Macivor (443 résultats)

Etat : Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. First Edition. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Fair. This fascinating version of Daniel MacIvor's most successful play to date lets the reader in on a secret: it was never primarily written as a work for live theatrical performance, but as a vehicle for his development of a screenplay, also included in this new edition. In his surprisingly revealing introduction, MacIvor talks about the genesis of both the play and the movie; the lessons he learned about the differences between the two media; and their radically different stylistic, technical and practical demands on both their authors and their audiences. A well-known practitioner of Canada's theatre of the avant-garde, MacIvor had for years wanted to write a brilliant screenplay, but there was a problem: he didn't know how. Most of his stark improvisational work for the live stage, centreed around minimalist sets and props, dramatic effects of light and sound, and usually his own improvisational solo performances, did not translate well into the medium of film. So in order to realize his ambition he decided to create Marion Bridge, a piece of conventional theatre, as a vehicle or transitionary playscript he thought he could use as a stylistic bridge from the live stage to the cinema. In the fact that Marion Bridge has become his most successful play to date lies one of the most important lessons MacIvor learned about the vast differences between the two media--between live performance that always relies on the audience to participate with the actor(s) in the active and collective creation of landscape and time within the space they share, and the cinematic experience wherein the creators and actors are absent, and the audience is estranged from the action by its passive consumption of a narrative of space and time always understood to take place in someone else's world outside of the theatre.…

Paperback. Etat : Very Good. This book offers a scientific approach to understanding the practice of hatha yoga. Through four-color, three-dimensional illustrations of major muscles, tendons, and ligaments, Ray Long describes the practice and benefits of hatha yoga. Specific anatomical and physiological descriptions highlight the agonist, antagonist, and synergist muscles that come into play with each pose. Volume I of the series describes the key muscles of hatha yoga and how they are utilized. From beginners to experts, this book will become a constant companion. Chris MacIvor (illustrateur).…

Paperback. Etat : Very Good. This fascinating version of Daniel MacIvor's most successful play to date lets the reader in on a secret: it was never primarily written as a work for live theatrical performance, but as a vehicle for his development of a screenplay, also included in this new edition. In his surprisingly revealing introduction, MacIvor talks about the genesis of both the play and the movie; the lessons he learned about the differences between the two media; and their radically different stylistic, technical and practical demands on both their authors and their audiences. A well-known practitioner of Canada's theatre of the avant-garde, MacIvor had for years wanted to write a brilliant screenplay, but there was a problem: he didn't know how. Most of his stark improvisational work for the live stage, centreed around minimalist sets and props, dramatic effects of light and sound, and usually his own improvisational solo performances, did not translate well into the medium of film. So in order to realize his ambition he decided to create Marion Bridge, a piece of "conventional theatre," as a vehicle or transitionary playscript he thought he could use as a stylistic "bridge" from the live stage to the cinema. In the fact that Marion Bridge has become his most successful play to date lies one of the most important lessons MacIvor learned about the vast differences between the two media--between live performance that always relies on the audience to participate with the actor(s) in the active and collective creation of landscape and time within the space they share, and the cinematic experience wherein the creators and actors are absent, and the audience is estranged from the action by its passive consumption of a narrative of space and time always understood to take place in someone else's world outside of the theatre.…

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Soft cover. Etat : Good. 32 pages; well-illustrated in color; minor wear to corners and edges of purple softcover; minor bump to one corner; a couple minor creases to cover; a few minor scratches/ dings to cover; stapled binding; weighs 4.5 ounces; measures 9.7 by 7.2 by .19 inches; first listed 11/28/19.…

Paperback. Etat : As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. Good. NOT A FORMER LIBRARY BOOK.

paperback. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

spiral_bound. Etat : Good. Chris MacIvor (illustrateur).

spiral_bound. Etat : Acceptable. Pages include notes, underlining, or highlighting. Chris MacIvor (illustrateur).

Etat : acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included. Chris MacIvor (illustrateur).

Etat : good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Chris MacIvor (illustrateur).

Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service. Chris MacIvor (illustrateur).…

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Very Good. Very Good condition. Volume I. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp. Chris MacIvor (illustrateur).

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Spiral-bound. Etat : Very Good. 3. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting. Chris MacIvor (illustrateur).

Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Very Good. This fascinating version of Daniel MacIvor's most successful play to date lets the reader in on a secret: it was never primarily written as a work for live theatrical performance, but as a vehicle for his development of a screenplay, also included in this new edition. In his surprisingly revealing introduction, MacIvor talks about the genesis of both the play and the movie; the lessons he learned about the differences between the two media; and their radically different stylistic, technical and practical demands on both their authors and their audiences. A well-known practitioner of Canada's theatre of the avant-garde, MacIvor had for years wanted to write a brilliant screenplay, but there was a problem: he didn't know how. Most of his stark improvisational work for the live stage, centreed around minimalist sets and props, dramatic effects of light and sound, and usually his own improvisational solo performances, did not translate well into the medium of film. So in order to realize his ambition he decided to create Marion Bridge, a piece of "conventional theatre," as a vehicle or transitionary playscript he thought he could use as a stylistic "bridge" from the live stage to the cinema. In the fact that Marion Bridge has become his most successful play to date lies one of the most important lessons MacIvor learned about the vast differences between the two media--between live performance that always relies on the audience to participate with the actor(s) in the active and collective creation of landscape and time within the space they share, and the cinematic experience wherein the creators and actors are absent, and the audience is estranged from the action by its passive consumption of a narrative of space and time always understood to take place in someone else's world outside of the theatre.…

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.