Murray damon (790 résultats)

Hardcover. Etat : Very Good. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Hardback. Etat : Very Good. Ukraine?s overlooked modernist buildings are under threat from development, decommunization and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject. What does Ukrainian Modernist architecture look like and why isn?t it better-known in the west? Photographer and architectural tour guide Dmytro Soloviov is fighting to preserve the disappearing modernist heritage of his native Ukraine. These innovative buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognised. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war. From masterpieces such as the Kyiv Crematorium and Salut Hotel, to previously undocumented examples like the Uzhhorod Airport Terminal and the Novoarkhanhelsk Police Station, Soloviov has traversed Ukraine photographing the exteriors and interiors of these important buildings and their monumental art (mosaics, stained glass and sculptures). While the nation?s attention is consumed by more existential matters, he has documented the unique identity of one of the least catalogued periods of Soviet architecture, his images forming a singular record of an unexpected and rapidly disappearing legacy. An introduction by renowned architecture critic Owen Hatherley, complete with historical images, cements these buildings in a cultural and political context. With over 120 examples across 240 pages, this publication is the most comprehensive available on the subject.…

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Softcover. Etat : Bon. Traces d'usure sur la couverture. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Signs of wear on the cover. Ammareal gives back up to 15% of this item's net price to charity organizations. Erashov, Alexander (illustrateur).…

Hardback. Etat : Very Good. Ukraine?s overlooked modernist buildings are under threat from development, decommunization and war. Photographer Dmytro Soloviov has crossed Ukraine documenting them to form the most comprehensive publication available on the subject. What does Ukrainian Modernist architecture look like and why isn?t it better-known in the west? Photographer and architectural tour guide Dmytro Soloviov is fighting to preserve the disappearing modernist heritage of his native Ukraine. These innovative buildings are an extraordinary blend of function, avant-garde aesthetics and ingenious design, but despite these qualities, they remain largely unrecognised. This is a result of several factors, including the stigma of belonging to the Soviet era, corruption, neglect, as well as the ongoing threat of destruction from both unscrupulous developers and war. From masterpieces such as the Kyiv Crematorium and Salut Hotel, to previously undocumented examples like the Uzhhorod Airport Terminal and the Novoarkhanhelsk Police Station, Soloviov has traversed Ukraine photographing the exteriors and interiors of these important buildings and their monumental art (mosaics, stained glass and sculptures). While the nation?s attention is consumed by more existential matters, he has documented the unique identity of one of the least catalogued periods of Soviet architecture, his images forming a singular record of an unexpected and rapidly disappearing legacy. An introduction by renowned architecture critic Owen Hatherley, complete with historical images, cements these buildings in a cultural and political context. With over 120 examples across 240 pages, this publication is the most comprehensive available on the subject.…

Hardcover. Etat : Fair. No Jacket. Former library book; Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardback. Etat : Very Good. Small garages and service stations are a vital ? but fast disappearing ? part of Britain?s automotive landscape. Often independently owned and sited in idiosyncratic buildings, they are rightfully celebrated and sensitively documented in this essential book.You might use a local garage to change a tyre or replace your exhaust, but when was the last time you pulled over and took a good look at the building itself? In the spirit of Ed Ruscha?s Twentysix Gasoline Stations (1963), photographer Philip Butler has done just that. Over six years, he?s travelled the length and breadth of Britain photographing these diverse, eccentric and idiosyncratic buildings. As motoring became popular in the early 1900s, the need for mechanical expertise to service, repair, refuel, and sell vehicles soared ? and the ?garage? was born. From the Mock-Tudor fad of the 1920s via the Streamline Moderne of the 1930s, to the simple Modernist rationalism of postwar Britain, each era has produced a distinct automotive architecture. With the introduction of the Ministry of Transport (MOT) vehicle test in the 1960s, demand accelerated still further. A diverse array of structures was utilised ? churches, cinemas, railway arches, fire stations, shops, factories ? all proved versatile enough to find second lives as garages. As the era of the combustion engine draws to a close, Butler?s enchanting photographs of 226 Garages and Service Stations document the charm and personality of these survivors of the petrol age.…

Hardcover. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

paperback. Etat : Near Fine. Condition Notes: Excellent, unmarked copy with little wear and tight binding. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.

