mazursky alan (9 résultats)

Etat : Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains. Bundled media such as CDs, DVDs, floppy disks or access codes may not be included.

Soft cover. Etat : VG. A lot of nine NF or better original release 8 x 10 stills. Size: 8" x 10". Photographic Image.

No Binding. Etat : VG. A VGF unfolded 27-page pressbook with no cuts or missing pages. Book.

Soft cover. Etat : VG+. An original 9" x 12" presskit that contains sixteen supplements as well as thirteen 8 x 10 stills! Book.

Vintage double weight photograph from the 1982 film. Shown left to right are Raul Julia, Susan Sarandon, and John Cassavetes. With the stamp of photographer Alan Pappe, as well as manuscript pencil annotations identifying the film and subjects, on the verso. Pappe worked as a film still and press photographer for 30 years, photographing a who's who of film and music stars, including iconic images of Sharon Tate, Jimi Hendrix, and Liza Minnelli, as well as album cover for the "Grease" soundtrack album, and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. Loosely based on William Shakespeare's play "The Tempest," about a middle-aged New Yorker who retreats to an isolated Greek island with his teenage daughter after discovering his wife is having an affair, only for her, her new lover, and her lover's son to be shipwrecked on the same island. The film debut of Molly Ringwald. Set in ancient Greece. Shot on location in Athens, Rome, and New York City. 8 x 10 inches. Near Fine.

Archive of five vintage, oversize, double weight photographs from the 1970 film, four of which are borderless. One photograph SIGNED and dated 1969 by photographer Alan Pappe on the verso, all photographs with his stamp. All five photographs feature legendary Italian director Federico Fellini in his cameo role as himself, with one showing the director on the set with a clapboard and crew members in front of him, while a second features a manuscript pencil annotation describing Fellini and actor Donald Sutherland discussing a scene with an out-of-frame director Paul Mazursky. Pappe worked as a film still and press photographer for 30 years, photographing a who's who of film and music stars, including iconic images of Sharon Tate, Jimi Hendrix, and Liza Minnelli, as well as album cover for the "Grease" soundtrack album, and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. A young filmmaker struggles to come up with ideas for new film after his previous commercial and critical success, while ruminating on his past, present, and possible futures. One photograph 11 x 11 inches, four photographs roughly 14 x 11 or 11 x 14 inches. Near Fine.

Archive of 12 vintage oversize, borderless, double weight photographs from the 1973 film. Eight photographs with the stamp of photographer Alan Pappe on the verso, one photograph additionally SIGNED by the photographer. Five with manuscript annotations on the verso identifying either the film, the subjects, or location of the photograph, one bearing the annotated date "1972." Pappe worked as a film still and press photographer for 30 years, photographing a who's who of film and music stars, including iconic images of Sharon Tate, Jimi Hendrix, and Liza Minnelli, as well as album cover for the "Grease" soundtrack album, and the interior images of Jefferson Airplane's "After Bathing at Baxter's." His 1972 "Time" magazine cover photograph of Minnelli in "Cabaret" is part of the permanent collection of the Smithsonian's National Portrait Gallery. A high-powered divorce attorney struggles with the end of his own marriage after he is caught having an affair, only to discover he is still in love with his ex-wife. Photographs variously sized between 11.75 x 9.25 and 13 x 10 inches, with most being 13.75 x 9.25 inches. Near Fine.

Vintage press kit for the 1978 film. Full-color illustrated pocketed folder, containing 17 black and white photographs housed in a brown paper envelope, and 17 gatherings of promotional reading material. A New York gallery worker struggles to adapt to the changing sexual and moral climate of the 1970s when she is abandoned by her husband of sixteen years. Folder, photographs, and promotional material Near Fine. Criterion Collection 1032.

Vintage borderless photograph from the 1978 film, showing director Mazursky and star Clayburgh conferring on the set, while the crew waits behind them. With identifying manuscript ink annotations on the verso. A woman attempts to reenter the dating scene and rediscover herself after her husband leaves her for a younger woman. Nominated for three Academy Awards, including Best Picture, Best Screenplay, and Best Actress. Also nominated for the Palme d'Or at Cannes, where Clayburgh would win Best Actress. Set and shot on location in New York. 10 x 8 inches. Near Fine.