michael druks (16 résultats)

Paperback. Etat : Good. - A catalogue for Michael Druks's exhibition at the ICA, London in 1978 - Limited edition of 500 copies - Covers are grubby, creased, toned and rubbed w/ crack to spine, which remains strong - Edges of text block toned and lightly foxed - Unpaginated - Book ow/ solid and clean -.

VG bright copy in slightly dusty publishers decorated wrappers. Illustrated. 1st edition. Text by Sarah Kent. Limited to 500 copies.

Softcover. Etat : Gut. Michael Druks: Everybody's own yard. London, Ideas Gallery 1976. 7 Seiten. - Michael Druks: Catalogue. London, Institute of Contempory Arts 1978. 36 Seiten. Original-Broschur. Eins von 50 nummerierten und von Michael Druks signierten Exemplaren. Mit einer zusätzlich Widmung des Künstlers für die Herausgeber der Zeitschrift "Die Zweitschrift" in Hannover. - Einladungskarte zur Vernisage "Michael Druks: Flexible geography and location piece" Museum of Modern Art Oxford. - Michael Druks: Everybody's own yard. London, Ideas Gallery 1976. 7 pages. - Michael Druks: Catalogue. London, Institute of Contemporary Arts 1978. 36 pages. Original paperback. One of 50 numbered copies signed by Michael Druks. With an additional dedication by the artist to the editors of the magazine "Die Zweitschrift" in Hanover. - Invitation card for the vernissage "Michael Druks: Flexible geography and location piece" Museum of Modern Art Oxford.

Etat : Near Fine. Etat de la jaquette : very good +. 210x180mm. A catalogue produced on the occasions of Michael Druks's exhibition 'Ambiguous Definitions' at the ICA, London in 1978. Edition of 500. Unsigned and unnumbered. Numerous black and white photo reproductions throughout. Text by Sarah Kent. Condition: minor handling marks to covers, inside NF.

Etat : VG. Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion, Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu, Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur, Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels, Agora Studio Traveling Exposition 1975, Agora Studio, Maastricht, 1975. 160 x 160mm. 35pp. Printed black on white stock in stapled wraps. This catalogue is for the travelling exposition in Autumn 1975 of Agora Studio, through Centro di Arte y Communication, Buenos Aires; Estudio Actual, Carracas and Museo de Arte Contemporaneo, Sao Paulo. Cover design by Klaus Groh. Text by Willem K. Coumans, founder of the Institution of social photography. Includes an image of artwork and biography for each artist including Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion (no image), Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu (no image), Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur (no image), Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels. An important small catalogue of the conceptual art scene of artists based in the Netherlands who via connections with South America (Cayc, Buenos Aires, Raul Marroquin, Ulises Carrion etc) had this touring exhibition. Cayc in turn had exhibitions in Europe (including ICA London, ICC Antwerp and Agora Studios Maastricht). Many of the artists would also feature in Agora's Fandangos magazine. Condition: Some toning to wraps, some rust to staples, internal pages very good+. Overall VG.

Sin Encuadernar. Etat : Muy Bien. Phandangos 3! 520 x 395 mm. Printed black on large format newsprint with numerous unique collages and cut-out interventions throughout. On each issue the covers includes a unique collage element as well as Blue Landscape by Dick Wessels, a blue acetate square stapled to the cover. Wears to front covers. Toning age.

