Masure (572 résultats)

Etat : Acceptable. Item in acceptable condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

Paperback. Etat : Fair. Intended for all, Growing Up Franco-American (with no black patent leather shoes) is the intriguing story of courageous grandparent and parent immigrants who, at once, heartily embraced their new country, the United States, yet remained inherently true to many of their cherished Old World cultural traditions -- all as transmitted to, an perceived by -- one of their first-generation American children, author Lorraine Dutile Masure. Acting as a cultural tour guide, she here tells stories of what it was really like growing up with a rich Franco heritage across multiple venues of home, family, church, school, and other settings. Seniors also will see themselves in her stories. And younger people will be amazed at how quaint life was not so long ago. Informative and, as the author reflects back through the rear-view mirror of her own life, some of it's pretty comical too.…

Soft cover. Etat : Very Good. No Jacket. 1946 Softcover booklet 50 pages, 5 X 6.5 inches. Small bumps on edges. Otherwise, Fine Condition. Textured cover.

paperback. Etat : Like New. First Edition. Inscribed by author on first page in black ink.FIRST EDITION, FIRST PRINTING. Appears to be a book that was shelved, stored, and/or briefly handled but never read. No markings, tears, corner creases, foxing or other defects noted. Providing superior service since 2001. Dropshippers heartily welcomed. Signed by Author.…

Soft cover. Etat : As New. 1st Edition. Softcover with bright clean cover. Looks new inside and out.

Paperback. Etat : new. Paperback. At the beginning of the 2020s, so-called intelligent systems such as GPT-3, OpenAI, Dall-E, Midjourney or Disco Diffusion made it possible to generate images thanks to textual commands (prompts) associated with large data sets available online. As part of machine learning technologies, these systems found their place in art and the creative industries (fashion design, graphic design, product design, architecture, etc. ), profoundly reconfiguring these professions in the same way desktop publishing and design (DTP and CAD) had in the 1980s.Although these productions prove rather easily stereotyped merely remixing existing content debates have focused on the possible replacement of designers by artificial intelligence (AI), shielding the essential question: what is the spectrum of risk and opportunity when it comes to machine learning for design practices?In order to better understand how these AIs participate in what we propose to call a design under artifice that is to say, an insidious subversion of designs historical principles under the influence of cognitive-behavioural approaches it is first necessary to establish a more detailed understanding of the psychological theories specific to machine learning. Participating in a neurocognitivist approach that assimilates the human psyche to a circuit switch, machine learning is part of the (already) long history of creative software, which aims both to democratise access to computers and to standardise creative practices. Just as these programs have automated a certain number of tasks usually assigned to designers, machine learning technologies displace and redefine the notions of creation and subjectivity. Although they run the risk of homogenising the sensitive world, they also open up new forms of cooperation with machines, of which the contemporary design studios interviewed for this essay offer a glimpse.In this book, Anthony Masure reconnects the challenges of artificial intelligence and design, while proposing a series of avenues to guide this ideal of automation on a small scale, in a controlled and 'tailor-made' way, so that machine learning can foster invention and curiosity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. At the beginning of the 2020s, so-called 'intelligent' systems such as GPT-3, OpenAI, Dall-E, Midjourney or Disco Diffusion made it possible to generate images thanks to textual commands ('prompts') associated with large data sets available online. As part of machine learning technologies, these systems found their place in art and the 'creative industries' (fashion design, graphic design, product design, architecture, etc. ), profoundly reconfiguring these professions in the same way desktop publishing and design (DTP and CAD) had in the 1980s. Although these productions prove rather easily stereotyped - merely remixing existing content - debates have focused on the possible replacement of designers by artificial intelligence (AI), shielding the essential question: what is the spectrum of risk and opportunity when it comes to machine learning for design practices?In order to better understand how these AIs participate in what we propose to call a 'design under artifice' - that is to say, an insidious subversion of design's historical principles under the influence of cognitive-behavioural approaches - it is first necessary to establish a more detailed understanding of the psychological theories specific to machine learning. Participating in a neurocognitivist approach that assimilates the human psyche to a circuit switch, machine learning is part of the (already) long history of creative software, which aims both to democratise access to computers and to standardise creative practices. Just as these programs have automated a certain number of tasks usually assigned to designers, machine learning technologies displace and redefine the notions of creation and subjectivity. Although they run the risk of homogenising the sensitive world, they also open up new forms of cooperation with machines, of which the contemporary design studios interviewed for this essay offer a glimpse. In this book, Anthony Masure reconnects the challenges of artificial intelligence and design, while proposing a series of avenues to guide this ideal of automation on a small scale, in a controlled and 'tailor-made' way, so that machine learning can foster invention and curiosity.…

