n e thing ltd (7 résultats)

Soft cover. Etat : Near Fine. Oblong paperback. Unpaginated. Fine but for small (dime-sized) dampstain, not especially conspicuous, at lower edge of front cover; and faint toning along spine.

128 pp.; 26.5 x 20.4 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue / critical theory published in conjunction with show held at the Art Gallery of Ontario, Toronto, April 2 - May 15, 1983. Traveled to Musee d'Art Contemporain, Montreal, September 15 - October 30, 1983 and Glenbow Museum, Calgary, November 18, 1983 - January 7, 1984. Texts by AA Bronson, Peggy Gale, Jean-Christophe Ammann, Michael Asher, Anne Rorimer, Harald Szeemann, Ursula Wevers, Marcel Broodthaers, Benjamin H.D. Buchloh, Daniel Buren, James Lee Byars, Marcel Duchamp, Robert Filliou, R. Austen Marshall, General Idea, Walter Grasskamp, Daniel Spoerri, Image Bank, Donald Judd, Hans Haacke, Wulf Herzogenrath, On Kawara, Garry Neill Kennedy, Joseph Kosuth, Les Levine, Glenn Lewis, George Maciunas, Piero Manzoni, N.E. Thing Co. LTD., Claes Oldenburg, Coosje van Bruggen, and Garry Schum. "An anthology of texts and works exploring the relationship of the artist to the museum, from Marcel Duchamp's seminal 'Boite-en-Valise' and Claes Oldenburg's 'Mouse Museum' to the critical work of Hans Haacke and Daniel Buren. Harald Szeemann's proposal for the 'Museum of Obsessions' at a future Documenta is here reproduced in English for the first time. Edited by AA Bronson and Peggy Gale. With texts / works by Jean-Christophe Ammann, Michael Asher, AA Bronson, Marcel Broodthaers, Benjamin Buchloh, Daniel Buren, Marcel Duchamp, Robert Filliou, Vera Frenkel, General Idea, Walter Grasskamp, Hans Haacke, Wulf Herzogenrath, Image Bank, Donald Judd, On Kawara, Gary Neill Kennedy, Joseph Kosuth, Les Levine, Glenn Lewis, George Maciunas, Piero Manzoni, Claes Oldenburg, Museum of Conceptual Art, N.E. Thing Company Limited, Garry Schum, Harald Szeemann." -- publisher's statement. Covers by Daniel Buren, and insert by James Lee Byars. Texts in English and French. Fair / Good. Rubbing, scratching, and discoloration of covers with 2.2 cm. and 1.5 cm. surface tears to spine. Bumping of corners with 1.8 cm. dog-ear to top left corner of recto. 5 mm. and 2 mm. surface tears to bottom edge of verso. Price sticker from MoMA on inside of recto flap. 3 mm. yellow stain to page 288. Contents otherwise clean and unmarked. Due to large size and weight additional shipping charges will be required for international orders.

square 8vo. unpaginated. profusely illus. in b/w. biographies, exhibition chronology biblo. Illustrated wrappers in excellent condition with very minor wear to extremities. Published in conjunction with an exhibition held at Peter Whyte Gallery, Banff, Alberta, Canada.

Softcover. Etat : Near Fine. First edition. Oblong small quarto. Seventeen small booklets, in a portfolio, housed in a stiff card slipcase. A few booklets with just a bit of light foxing, the introductory booklet lacking staples, thus near fine in a toned, near fine portfolio with a crease on the spine and a bit of edgewear, housed in a lightly worn, very good slipcase with creases along the top and bottom edges, a sticker shadow on one panel, missing the closing tabs on the end, with old tape that had held it shut. Includes booklets by Jack Dale, Michael de Courcy, Christos Dikeakos, Judith Eglington, Gerry Gilbert, Roy Kiyooka, Glenn Lewis, Taras Masciuch, NE Thing Co. Ltd., Michael Morris, Jone Pane, Timothy Porter, Peter Thomas, Vincent Trasov, and Robertson Wood. A powerful collection of work by prominent players in the flourishing multimedia art scene of Canada's west coast.

Etat : Good. First edition. Softcover paper portfolio(metallic silver) with loose sheets. Folio. Unpaginated (86 loose sheets). Illustrated with 68 b/w full-page plate photographs, and many additional in-text b/w photographs and illustrations. An artist's book and exhibition catalogue to compliment a series of shows and events created by the art collective N.E. Thing Co. LTD to coincide with the 1976 Summer Olympics in Montreal, Canada. The 18 sheets of text break down as: Schedule (1 sheet), [Video Programme, Slide Presentation: The Body in Art, Myself and Somebody Else by Eric Cameron, By Way of Introduction (4 stapled sheets )], Film Programme (1 sheet), Handlist of Works Included (1 sheet), The Aesthetic in Sport by David Best (3 stapled sheets), Body Works by Willoughby Sharp and Liza Bear, reprinted from Avalanche No. 1 Fall, 1970 (2 stapled sheets), The Pains and Pleasures of Rebirth: Women's Body Art by Lucy R. Lippard (5 stapled sheets), and Football for Art's Sake by Barrie Hale reprinted from Canadian Magazine November, 1975 (1 Sheet). All sheets are slightly yellowed around the edges. The portfolio is creased, rubbed, and worn, with frayed, bumped corners. and small tears in the fore edges and spine. Loose sheets in paper portfolio.

Brossura. Etat : molto buono. prima edizione. Brossura, 80 pagine, illustrazioni in bianco e nero, misura 21x28 cm circa. Leggere bruniture all'esterno, interno ottimo. non comune.

square folio. illus. 85 unnumbered loose sheets in paper portfolio (creasing & short edge tears to portfolio, corner of one sheet creased, another partly soiled on verso). First Edition. The artist's book and exhibition were launched at the Agnes Etherington Gallery in Kingston, Ontario during the Montreal '76 Olympics. N.E. Thing Ltd.'s 'Celebration of the Body' demonstrates the aesthetic concerns and relationships between athletic and artistic activity. It is "a tribute to the original concept of the Olympics. The exhibition has several areas of concern: the historical showing how the arts have used human movement in sport and art for visual esthetic expression; the contemporary body art interest showing the current activities in visual arts where the artist uses his or her own body for their visual expression; the athletic, showing the actual Olympics through the use of video and photographs and athletic participation; the performance, including many forms of dance and photographs of dancers; and body awareness, showing all else to do with the body." The set of sheets include illustrations from various sources superimposed on graph paper as well as a film program, video program, and handlist of art works included in the event. Also included are reprinted texts: "Body Works" by Willoughby Sharp & Liza Bear (from Avalanche), "The Pains and Pleasures of Rebirth: Women's Body Art" by Lucy R. Lippard (from Art in America), and "The Aesthetic in Sport" by David Best (from The British Journal of Aesthetics). N. E. Thing Co. (Ltd.), a Vancouver-based art collective, played a seminal role in the emergence of the conceptual art movement in Canada, 1967-1978. Focusing on an interdisciplinary practice and using photography, site-specific performances and installation, N.E. Thing Co. is seen as a "key catalyst and influence for Vancouver photoconceptualism" and is considered a precursor to the Vancouver School. N.E. Thing Co. created some of the earliest photoconceptual works to display a tendency to use photography to document "idea-works and their sites, as language games and thematic inventories and as reflective investigations of the social and architectural landscape." (See Ian Wallace, 'Thirteen Essays on Photography', pp. 94-97) Worldcat cites circa 75 leaves in one entry and in another 68 plates and 38 pages.