Etat : Good only. 'Fandangos 7', Maastricht, 1976, 280 x 205 mm. Printed black and white, stapled in printed wraps. Cover includes a photograph of Joseph Beuys by Klaus Staeck 'courtesy of Nam June Paik' with a 'fandangos' rubberstamp in red. Includes interview with Michel Cardena and videowork by Nam June Paik, Charlotte Moorman, Dennis Oppenheim and Vito Acconci. Contributors include: Anna Banana, Carlo Giovanni Cicatelli, Marjo Schumans, Gerrit Dekker, Jurgen Klauke-Ulay, Chris Burden, Jorge Caballero, Jan van der Hayden, Maurizio Nannucci, Janos Urban, Opal L. Nations, Peter Frank, Andrzej Partum, Fujiwara Kazumichi, Philip Perlman, Ira Schneider, Jonier Marin, Nicola de Maria, Michael Druks, and others. Edited by the Colombian-born artist Raul Marroquin, Ger van Dijck, Marjo Schumans, Ulises Carrion and others, 'Fandangos' is an important and highly sought-after artist periodical. Published by Agora Studios and the Jan Van Eyck Academy Maastricht, there were a total of 8 magazines representing 11 issues. Some issues are subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Indeed, Fandangos is seen as one of the most important conceptual art magazines from the Netherlands, which shows the importance of South American avant-garde artists to the conceptual art scene of The Netherlands in the 1970s. Condition: some rust to staples, occasional toning and marks to pages. The final 32 pages have been folded centre top to bottom in the past. The first 32 pages and the front cover are not affected by this fold. No tears or writing. Good only.

Etat : Near Fine. Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion, Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu, Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur, Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels, Agora Studio Traveling Exposition 1975, agora studio, Maastricht, 1975. 160 x 160mm. 35pp. Book printed black on white stock in stapled wraps. This catalogue is for the travelling exposition in Autumn 1975 of Agora Studio, through Centrodi Arte y Communication, Buenos Aires, Estudio Actual, Carracas and Museo de Arte Contemporaneo, Sao Paulo. Cover design by Klaus Groh. Text by Willem K. Coumans, founder of the Institution of social photography. Includes an image of artwork and biography for each artist including Peter Van Beveren, Ernst Buchwalder, Michel Cardena, Ulises Carrion (no image), Cavellini Guglielmo Achille, Albrecht D., Michael Druks, Filip Francis, Michael Gibbs, J. Van Geluwen, Klaus Groh, Marten Hendriks, Manja Krijin Herrebout, Luc Deleu (no image), Raul Marroquin, Harry Mesterom, Yoshio Nakajima, Maurizio Nannucci, Marjo Schumans, Hans Seur (no image), Ruedi Schill, Yves De Smet, Rod Summers, Nikolaus Urban, Wout Vercammen and Dick Wessels. Condition: Near FineTogether withKlaus Groh, North East South West, 1974. 250 x 333mm. White card with print and hand drawn elements in black ink. Signed and dated by the artist in pencil. Arrows within a grid point to North and South directions. Condition: Near Fine.

Etat : Near Fine. Undated, c. 1974. 445 x 290 mm. Printed black on blue large format newsprint paper. Subtitled 'The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. 'Title concept' is attributed to Michael Gibbs. Includes contribution by Ulises Carrion 'From Fandangos to you'; interview with Tony Pegotty; double-page spread of the 'The Contract' by Marroquin. Other contributors include Anna Banana, Michael Druk, Jacques Lizene, Giovanni Cicatelli, Michel Cardena, Ger Van Dijk, Bertil Petersson, Jean Claude Schauenberg, Gerald Minkoff, Achille Cavellini, Mad Enterprises Inc, Tony Pegotty, Nicolas Uriburu, Ana Kamien, Antonio Trotta, Jorge Natalio Silberman, Chiquito Gomez, Raul Marroquin, Jorge Caraballo, COUM, The Bay Area Daddaists, Theodoros, Ulises Carrion, Carlos Ginzburg, E. Buchwalder, Grupo Teatro del Encuentro. Large item, requires extra postage. A Complete set of Fandangos is available on request.

