Marlow mann (55 résultats)

Hardcover. Etat : Good.

Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,650grams, ISBN:9780748640669. …

hardcover. Etat : Very Good. Hardback with dustjacket. No damage, internally clean. Very good condition.

Soft cover. Etat : Fine. 1st Edition. fine copy.110 pages.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : Brand New. reprint edition. 242 pages. 9.50x6.00x0.75 inches. In Stock.

Etat : New.

Etat : New. pp. 542.

Etat : New. Idioma/Language: Inglés. The Routledge Companion to World Cinema explores and examines a global range of films and filmmakers, their movements and audiences, comparing their cultural, technological and political dynamics, identifying the impulses that constantly reshape the form and function of the cinemas of the world. Each of the forty chapters provides a survey of a topic, explaining why the issue or area is important, and critically discussing the leading views in the area. Designed as a dynamic forum for forty world-leading scholars, this companion contains significant expertise and insight and is dedicated to challenging complacent views of hegemonic film cultures and replacing outmoded ideas about production, distribution and reception. It offers both a survey and an investigation into the condition and activity of contemporary filmmaking worldwide, often challenging long-standing categories and weighted--often politically motivated--value judgements, thereby grounding and aligning the reader in an activity of remapping which is designed to prompt rethinking. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.…

Etat : New.

Etat : As New. Unread book in perfect condition.

Paperback. Etat : New.

Paperback. Etat : New.

Paperback / softback. Etat : New. New copy - Usually dispatched within 4 working days.

Etat : New. pp. 542.

Etat : New. pp. 542.

Paperback. Etat : Brand New. reprint edition. 522 pages. 10.00x7.25x1.00 inches. In Stock.

Hardcover. Etat : Brand New. 456 pages. 11.50x8.25x1.25 inches. In Stock.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : new.

HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Kartoniert / Broschiert. Etat : New. Rob Stone is Chair of European Cinema and Professor of Film Studies at the University of Birmingham, where he co-directs B-Film: The Birmingham Centre for Film Studies.Paul Cooke is Centenary Chair of World.

Etat : Sehr gut. Zustand: Sehr gut | Seiten: 256 | Sprache: Englisch | Produktart: Bücher | AUTHOR APPROVEDTraditions in World CinemaGeneral Editors: Linda Badley and R. Barton PalmerFounding Editor: Steven Jay SchneiderThis series introduces diverse and fascinating movements in world cinema. Each volume concentrates on a set of films from a different national, regional or, in some cases, cross-cultural cinema which constitute a particular tradition.The New Neapolitan CinemaAlex Marlow-MannVito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples became a thriving centre for film production.In this first study in English, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement's relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a comprehensive re-examination of Neapolitan identity.Key features include:* Analyses of over 45 contemporary Italian films, including Paolo Sorrentino's The Consequences of Love, Mario Martone's L'amore molesto and Antonio Capuano's Pianese Nunzio: 14 in May.* A theoretical discussion of regional cinema and the place of Neapolitan Cinema in the wider context of the European film industry.Alex Marlow-Mann is the Research Coordinator at the Centre for Film Studies of the University of St Andrews. He has taught at the universities of Reading, Cardiff and Leeds and published numerous articles on Italian cinema.[ENDORSEMENT TO FOLLOW].…

Taschenbuch. Etat : Neu. The Routledge Companion to World Cinema | Rob Stone (u. a.) | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2020 | Taylor & Francis | EAN 9780367581077 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.…

Hardcover. Etat : new. Hardcover. Vito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples became a thriving centre for film production.In this first study in English of one of the most vital and stimulating currents in contemporary European Cinema, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement's relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary Neapolitan filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a through-going re-examination of Neapolitan identity.Key features include: analyses of over 45 contemporary Italian films, including Paolo Sorrentino's The Consequences of Love, Mario Martone's L'amore molesto, Antonio Capuano's Pianese Nunzio: 14 in May and Vincenzo Marra's Sailing Home; a theoretical discussion of the concept of regional cinema; an examination of the movement in its broader context as both product and critique of Mayor Bassolino's 'Neapolitan Renaissance'; and a study of one European film industry in terms of legislation, production, distribution and exhibition. The New Neapolitan Cinema provides close analysis of the whole of this movement, which stands as one of the most vital and stimulating currents in contemporary European Cinema. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Etat : New.

Etat : New. pp. xiii + 242 12 Illus., Maps.

Etat : New. The New Neapolitan Cinema provides close analysis of the whole of this movement, which stands as one of the most vital and stimulating currents in contemporary European Cinema. Series: Traditions in World Cinema. Num Pages: 256 pages, 12 black & white illustrations, 2 black & white line drawings. BIC Classification: APFN. Category: (P) Professional & Vocational. Dimension: 234 x 156 x 23. Weight in Grams: 536. . 2011. Hardcover. . . . .…

Hardcover. Etat : Brand New. 1st edition. 256 pages. 9.21x6.06x0.94 inches. In Stock.

Hardback. Etat : New. Vito and the Others (1991), Death of a Neapolitan Mathematician (1992) and Libera (1993), the debuts of three young Neapolitan filmmakers, stood out dramatically from the landscape of Italian cinema in the early 1990s. On the back of their critical success, over the next decade and a half, Naples became a thriving centre for film production.In this first study in English of one of the most vital and stimulating currents in contemporary European Cinema, Alex Marlow-Mann provides a detailed, multi-faceted and provocative study of this distinct regional tradition. In tracing the movement's relationship with the popular musical melodramas previously produced in Naples, he reveals how contemporary Neapolitan filmmakers have interrogated, subverted and reconfigured cinematic convention as part of a through-going re-examination of Neapolitan identity.Key features include: analyses of over 45 contemporary Italian films, including Paolo Sorrentino's The Consequences of Love, Mario Martone's L'amore molesto, Antonio Capuano's Pianese Nunzio: 14 in May and Vincenzo Marra's Sailing Home; a theoretical discussion of the concept of regional cinema; an examination of the movement in its broader context as both product and critique of Mayor Bassolino's 'Neapolitan Renaissance'; and a study of one European film industry in terms of legislation, production, distribution and exhibition.…