millais john everett 1829 1896 (17 résultats)

First Edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description; 224 p. : ill. (chiefly col.) ; 28 cm. Notes; "Published in Great Britain by National Portrait Gallery Publications"--T.p. verso. "Published to accompany the exhibition . held at the National Portrait Gallery, London from 19 February to 6 June 1999"--T.p. verso. Includes bibliographical references (p. 216-218) and index. Contents; Introduction : Millais's reputation and the practice of portraiture / Peter Funnell -- 1. Early and pre-Raphaelite portraits / Leonée Ormond -- 2. Portraits of children : the pathos of innocence / Malcolm Warner -- 3. Portraits of men : Millais and Victorian public life / H.C.G. Matthew -- 4. Portraits of women : on display / Kate Flint. Subjects; Millais, John Everett 1829-1896. Millais, John Everett 1829-1896 ; Exhibitions. Millais, John Everett Sir 1829-1896 Criticism and interpretation. Millais, John Everett Sir, Baronet. National Portrait Gallery (London, England) ; Exhibitions. Millais portraits (1999 : National Portrait Gallery, London, England). Pre-Raphaelite art. Art, Modern 19th century. Portrait painters Great Britain ; Exhibitions. Children ; Portraits. Portraits, Victorian. Pre-Raphaelitism England ; Exhibitions. Portrait painting, English. Pre-Raphaelitism England ; Exhibitions. 1 Kg.

Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Studies in British Art 7] 255 x 180 mm. vii, 233 pp. & [16] of colour plates, 84 text illustrations. [ISBN: 978-0300091199] Clothbound. Top edge of text block slightly spotted, otherwise a very good bright copy free from ownership inscriptions in like dustwrapper.

1st edition. Very good paperback copy; wrappers slightly dulled and edge-nicked. Bright and clean internally. Remains particularly well-preserved overall. Physical description: 97 pages. Notes: Introduction by Mary Bennett. Includes bibliography. Subjects: Millais, John Everett Sir 1829-1896. Walker Art Gallery (Liverpool). Royal Academy of Arts (Great Britain). Walker Art Gallery.Royal Academy of Arts (Great Britain); Exhibitions.Genre: Bibliography. 1 Kg.

Abridged edition. Fine paperback copy. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered. Physical description: 201 pages; illustrations (some color) ; 29 cm. Notes: Japanese exhibition catalog. Abridged from Millais, published by Tate Publishing 2007. Catalogue for the exhibition at Tate Britain, London 26 Sept.2007-13 Jan.2008 & Van Gogh Museum, Amsterdam 15 Feb.-18 May 2008. Includes bibliographical references (page 111). Subjects: Millais, John Everett 1829-1896 ; Exhibitions. Millais, John Everett 1829-1896. Millais, John Everett 1829-1896 Criticism and interpretation. Painting, British 19th century ; Exhibitions. Peinture britannique 19e siècle ; Expositions. Painting, British. Pre-Raphaelitism England London ; Exhibitions. 1 Kg.

First edition in publisher's original colour illustrated card wrap covers [soft back]. 8vo. 7¼'' x 8½''. Contains 24 pp with monochrome illustrations and colour works of art throughout. In Fine condition, no dust wrapper as issued. Member of the P.B.F.A. ART [British].

Mounted Oval Carbon (Woodburytype) photograph of the celebrated English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood a child prodigy who at eleven, became the youngest student to enter the Royal Academy Schools . A page of descriptive text is included.

Hardcover. Etat : Good. 1866 Alexander Strahan edition on green cloth with gilded bordres and lettering to frontis with somewhat worn outer boards difernet bfrom pictuire on amazon showing edition on brown cloth.

First Hardback Edition. Near fine copy in the original title-blocked cloth. Slightest suggestion only of dust-dulling to the spine and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 83 p. : ill. ; 22 x 26 cm. Subjects; Brig O'Turk (Central Region, Scotland) In art. Scotland Highlands. Millais, John Everett, Sir, 1829-1896. English drawings Millais Sir John Everett Special subjects Scotland Central Region Brig O'Turk Illustrations. Pre-Raphaelitism. Drawing 19th century England. Preraphaelitism Great Britain. Artists - [19th Century - United Kingdom]. Artists' Sketchbooks - [19th Century - United Kingdom]. Humorous Art - [19th Century] 1 Kg.

Size of the engraved image 8 1/2 x 6 3/4 inches, size overall 15 1/2 x 10 1/2 inches. On good quality paper (not newspaper stock). Printed caption, identifying the subject below the image. Some light foxing and indentations to blank margin else very good and with good margins; ideal for framing. From "The National Portrait Gallery of Eminent Personages" issued as a supplement to "The Illustrated News of the World" which was published 1858-1864. With the original printed leaf of text giving biographical details of the subject.

Hard back binding in publisher's original olive green cloth covers, gilt lettering to the upper panel, all page edges gilt, bevelled edges. Folio 13'' x 10'' 32 pp. Monochrome illustrations throughout. Prize plate to the front paste down, very minor rubs to the corners and spine tips, free from foxing, the contents being in Fine condition. Member of the P.B.F.A. ART [British].