Etat : Near Fine. 448 x 294 mm. 12pp. Printed black on white newsprint. Subtitled 'Fandangos The First European Art Newspaper'. Title concept by Klaus Groh. Contributors include Peter Hutchinson, Nikolaus Urban, Janos Urban, E. Buchwalder, John M. Armleder, Yoshia Nakajima, Carlo Giovanni Cicatelli, Anna Banana, H. B Reeskamp, F. Pezolo, Michael Gibbs, Marjo Schumans, Rod Summers, Raul Marroquin, Filip Francis, Michael Druks, Ruedi Schill, W. Vazan, Robin Crozier, Anton Verhoeven, H. Dekker, K. Benning, H. B Walker, W. Cuvelier, Groupe Cap, L Coppers, John Liggins, L. Walz, Michel Cardena, Johan Van Geluwe, Maurizio Nanucci, Hans Werneg Kalkmann, Massimo Nannucci, Allen Fisher and others. A Complete set of Fandangos is available on request.

Etat : Very good +. 'Fandangos 7', Maastricht, 1976, 280 x 205 mm. Printed black and white, stapled in printed wraps. Cover includes a photograph of Joseph Beuys by Klaus Staeck 'courtesy of Nam June Paik' with a 'fandangos' rubberstamp in red. Includes interview with Michel Cardena and videowork by Nam June Paik, Charlotte Moorman, Dennis Oppenheim and Vito Acconci. Contributors include: Anna Banana, Carlo Giovanni Cicatelli, Marjo Schumans, Gerrit Dekker, Jurgen Klauke-Ulay, Chris Burden, Jorge Caballero, Jan van der Hayden, Maurizio Nannucci, Janos Urban, Opal L. Nations, Peter Frank, Andrzej Partum, Fujiwara Kazumichi, Philip Perlman, Ira Schneider, Jonier Marin, Nicola de Maria, Michael Druks, and others. Edited by the Colombian-born artist Raul Marroquin, Ger van Dijck, Marjo Schumans, Ulises Carrion and others, 'Fandangos' is an important and highly sought-after artist periodical. Published by Agora Studios and the Jan Van Eyck Academy Maastricht, there were a total of 8 magazines representing 11 issues. Some issues are subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Indeed, Fandangos is seen as one of the most important conceptual art magazines from the Netherlands, which shows the importance of South American avant-garde artists to the conceptual art scene of The Netherlands in the 1970s. Condition: some handling marks to right edge of front cover and light even soiling, minor handling mark to right edge of first 4 pages. Very good + in VG covers.

Etat : Near Fine. 520 x 395 mm. Printed black on large format (aged and toned) newsprint with numerous unique collages and cut-out interventions throughout. The cover includes a unique collage element (magazine cut-out glued to the page) as well as 'Blue Landscape' by Dick Wessels, a blue acetate square stapled to the cover. Contributors include Thomas Niggl, Herbert Walker, Dick Wessels, Bernardo Salcedo, Karina Raeck, G. J de Rook, Michael Gibbs, Jacques Lizene, Davi Det Hompson, Jorgos Chronis, Ovum, CAYC, Ad Gerritsen, Marten Hendrix, Peter Hutchinson, Marjo Schumans, Peter Adamski Etiquette, Christiane Berndes, Jochen Gerz, Michel Druks, Anton Verhoeven, Geza Perneczsky (with rubberstamp in red), Beverly Parke, Klaus Groh, Guillermo Duarte, Jan Tomaschoff and others. A column mentions CAYC sending a group of Heliographic prints/copies of proposals to Agora studios (who in turn sent a show of Dutch conceptual works to Buenos Aires). Large item, requires extra postage. A Complete set of Fandangos is available on request. Condition: toning to pages, no tears or writing, minor wear to spine, minor spotting. Unusual to see such a large collage element fully fixed to the front cover and horizontal rather than vertical - also unusual that it is not folded, so more of a postcard landscape effect. We are only aware of two copies with this collage format.

