martta heikkilä (38 résultats)

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Paperback. Etat : new. Paperback. The contemporary idea of the work of art is paradoxically both widely used and often unexamined. Therefore, we must re-evaluate the concept before we can understand what the deconstruction of aesthetics means for thinkers like Jacques Derrida, Jean-Luc Nancy, and Philippe Lacoue-Labarthe. By examining their analyses of works of visual art and contextualizing their thinking on the matter, Martta Heikkilae asserts that the implications of the work of art, art, and the aesthetic apply not only to philosophical questions but also to a broader area. Instead of the totality represented by the historical concept of Art, poststructuralist thinkers introduce the idea of the radical multiplicity of art and its works. From this notion arises the fundamental issue in Derrida and the poststructuralist tradition: how can we speak philosophically of art, which always exists as singular instances, as works? In Deconstruction and the Work of Art: Visual Arts and Their Critique in Contemporary French Thought, Heikkilae shows that the deconstructionist notions of art are still influential in the discourses of contemporary art, in which artworks proliferate and the concept of work is open-ended and expanding. This book offers an introduction to the deconstructionist theory of art and brings new perspectives to the complex, undecidable relation between philosophy and art. The concept of the work of art is paradoxically both widely used and often unexamined. This book re-evaluates the scope of work, art, and the aesthetic from the viewpoint of deconstructionist philosophy and suggests that Derridas analyses resolve some central questions in the discourses of contemporary visual arts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Paperback. Etat : new. Paperback. The contemporary idea of the work of art is paradoxically both widely used and often unexamined. Therefore, we must re-evaluate the concept before we can understand what the deconstruction of aesthetics means for thinkers like Jacques Derrida, Jean-Luc Nancy, and Philippe Lacoue-Labarthe. By examining their analyses of works of visual art and contextualizing their thinking on the matter, Martta Heikkilae asserts that the implications of the work of art, art, and the aesthetic apply not only to philosophical questions but also to a broader area. Instead of the totality represented by the historical concept of Art, poststructuralist thinkers introduce the idea of the radical multiplicity of art and its works. From this notion arises the fundamental issue in Derrida and the poststructuralist tradition: how can we speak philosophically of art, which always exists as singular instances, as works? In Deconstruction and the Work of Art: Visual Arts and Their Critique in Contemporary French Thought, Heikkilae shows that the deconstructionist notions of art are still influential in the discourses of contemporary art, in which artworks proliferate and the concept of work is open-ended and expanding. This book offers an introduction to the deconstructionist theory of art and brings new perspectives to the complex, undecidable relation between philosophy and art. The concept of the work of art is paradoxically both widely used and often unexamined. This book re-evaluates the scope of work, art, and the aesthetic from the viewpoint of deconstructionist philosophy and suggests that Derridas analyses resolve some central questions in the discourses of contemporary visual arts. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

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Hardcover. Etat : new. Hardcover. The contemporary idea of the work of art is paradoxically both widely used and often unexamined. Therefore, we must re-evaluate the concept before we can understand what the deconstruction of aesthetics means for thinkers like Jacques Derrida, Jean-Luc Nancy, and Philippe Lacoue-Labarthe. By examining their analyses of works of visual art and contextualizing their thinking on the matter, Martta Heikkilae asserts that the implications of the work of art, art, and the aesthetic apply not only to philosophical questions but also to a broader area. Instead of the totality represented by the historical concept of Art, poststructuralist thinkers introduce the idea of the radical multiplicity of art and its works. From this notion arises the fundamental issue in Derrida and the poststructuralist tradition: how can we speak philosophically of art, which always exists as singular instances, as works? In Deconstruction and the Work of Art: Visual Arts and Their Critique in Contemporary French Thought, Heikkilae shows that the deconstructionist notions of art are still influential in the discourses of contemporary art, in which artworks proliferate and the concept of work is open-ended and expanding. This book offers an introduction to the deconstructionist theory of art and brings new perspectives to the complex, undecidable relation between philosophy and art. The concept of the work of art is paradoxically both widely used and often unexamined. This book re-evaluates the scope of work, art, and the aesthetic from the viewpoint of deconstructionist philosophy and suggests that Derridas analyses resolve some central questions in the discourses of contemporary visual arts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Taschenbuch. Etat : Neu. Neuware -This study explores the significance of art in Jean-Luc Nancy¿s philosophy. The main object of the work is to discuss the notion of art and its contribution to some of Nancy¿s central ontological ideas. Art¿s importance is considered in its own right ¿ the main questions being whether art does have ontological significance, and if so, how one should describe this with respect to the theme of presentation. According to the work¿s central argument, with his thinking on art Nancy attempts to give one viewpoint to what is called the metaphysics of presence and to its deconstruction. On which grounds may one say that art is not reducible to philosophy These topics are examined by highlighting the differentiation between the notions of «presentation» and «representation» with regard to the influence of Martin Heidegger and Jacques Derrida on Nancy¿s thought. 312 pp. Englisch.

Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - This study explores the significance of art in Jean-Luc Nancy's philosophy. The main object of the work is to discuss the notion of art and its contribution to some of Nancy's central ontological ideas. Art's importance is considered in its own right - the main questions being whether art does have ontological significance, and if so, how one should describe this with respect to the theme of presentation. According to the work's central argument, with his thinking on art Nancy attempts to give one viewpoint to what is called the metaphysics of presence and to its deconstruction. On which grounds may one say that art is not reducible to philosophy These topics are examined by highlighting the differentiation between the notions of 'presentation' and 'representation' with regard to the influence of Martin Heidegger and Jacques Derrida on Nancy's thought.

Taschenbuch. Etat : Neu. At the Limits of Presentation | Coming-into-Presence and its Aesthetic Relevance in Jean-Luc Nancy's Philosophy | Martta Heikkilä | Taschenbuch | Englisch | 2008 | Peter Lang | EAN 9783631581056 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.

Hardcover. Etat : new. Hardcover. The contemporary idea of the work of art is paradoxically both widely used and often unexamined. Therefore, we must re-evaluate the concept before we can understand what the deconstruction of aesthetics means for thinkers like Jacques Derrida, Jean-Luc Nancy, and Philippe Lacoue-Labarthe. By examining their analyses of works of visual art and contextualizing their thinking on the matter, Martta Heikkilae asserts that the implications of the work of art, art, and the aesthetic apply not only to philosophical questions but also to a broader area. Instead of the totality represented by the historical concept of Art, poststructuralist thinkers introduce the idea of the radical multiplicity of art and its works. From this notion arises the fundamental issue in Derrida and the poststructuralist tradition: how can we speak philosophically of art, which always exists as singular instances, as works? In Deconstruction and the Work of Art: Visual Arts and Their Critique in Contemporary French Thought, Heikkilae shows that the deconstructionist notions of art are still influential in the discourses of contemporary art, in which artworks proliferate and the concept of work is open-ended and expanding. This book offers an introduction to the deconstructionist theory of art and brings new perspectives to the complex, undecidable relation between philosophy and art. The concept of the work of art is paradoxically both widely used and often unexamined. This book re-evaluates the scope of work, art, and the aesthetic from the viewpoint of deconstructionist philosophy and suggests that Derridas analyses resolve some central questions in the discourses of contemporary visual arts. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Etat : Brand New. 301 pages. 9.25x6.25x1.00 inches. In Stock.

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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorMartta Heikkilae is adjunct professor of aesthetics at the University of Helsinki.KlappentextThe contemporary idea of the work of art is paradoxically both widely used and often unex.