1st edition. Very good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat dulled and rubbed as with age with some staining. Very light foxing to the pages. End papers slightly creased. Remains quite well-preserved overall. Physical description; vi, 80 leaves of plates : chiefly ill. ; 32 cm. Notes; The plates carry no numbers but are assigned numbers 1-80 in the List Of The Collection. Subjects; Millais, John Everett 1829-1896. Wood-engraving. Wood-engraving 19th century. Pre-Raphaelitism. Wood-engraving. Illustrated books : graphic design. 1 Kg.

First Edition. Very good copy in the original gilt-blocked cloth with bevelled boards and gilt-edged. Spine bands and panel edges somewhat rubbed and dust-toned as with age. Remains quite well-preserved overall; tight, bright, clean and strong. Physical description; [6] p., 80 leaves of plates : chiefly ill. ; 32 cm. Notes; Half title incl. illustration. Drawings engraved mostly by Swain and the brothers Dalziel. Engraver with initials C. T. T. probably Charles Thurston Thompson. Subjects; Millais, John Everett Sir (1829-1896). Pre-Raphaelitism. Wood-engraving - 19th century. Genres; Illustrated books - England - 1866. 1 Kg.

8vo. 2 pp. on bifolium. To an unnamed addressee: "Dear Sir, I have every inclination to assist you, but my difficulty is to obtain a picture. The possessors of my works have so often obliged me in lending pictures for London and Country exhibitions that they are tired of obliging me [.] I will however endeavor to induce some of my friends to help you [.]". - On stationery with embossed address and black border; with stamp of the "Autograph Collection of Dr. Max Thorek | Chicago"; the reverse of f. 2 with small traces of former mounting;

8vo. 1 p. Eigenhändiger Brief mit Unterschrift ("John Everett Millais") an den Kunsthändler und früheren Förderer James Wyatt (1774-1853): [] I have been elected a Steward to the Artist benevolent fund dinner, and am expected to obtain as many donations as I can []". Kleinere Gebrauschsspuren.John Everett Millais gehörte dem Kreis der Präraffaeliten an. Ihr Ziel war es, in der Malerei vor allem die Natur wiederzuentdecken und sie versuchten eine detailgetreue Darstellungen der Natur im Gemälde zu erreichen. Millais galt als Wunderkind und gewann als Neunjähriger eine Silbermedaille der Royal Society of Arts. Mit elf wurde er in die Royal Academy of Arts aufgenommen. Millais war der erste Künstler, dem der erbliche Titel Baronet (1885) verliehen wurde.

Etat : Good. Original color mezzotint. 25 x 18.5cm.platemark. 48.5 x 35cm. sheet size. Thick rag paper without watermark. Together with the letterpress text: As published in : "The Gallery of One Hundred Famous Portraits of Great Men and Women . First series." . 58x 46cm. Thomas Crawford Hamilton exhibited at the Royal Scottish Academy from 1879 until 1889, giving his address as Glasgow. He worked in a variety of media including oil, pencil and watercolour and painted landscapes, important historical buildings and religious subjects. Hamilton left behind some fine drawings of the exterior and interior of the newly-opened Scottish National Portrait Gallery. Among his works there are also some interesting portraits.Reference: National Galleries of Scotland, Accession number: SP VI 12.4.Provenance : From the collection of Frederic Gale Ruffner, Jr., the founder of Gale Research, Detroit.

unbound. Etat : very good. 8vo. 4 pages, Perth, March 18th 1857, written at the very time when he totally abandoned the Pre-Raphaelite Movement in favor of a more commercial style that allowed for a greater output of canvases, in full: "I now feel that in spite of all previous alterations it must be considerably added to. 5-1/2" must be added on each side, right & left to enable me to get the horses head and tail properly. Also make the canvass deeper. If deeper - as much as what is trimmed over will allow. You will find enough canvass on the right and side, but of course where the horses head is you must sew on more canvass - as you did on the other side. Now I need not tell you that this must be done immediately, and returned sooner if possible than last time you had it. I have little or no time to paint the horses and finish the picture therefore I trust in you to aid me as quickly as you can by following the above directions speedily executed. Please send word by return of post that you have received this picture safely." Condition: Tiny hole through the center of the letter created when the recipient placed Mallais' order through an "accounts receivable" stand with protruding spike. Also, two minor glue stains at the top-center which affects only three letters in the address and salutation. Overall: very good condition. English painter and illustrator who was one of the founders of the Pre-Raphaelite Movement. Two years prior to this letter, Millais married his wife Effie - formerly married to the critic John Ruskin, who had supported Millais early work. By 1857, he began to paint in a broader style, which was considered by Ruskin "a catastrophe". Modern critics have concluded that this radical change in style resulted from Millais need to increase his output to support his ever growing family.

8vo. 3 pp. on bifolium. To the Saxon artist Ludwig Gruner (1801-82), long active in Britain and then director of the Royal Cabinet of Engravings in Dresden: "Dear Sir. I am delighted to hear so good an opinion of my Holbein. I bought it without a moment's hesitation upon its merits. If there has been any published criticism on the pictures during the Holbein exhibition I should very much like to have it, as I should like my judgement supported. I have read Mr. Robinson's letters in the Times, but of course I can form no opinion without seeing the two pictures (the Madonna's). Some day I hope to visit Dresden and see your picture. My wife desires me to send her best regards to you [.] I am staying now in Scotland but when the picture is in my house I will return you your acknowledgement of its being borrowed for the Dresden exhibition.".