the most beguiling inventions of our imagination.' And his own life makes the point. He lived a privileged childhood in the luminous world of his father, the famous Impressionist painter Auguste Renoir. As a horseman and aircraft pilot in World War I, he was badly wounded at the age of twenty. After the war and his father's death, he seemed destined for a life of sportscars and glamourous women--he first took up filmmaking to glorify his beautiful young wife. But soon movies became his passion and his work grew astoundingly original. He opposed the rise of fascism in Europe, yet was approached by Mussolini to direct Tosca. In 1940, Renoir moved to America--where he became the mentor to a younger generation of cineastes. He died in Beverly Hills in 1979. / Celia Bertin, novelist and historian, is the author of many books, including Marie Bonaparte: A Life, which is available in English. She is chevalier de la L?gion d'Honneur and chevalier des Arts et Lettres." - Publisher. Size: 8vo.

Etat : Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. 1st Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Etat : Very Good. 1st Edition. Used - Very Good.

Hb. Etat : VG+. Etat de la jaquette : VG+. 1st. Hb. VG+/VG+. 1st. 403pp. Index, Filmography. Stamp top-edge, DJ: rubbing.

Paperback. Etat : Very Good. DocBook: The Definitive Guide This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .

Etat : New.

Paperback. Etat : New. A meditation on the meaning of text-image collaboration, from the author of Sprawl and Margaret the FirstAuthor Danielle Dutton's A Picture Held Us Captive asks what it means for a writer to work "with" someone or something else-to make art in dialogue with an energy not one's own. Dutton (born 1975) explores ekphrastic fiction, looking at a wide range of writers and artists including John Keene and Edgar Degas; Eley Williams and Bridget Riley; Ben Lerner and Anna Ostoya; Amina Cain and Bill Viola; Lydia Davis and Joseph Cornell; as well as her own textual responses to visual artists Richard Kraft and Laura Letinsky. A Picture Held Us Captive-which includes a series of images at once illustrative and refusing simple illustration-considers the ways in which ekphrasis operates as a diptych. A work of both commentary and self-reflection, Dutton considers a dialectic between art's ability to make strange what has grown familiar and the writer's desire to make recognizable the experience of one artwork in the space of another.Danielle Dutton is an American writer and the cofounder of the feminist press Dorothy. Born in California in 1975, Dutton now resides in Missouri where she teaches creative writing at Washington University in St Louis. She has authored four books, including Sprawl and Margaret the First. She contributed the text to Here Comes Kitty: A Comic Opera, a book of collages by Richard Kraft. Her fiction has appeared in major publications such as the Paris Review, Harper's and Guernica.

Paperback. Etat : New. A meditation on the meaning of text-image collaboration, from the author of Sprawl and Margaret the FirstAuthor Danielle Dutton's A Picture Held Us Captive asks what it means for a writer to work "with" someone or something else-to make art in dialogue with an energy not one's own. Dutton (born 1975) explores ekphrastic fiction, looking at a wide range of writers and artists including John Keene and Edgar Degas; Eley Williams and Bridget Riley; Ben Lerner and Anna Ostoya; Amina Cain and Bill Viola; Lydia Davis and Joseph Cornell; as well as her own textual responses to visual artists Richard Kraft and Laura Letinsky. A Picture Held Us Captive-which includes a series of images at once illustrative and refusing simple illustration-considers the ways in which ekphrasis operates as a diptych. A work of both commentary and self-reflection, Dutton considers a dialectic between art's ability to make strange what has grown familiar and the writer's desire to make recognizable the experience of one artwork in the space of another.Danielle Dutton is an American writer and the cofounder of the feminist press Dorothy. Born in California in 1975, Dutton now resides in Missouri where she teaches creative writing at Washington University in St Louis. She has authored four books, including Sprawl and Margaret the First. She contributed the text to Here Comes Kitty: A Comic Opera, a book of collages by Richard Kraft. Her fiction has appeared in major publications such as the Paris Review, Harper's and Guernica.

Etat : As New. Unread book in perfect condition.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Cloth. Etat : Fine. 4to, 160 pages. Grey-brown decorated cloth-covered boards. Firm binding; no loose pages. Book and cover with minimal wear. This is a large or heavy book and may require additional shipping charges to mail outside of the United States.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : new. Paperback. A meditation on the meaning of textimage collaboration, from the author of Sprawl and Margaret the FirstAuthor Danielle Dutton's A Picture Held Us Captive asks what it means for a writer to work "with" someone or something elseto make art in dialogue with an energy not one's own. Dutton (born 1975) explores ekphrastic fiction, looking at a wide range of writers and artists including John Keene and Edgar Degas; Eley Williams and Bridget Riley; Ben Lerner and Anna Ostoya; Amina Cain and Bill Viola; Lydia Davis and Joseph Cornell; as well as her own textual responses to visual artists Richard Kraft and Laura Letinsky. A Picture Held Us Captivewhich includes a series of images at once illustrative and refusing simple illustrationconsiders the ways in which ekphrasis operates as a diptych. A work of both commentary and self-reflection, Dutton considers a dialectic between arts ability to make strange what has grown familiar and the writers desire to make recognizable the experience of one artwork in the space of another.Danielle Dutton is an American writer and the cofounder of the feminist press Dorothy. Born in California in 1975, Dutton now resides in Missouri where she teaches creative writing at Washington University in St Louis. She has authored four books, including Sprawl and Margaret the First. She contributed the text to Here Comes Kitty: A Comic Opera, a book of collages by Richard Kraft. Her fiction has appeared in major publications such as the Paris Review, Harper's and Guernica. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Etat : New.