Etat : Very good +. A set of this important and highly sought-after artist periodical edited by the Colombian-born artist Raul Marroquin, Ger van Dijck, Marjo Schumans, Ulises Carrion and others. Published by Agora Studios and the Jan Van Eyck Academy Maastricht. This is a complete set of 8 magazines representing 11 issues; including two copies of issue 3 as each cover has a unique collage element. Some issues are subtitled 'Fandangos - The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. Indeed, Fandangos is seen as one of the most important conceptual art magazines from the Netherlands, which shows the importance of South American avant-garde artists to the conceptual art scene of The Netherlands in the 1970s. Issues included are as follows 'Vandangos (aka Fandangos no. 1)', Maastricht, December 1973. 610 x 430 mm. Poster/sheet printed black on white paper stock. Subtitled 'Vandangos is publishing projects, documentations, ideas, commentaries, activities with the aim of an overall communication'. Contributions included: Antonio Caro ('Imperialism is a Paper Tiger'), Ulises Carrion ('Why plagiarisms? because'), Guglielmo Achille Cavellini, Felipe Ehrenberg ('The Informer 1957, 1968, 1972: Short Story in Five Parts, September 1973'), Robert Filliou, Hreinn Fridfinnsson ('The Dream'), Sigurdur Gudmundsson, Raul Marroquin, Pieter Laurens Mol, Marjo Schumans, Rod Summers ('Hands'), Cecilia Vecuna, Anton Verhoeven. Condition: toning as seen, no tears. Very good+;'Fandangos 2', Maastricht, January 1974. 109 x 79.5 cm. Sheet printed green on white paper with red rubber-stamps. Contributors include a glued card by Cavellini, Marjo Schumans, Robert Filliou, Thomas Niggl, Jonathan Ellender, Yoshio Nakajima, David Mayor, Hreinn Fridfinnsson and others. Condition: folded as issued. Very good+/near fine;'Phandangos 3! (aka Fandangos no. 3)', Agora/Jan van Eyck Academy, Maastricht. Undated (c.1972). 520 x 395 mm. Two issues supplied in this set, each with a unique collage element to cover. Printed black on large format newsprint with numerous unique collages and cut-out interventions throughout. On each issue the cover includes a unique collage element (magazine cut-out glued to the page) as well as 'Blue Landscape' by Dick Wessels, a blue acetate square stapled to the cover. Contributors include: Thomas Niggl, Herbert Walker, Dick Wessels, Bernardo Salcedo, Karina Raeck, G. J de Rook, Michael Gibbs, Jacques Lizene, Davi Det Hompson, Jorgos Chronis, Ovum, Cayc, Ad Gerritsen, Marten Hendrix, peter Hutchinson, Marjo Schumans, Peter Adamski Etiquette, Christiane Berndes, Jochen Gerz, Michel Druks, Anton Verhoeven, Geza Perneczsky (with rubberstamp in red), Beverly Parke, Klaus Groh, Guillermo Duarte, Jan Tomaschoff and others. Condition: slight toning, very good+/near fine;'Van Tangos (aka Fandangos no. 4)', Agora, Maastricht. Autumn/Winter 1974. 448 x 294 mm. 12pp. Printed black on white newsprint. Subtitled 'Fandangos The First European Art Newspaper'. Title concept by Klaus Groh. Contributors include: Peter Hutchinson, Nikolaus Urban, Janos Urban, E. Buchwalder, John M. Armleder, Yoshia Nakajima, Carlo Giovanni Cicatelli, Anna Banana, H. B Reeskamp, F. Pezolo, Michael Gibbs, Marjo Schumans, Rod Summers, Raul Marroquin, Filip Francis, Michael Druks, Ruedi Schill, W. Vazan, Robin Crozier, Anton Verhoeven, H. Dekker, K. Benning, H. B Walker, W. Cuvelier, Groupe Cap, L Coppers, John Liggins, L. Walz, Michel Cardena, Johan Van Geluwe, Maurizio Nanucci, Hans Werneg Kalkmann, Maurizio Nannucci, Allen Fisher and others. Condition: Near fine;'Fun-Dangos 5 (aka Fandangos no. 5)', Maastricht. Undated (1975). 445 x 290 mm. Printed black on blue large format newsprint paper. Subtitled 'The Most Important European Art Scandalpaper - Fandangos isn't an art paper but an art piece'. 'Title concept' is attributed to Michael Gibbs. Includes contribution by Ulises Carrion 'From Fandangos to you'; interview with Tony Pegotty; double-p.

