Michael eng (254 résultats)

Etat : very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Etat : Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Paperback. Etat : Fine. First Edition. Starmont House 1988 1st ed. 169pp Fine copy. See photos clph. Stephen E. Fabian (illustrateur).

Paperback. Etat : Near Fine. First Edition. This copy has been signed by Darrell Schweitzer on the title page. Near Fine copy with some light upper corner creasing. See photos bx108E. Stephen E. Fabian (illustrateur).

paperback. Etat : Good. Paperback. Cover and spine in good condition. Former owner name written on side edges. Spine is tight. Pages are clean, no markings, notes or stains. Ships from Friends bookstore to benefit Beaverton (Oregon) library.

Paperback. Etat : Fair. 6. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Etat : Fair. 6. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

Paperback. Etat : Very Good. 6. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. 6. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. 6. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Paperback. Etat : Very Good. 6. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Soft cover. Etat : Very Good. 1st Edition. Digest format. Lightly rubbed on the corners; no interior markings. Cover art by Stephen Fabian; interiors by: Jim Pitts; Alfred Klosterman; Russ Nicholson; John Grandfield; Sue Simpson; Dave Carson; Clive Barker; Martin McKenna; J. K. Potter; and Allen Koszowski. This issue contains: An Outworn Story by Robert E. Howard; The Last Call by Michael Moorcock; Six Commonplaces by Clive Barker; The Dandelion Chronicles by William F. Nolan; Writer's Curse by Ramsey Campbell; Hell Is a Personal Place by Brian Lumley; North Sea Lament by Steve Eng; The Traveling Salesman and the Farmer's Daughter by C. Bruce Hunter; Ebony Rose by Leilah Wendell; The Hollywood Mandate by Mike Chinn; and The Ghoul of the Four Winds by William Thomas Webb. Size: 12mo. Stephen Fabian; Jim Pitts; Alfred Klosterman; Russ Nicholson; John Grandfield; Sue Simpson; Dave Carson; Clive Barker; Martin McKenna; J. K. Potter; Allen Koszowski; (illustrateur). Book.…

Softcover. Etat : Very Good. Six edition. Very good. Paperback book. Slightly worn edges and corners. Former owner's name is stamped on the inside and side of the book.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Etat : New.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

PAP. Etat : New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Etat : New. Brings the figure of the voice and the problem of mimesis in Heidegger and post-Heideggerian continental thought to bear on the dismissal of language by the affective and aesthetic turns of contemporary critical theory.The recent turns to affect and aesthetics in the humanities and the interpretive social sciences have been productive for reflecting on the crucial role sensibility plays in the constitution of the social. However, these scholarly developments construct their interventions by dismissing the attention to language that was central to the linguistic and cultural turns of previous eras and by claiming that language is an obstacle to experiencing the reality of difference to which they maintain only sensibility can grant access. By analyzing the figure of the voice in the work of Martin Heidegger and the continental thinkers who follow him, The Scene of the Voice shows that the dismissal of language in favor of sensibility requires overlooking their common connection in the problem of mimesis. As this book ultimately argues, artificially separating language and sensibility results in a failure to encounter affect, the relation to difference affect is said to name, and the experience of thinking affect is taken to provoke.…

Stapled Soft Cover. Etat : Good. Clean, tight, unmarked; gallery stamp on corner of several pages; age tanning; edge wear to spine; otherwise minimal wear; Catalogue of an exhibition held at the Canada House Cultural Centre Gallery, London, England. Essays by Robert Enright, Keith Louise Fulton and Grace Eiko Thomsom.…

Soft cover. Etat : Good. 6th edition. GOOD softcover, 15 pages have some highlighting, rest of text clean. Book.

Etat : New. In English.

Etat : As New. Unread book in perfect condition.

Comic. Etat : Very Good. Seems unread, light storage wear. Sent in a comic bag with backing board as well as our usual protective packaging. Cover: Michael Del Mundo Pencils: Tan Eng Huat Inks: Craig Yeung (illustrateur). Book.

Etat : good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Etat : good. Book is in good condition and may include underlining highlighting and minimal wear. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Paperback. Etat : new. Paperback. Brings the figure of the voice and the problem of mimesis in Heidegger and post-Heideggerian continental thought to bear on the dismissal of language by the affective and aesthetic turns of contemporary critical theory.The recent turns to affect and aesthetics in the humanities and the interpretive social sciences have been productive for reflecting on the crucial role sensibility plays in the constitution of the social. However, these scholarly developments construct their interventions by dismissing the attention to language that was central to the linguistic and cultural turns of previous eras and by claiming that language is an obstacle to experiencing the reality of difference to which they maintain only sensibility can grant access. By analyzing the figure of the voice in the work of Martin Heidegger and the continental thinkers who follow him, The Scene of the Voice shows that the dismissal of language in favor of sensibility requires overlooking their common connection in the problem of mimesis. As this book ultimately argues, artificially separating language and sensibility results in a failure to encounter affect, the relation to difference affect is said to name, and the experience of thinking affect is taken to provoke. Brings the figure of the voice and the problem of mimesis in Heidegger and post-Heideggerian continental thought to bear on the dismissal of language by the affective and aesthetic turns of contemporary critical theory. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Etat : As New. Unread book in perfect condition.