Paperback. Etat : New. At the beginning of the 2020s, so-called 'intelligent' systems such as GPT-3, OpenAI, Dall-E, Midjourney or Disco Diffusion made it possible to generate images thanks to textual commands ('prompts') associated with large data sets available online. As part of machine learning technologies, these systems found their place in art and the 'creative industries' (fashion design, graphic design, product design, architecture, etc. ), profoundly reconfiguring these professions in the same way desktop publishing and design (DTP and CAD) had in the 1980s. Although these productions prove rather easily stereotyped - merely remixing existing content - debates have focused on the possible replacement of designers by artificial intelligence (AI), shielding the essential question: what is the spectrum of risk and opportunity when it comes to machine learning for design practices?In order to better understand how these AIs participate in what we propose to call a 'design under artifice' - that is to say, an insidious subversion of design's historical principles under the influence of cognitive-behavioural approaches - it is first necessary to establish a more detailed understanding of the psychological theories specific to machine learning. Participating in a neurocognitivist approach that assimilates the human psyche to a circuit switch, machine learning is part of the (already) long history of creative software, which aims both to democratise access to computers and to standardise creative practices. Just as these programs have automated a certain number of tasks usually assigned to designers, machine learning technologies displace and redefine the notions of creation and subjectivity. Although they run the risk of homogenising the sensitive world, they also open up new forms of cooperation with machines, of which the contemporary design studios interviewed for this essay offer a glimpse. In this book, Anthony Masure reconnects the challenges of artificial intelligence and design, while proposing a series of avenues to guide this ideal of automation on a small scale, in a controlled and 'tailor-made' way, so that machine learning can foster invention and curiosity.…

Etat : New. Well packaged and promptly shipped from California. Partnered with Friends of the Library since 2010.

Trade Paperback. Etat : Very Good. Front cover creased. 2002 Trade Paperback. iv, 518-697 pp. Includes: Kirsten Fischer: In Retrospect: The Career of Francis Jennings; Benjamin Schmidt: American Natural: Joyce E. Chaplin, Subject Matter: Technology, the Body, and Science on the Anglo-American Frontier, 1500-1676; Gregory T. Knouff: The Repressive American Revolution: Francis S. Fox, Sweet Land of Liberty: The Ordeal of the American Revolution in Northampton County, Pennsylvania; Carol Sheriff: The Long, Winding Road to Laissez-Faire: John Lauritz Larson, International Improvement: National Public Works and the Promise of Popular Government in the Early United States; Thomas A. Chambers: Tourism and the Market Revolution: Charlene M. Boyer Lewis, Ladies and Gentlemen on Display: Planter Society at the Virginia Springs, 1790-1860; Theodore Corbett, The Making of American Resorts: Saratoga Springs, Ballston Spa, Lake George; Jon Sterngrass, First Records: Pursuing Pleasure at Saratoga Springs, Newport, and Coney Island; Olivier Zunz: Holy Theory: Sheldon S. Wolin, Tocqueville Between Two Worlds: The Making of a Political and Theoretical Life; Barbara Cutter: Our Corpses, Our Selves: Anatomy and Identity in American Society: Michael Sappol, A Traffic of Dead Bodies: Anatomy and Embodied Social Identity in Nineteenth-Century America; Richard Newman: Blinded by Sight (Including Your Own): Looking at Slavery and Race in Anglo-American Culture: Marcus Wood, Blind Memory: Visual Representations of Slavery in England and America, 1780-1865; Malcolm J. Rohrbough: Do Good Fences Make Good Neighbors' Beth LaDow, The Medicine Line: Life and Death on a North American Borderland; Phoebe S. Kropp: Looking for Old Spain in New Mexico: Cultural and Politics in the Southwest; Charles Montgomery, The Spanish Redemption: Heritage, Power, and Loss on New Mexico's Upper Rio Grande; Leigh E. Schmidt: Religion in the Making; John P. Burris, Exhibiting Religion: Colonialism and Spectacle at International Expositions, 1851-1893; Kirsten Swinth: Categorizing the Female Type: Images of Women as Symbols of Historical Change; Carolyn Kitch, The Girl on the Magazine Cover: The Origins of Visual Stereotypes in American Mass Media; Julie Wosk, Women and the Machine: Representations from the Spinning Wheel to the Electronic Age; Rosemary Feurer: Racial Identity and Exclusion in Working-Class America; Bruce Nelson, Divided We Stand: American Workers and the Struggle for Black Equality; Steven J. Ross, Hollywood, Jews, and America; Steven Alan Carr, Hollywood and Anti-Semitism: A Cultural History Up to World War II; Alfred L. Brophy, Law as a Character of Society: Legal Change in Twentieth-Century America; Lawrence M. Friedman, American Law in the Twentieth Century; Jason Scott Smith, What Did Happen to the Antitrust Movement' Wyatt Wells, Antitrust and the Formation of the Postwar World; Liette Gidlow: Remembering Willie Wirehand: Consumer Culture and Consensus in American Life; Gary Cross, An All-Consuming Century: Why Commercialism Won in Modern America; Ronald R. Kline, Consumers in the Country: Technology and Social Change in Rural America; Peter J. Ling, Tales of White Birmingham: The Letter and the Bomb; S. Jonathan Bass, Blessed Are the Peacemakers: Martin Luther King Jr., Eight White Religious Leaders, and the "Letter from Birmingham Jail;" Diane McWhorter, Carry Me Home: Birmingham, Alabama: The Climactic Battle of the Civil Rights Revolution; Kevin Mattson, Civil Rights Made Harder; John P. Jackson, Jr., Social Scientists for Social Justice: Making the Case Against Segregation; Dean N. Kotlowski, Nixon's Civil Rights: Politics, Principle, and Policy; Carol Polsgrove: Divided Minds: Intellectuals and the Civil Rights Movement; Mark Atwood Lawrence, Brothers in Arms; Robert D. Dean, Imperial Brotherhood: Gender and the Making of Cold War Foreign Policy; Sheldon M. Stern: The JFK Tapes: Round Two; Philip Zelikow, Ernest May, and Timothy Naftali, eds., The Presidential Recordings of John F.…