Portfolio edition, composed of large unbound sheets, signed dated and numbered by Druks on the title sheet. This portfolio edition was published in an edition of 20 copies (later published in 1977 in smaller booklet form by the Agora publishing house of Maastricht, in collaboration with the Baack?sher Kunstraum in Cologne, edition of 200 copies). Michael Druks is an artist from Israel equally adept in working with video, painting, and other creative media. These include performance, photography, collage, and installation. Druks?s work has featured at documenta 6 of 1977 in Kassel, the Centre George Pompidou in Paris, the Institute of Contemporary Arts (ICA) and the Whitechapel Gallery in London, and the Tel Aviv Museum as well as other exhibition venues in Israel. Born in Jerusalem in 1940 and having grown up in Tel Aviv, Michael Druks has lived and worked in London since the 1970s. After spending several months in Amsterdam before moving to London in 1972, Druks expanded the scope of his artistic practice to include video, conceptual body-related performances, and mapping. With his conceptual work Touch - Attention -Perception?, close-up photographic shots of various parts of the artist?s own body are paired with short texts and diagrams illustrative of each bodily sensation. (Rare, with no listings of the limited portfolio edition found on WorldCat). Title + 16 sheets printed rectos only on kodak photo paper. Handling crease to edge of title, otherwise good.

Etat : Very Good +. A collection of 13 documents relating ot the activities of the Israeli conceptualist Michael Druks. Painter, sculptor, and conceptual video, performance and installation artist, Michael Druks was one of the most active and important Israeli artists in the international avant-garde scene of the 70s. Includes: Invitation to 'playbox amsterdam' at De Appel, May 1975 (212 x 200 mm); CAYC mail-out sheet about Michael Druks, 1977 (218 x 273 mm); Michael Druks, Everybody's own yard: a photographic study, Whitechapel Gallery exhibition catalogue, London, 1976 (Booklet, 210 x 298 mm); Invitation to Michael Druks: Punishments, 14 25 May 1974 at In Out Centre (137 x 100 mm); Internationaal Cultureel Centrum Brochure, 1975 (109 x 209 mm); Affidavit: idea, process, document at the Gallery House London, 30 Nov 17 Dec 1972 (Brochure, 103 x 208 mm); Michael Druks, Touch Attention Perception, 1977, (Book, 166 x 168 mm); Micahel Druks: Territory, Neue Galerie Sammlung Ludwig, Aachen, c. 1970s, (Poster, 296 x 420 mm); Whitechapel Art Gallery Poster, 26 February 4 April 1976 (296 x 418 mm); Michael Druks: flexible geography and location piece, Museum of Modern Art, Oxford 2 June 1 July 1973 (Folded card, 111 x 179 mm); Michael Druks, Is Sony a Name of a Person?, 1975, (Work, 335 x 69 mm); Jan Debbaut (ed.), Michael Druks: Systeem Beeld Identiteit, Internationaal Cultureel Centrum, Antwerpen, 17 May 15 June 1975 (Folio with collection of documents, 214 x 299 mm); Michael Druks, Two Slide Works / 35 Yards / Flexible Geography, PMJ Self Gallery, October 28 31, London, 1975, (Poster, 298 x 416 mm). More information on original photographic works by Michael Druks is available from William Allen Word & Image. Overall Condition: VG+.

Etat : Very Good. Poster. 566 x 492 mm. Painter, sculptor, and conceptual video, performance and installation artist, Michael Druks was one of the most active and important Israeli artists in the international avant-garde scene of the 70s. Signed and dated bottom left corner in pencil. Edition 2/10. Rare. Condition: light soiling to surface, handling marks, two faint marks where the paper is thin after being glued to a surface (top right and left corners). No tears, Very Good. This item will be shipped in a tube.