Hardback. Etat : Very Good. Small garages and service stations are a vital ? but fast disappearing ? part of Britain?s automotive landscape. Often independently owned and sited in idiosyncratic buildings, they are rightfully celebrated and sensitively documented in this essential book.You might use a local garage to change a tyre or replace your exhaust, but when was the last time you pulled over and took a good look at the building itself? In the spirit of Ed Ruscha?s Twentysix Gasoline Stations (1963), photographer Philip Butler has done just that. Over six years, he?s travelled the length and breadth of Britain photographing these diverse, eccentric and idiosyncratic buildings. As motoring became popular in the early 1900s, the need for mechanical expertise to service, repair, refuel, and sell vehicles soared ? and the ?garage? was born. From the Mock-Tudor fad of the 1920s via the Streamline Moderne of the 1930s, to the simple Modernist rationalism of postwar Britain, each era has produced a distinct automotive architecture. With the introduction of the Ministry of Transport (MOT) vehicle test in the 1960s, demand accelerated still further. A diverse array of structures was utilised ? churches, cinemas, railway arches, fire stations, shops, factories ? all proved versatile enough to find second lives as garages. As the era of the combustion engine draws to a close, Butler?s enchanting photographs of 226 Garages and Service Stations document the charm and personality of these survivors of the petrol age.…

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Etat : Acceptable. Please see the condition note after this for details, if this is missing please consider Acceptable to mean poor quality that could include major staining, water damage, writing, missing dustjacket, etc etc. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only. Erashov, "Amanita" Alexander (illustrateur). …

Paperback. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

hardcover. Etat : Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages. hardcover.

hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Etat : New. Suitable for those who are interested in graphics and design, this title presents media ranging from digital illustration, photography, found imagery and painting. Num Pages: 112 pages, 125 illustrations, 110 in colour. BIC Classification: ACB. Category: (U) Tertiary Education (US: College). Dimension: 176 x 224 x 12. Weight in Grams: 334. . 2006. paperback. Not a first edition copy. . . . Books ship from the US and Ireland. …

Mass Market Paperback. Etat : Good+ to Very Good-. First Edition. [1st printing](1965) #SP352. Cover art "Perfect Sunset", by Eugene Berman. Paperback original. Includes "Don't Look Now" by Henry Kuttner; "The Box" by James Blish; "The New Reality" by Charles L. Harness; "The Eternal Now" by Murray Leinster; "The Sky Was Full of Ships" by Theodore Sturgeon; "The Shape of Things" by Ray Bradbury; "The Only Thing We Lean" by C. M. Kornbluth; "The Hibited Man" by L. Sprague de Camp; "Dorman" by A. E. van Vogt; "The Ambassadors" by Anthony Boucher; "A Child Is Crying" by John D. MacDonald. Creasing; tanning; stress; uneven edges. Book.…

Etat : New. Suitable for those who are interested in graphics and design, this title presents media ranging from digital illustration, photography, found imagery and painting. Num Pages: 112 pages, 125 illustrations, 110 in colour. BIC Classification: ACB. Category: (U) Tertiary Education (US: College). Dimension: 176 x 224 x 12. Weight in Grams: 334. . 2006. paperback. Not a first edition copy. . . . …

hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

paperback. Etat : Very Good.

SingleIssueMagazine. Etat : Reading Copy. Vol. 28, No. 3. Pulp magazine. Edited by Samuel Mines. Cover art by Schomburg. Includes "Double Meaning" by Damon Knight; "Overdrive" by Murray Leinster; "The Boy With Five Fingers" by James E. Gunn; "My Old Venusian Home" by Kendall Foster Crossen; "No Charge to the Membership" by Roger Dee; "Button, Button" by Isaac Asimov; "Who's Cribbing?" by Jack Lewis; "Three-Legged Joe" by Jack Vance. Illustrated by Virgil Finlay, Alex Schomburg, Paul Orban, J. Dreary, Peter Poulton, and Emsh. Letters from Marion Zimmer Bradley and others. Has been wet with rusty staples, mild staining and waviness; rubbing; creasing; a few small interior corner losses; front cover as seen in scan. Reading copy. Book.…

Softcover. Etat : Très bon. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Ammareal gives back up to 15% of this item's net price to charity organizations.

Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Soft cover. Etat : Very Good. 1st Edition. First edition, first printing # T 39 of this collection of science fiction short stories. A paperback original. Featured are The Wings of Night by Lester del Rey, The Holes Around Mars by Jerome Bixby, Kaleidoscope by Ray Bradbury, I'll Build Your Dream Castle by Jack Vance, Far Centaurus by A.E. Van Vogt, Propagandist by Murray Leinster, Cabin Boy by Damon Knight, A Walk in the Dark by Arthur C. Clarke, Blind Alley by Isaac Asimov, The Helping Hand by Poul Anderson and Allamagoosa by Eric Frank Russell. Light edgewear. Light creasing to the cover. Light rubbing to the dark cover. A 1/2-inch closed tear to the tip of the spine. Earlier owner's address sticker pasted to the first summary page. In Very Good Condition.…