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Couverture souple. Etat : Très bon. 167 p., 75 poèmes, 13x20 cm, 240 gr. réf. R071202.

Encuadernación de tapa blanda. Etat : Bueno. México, Editorial JUS, 1947.Características: Rústica en buen estado. Traducción de Héctor González Uribe. Serie Semanas Sociales de Francia Clermónt-Ferrand. Colección de Estudios Sociales. 199 p. + índice. (17.5 x 12). Peso: 230 grs.

Hardcover. Etat : Bon. Ancien livre de bibliothèque avec équipements. Edition France Loisirs. Edition 1991. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. France Loisirs Edition. Edition 1991. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Etat : Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Etat : Very Good. 204 pp., Paperback, very good. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Etat : acceptable. Ausreichend/Acceptable: Exemplar mit vollständigem Text und sämtlichen Abbildungen oder Karten. Schmutztitel oder Vorsatz können fehlen. Einband bzw. Schutzumschlag weisen unter Umständen starke Gebrauchsspuren auf. / Describes a book or dust jacket that has the complete text pages (including those with maps or plates) but may lack endpapers, half-title, etc. (which must be noted). Binding, dust jacket (if any), etc may also be worn.…

Couverture souple. Etat : Bon. France Loisirs, 1987. 1 volume format In-8 bon 1 vol in-8 reliure éditeur sous jacquette illustrée bon état.

Couverture souple. Etat : Bon. Presses Pocket, 1990. 1 volume bon format poche bon état.

Couverture souple. Etat : Bon. Plon, 1998. 1 volume format In-8 bon 1 volume in-8 broché bon état.

Couverture souple. Etat : Comme neuf. Chiflet & Cie, 2005. 1 volume broché(s) format In-8 comme neuf.

Couverture souple. Etat : Tres bon. Omnibus, 1993. 1 volume broché(s) format In-8 très bon.

Couverture souple. Etat : Tres bon. Plon, 2002. 1 volume broché(s) format In-8 très bon.

Couverture souple. Etat : Bon. Olivier Orban, 2002. 1 volume broché(s) format In-8 bon.

Couverture souple. Etat : Tres bon. Plon, 2002. 1 volume broché(s) format In-8 très bon.

Couverture souple. Etat : Tres bon. Plon, 1987. 1 volume broché(s) format In-8 très bon.

Couverture souple. Etat : Bon. Olivier Orban, 1991. 1 volume broché(s) format In-8 bon.